Humbert Humbert forces a confrontation with a man, whose name he has just recently learned, in this man's home. The events that led to this standoff began four years earlier. Middle aged Humbert, a European, arrives in the United States where he has secured at job at Beardsley College in Beardsley, Ohio as a Professor of French Literature. Before he begins his post in the fall, he decides to spend the summer in the resort town of Ramsdale, New Hampshire. He is given the name of Charlotte Haze as someone who is renting a room in her home for the summer. He finds that Charlotte, widowed now for seven years, is a woman who puts on airs. Among the demonstration of those airs is throwing around the name of Clare Quilty, a television and stage script writer, who came to speak at her women's club meeting and who she implies is now a friend. Those airs also mask being lonely, especially as she is a sexually aggressive and liberated woman. Humbert considers Charlotte a proverbial "joke" but ...Written by
As Humbert brings their Ford station wagon to a screeching halt after the "blowout", the outside view of the front of the car shows all four tires fully inflated and a license plate with AC629 on a white background. When they stopped at the gas station previously, the numbers were 17459 on a black background. The auxiliary light that was next to the left parking lamp is also now missing. As the car comes to a halt after the blowout, Lolita is sitting in the front passenger seat instead of in the middle of the back seat. On the cut to the inside of the car afterwards, Lolita is still in the back seat. See more »
The credits are played over footage of Lolita's toenails being painted. See more »
The scene where Lolita first "seduces" Humbert as he lies in the cot is a good 10 seconds longer in the British cut of the film. In the U.S. cut, the shot fades as she whispers the details of the "game" she played with Charlie at camp. In the U.K. print, the shot continues as Humbert mumbles that he's not familiar with the game. She then bends down again to whisper more details. Kubrick then cuts to a closer shot of Lolita's head as she says "Well, allrighty then" and then fades as she begins to descend to Humbert on the cot. The British cut of the film was used for the Region 1 DVD release. See more »
One year after Lolita was released, Stanley Kubrick cut his ties with producer James B. Harris after starting Doctor Strangelove., thus only making his own films. Lolita is Kubrick's apparent transition from making money type of pictures (Paths of Glory) to art (Doctor Strangelove. It seems like Humbert and Lolita are the only sane characters while everyone else is sane. As the troubled Humbert, James Mason shines, turning in a performance of emotional capacity that even generates sympathy for him. As Lolita's oddball and energetic mother, Shirley Winters also does very well; creating a sort of hate for her. Sue Lynon plays Lolita with a nice sort of childness, yet at the same time she shows a sort of maturity not usually shown done by an actress of that age. And of course there's Peter Sellers as the eccentric Clarence Quilty, who's downright hilarious and very strange. The script provides fleshed out characters, and at the same time not always letting the viewer know what's going on. Stanley Kubrick's direction is beautiful and cold, letting the viewer have emotions instead of telling them what to feel. Stanley Kubrick doesn't come back to these proffesionall and well- spoken characters until Barry Lyndon (1975). Unfortunately, this film ends up getting repeating and dull. The photography provides a sort of gloss to it that few films have, and also the editing is rapid- fire. 9.5/10
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