A New York City doctor, who is married to an art curator, pushes himself on a harrowing and dangerous night-long odyssey of sexual and moral discovery after his wife admits that she once almost cheated on him.
Humbert Humbert forces a confrontation with a man, whose name he has just recently learned, in this man's home. The events that led to this standoff began four years earlier. Middle aged Humbert, a European, arrives in the United States where he has secured at job at Beardsley College in Beardsley, Ohio as a Professor of French Literature. Before he begins his post in the fall, he decides to spend the summer in the resort town of Ramsdale, New Hampshire. He is given the name of Charlotte Haze as someone who is renting a room in her home for the summer. He finds that Charlotte, widowed now for seven years, is a woman who puts on airs. Among the demonstration of those airs is throwing around the name of Clare Quilty, a television and stage script writer, who came to speak at her women's club meeting and who she implies is now a friend. Those airs also mask being lonely, especially as she is a sexually aggressive and liberated woman. Humbert considers Charlotte a proverbial "joke" but ...Written by
When Humbert starts his journey to pick up Lolita, you'll see at Camp Climax sign, the white station wagon has a license place that reads 2178 and seems to be from a different state than the other plates. The car Humbert parks at the service station has a lamp attached to the front grille, and carries number plate 17459. A few minutes later when he has the blowout (which seems to leave all four tires intact) the lamp is missing and a white number plate that reads AC629. The car that has been trailing them also has this same type of license plate, too. It is visible on the front of the car and on the back, when it turns around. At the end of the film, the car has the 17459 license plate again. See more »
I think Stanley Kubrick was the only director who had any ideas of how to tackle a film version of Lolita. I also believe that he was the only director who could have succeeded, and I believe he did succeed. This film was everything I could have expected it to be, and maybe even a little more.
Shelley Winters' performance was wonderful! James Mason delivered a strong effort in a very difficult part to play. Peter Sellers was Peter Sellers, four or five times throughout the movie, but that's Peter Sellers, and that's why I am really starting to admire his work. The real surprise performance in this movie, however, came from Sue Lyon in the title role. Her intensity was incredible. She seemed perfectly natural as a teenage girl enjoying the attention of older men, or just men in general. You could really see the wheels turning in her head as she schemed her way from one situation to the other. Some have criticized that her Lolita was "too old" in comparison to the novel's Lolita. One could make that judgment, however, what twelve year old actress would have been able to provide the emotional depth required for the part? Let's face it, in literary adaptations, some license must be allowed. All in all, I thought it was a very good movie, and I would recommend it to anyone who enjoys the work of Stanley Kubrick and/or Peter Sellers.
112 of 148 people found this review helpful.
Was this review helpful to you?
| Report this