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Lolita (1962)

Not Rated | | Crime, Drama, Romance | 21 June 1962 (West Germany)
A middle-aged college professor becomes infatuated with a fourteen-year-old nymphet.

Director:

Writers:

(screenplay), (novel)
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Popularity
892 ( 506)

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Nominated for 1 Oscar. Another 2 wins & 8 nominations. See more awards »

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Cast

Cast overview, first billed only:
... Prof. Humbert Humbert
... Charlotte Haze
... Lolita
... Richard T. Schiller
Jerry Stovin ... John Farlow
Diana Decker ... Jean Farlow
... Nurse Mary Lore
... Physician
Bill Greene ... George Swine
... Mrs. Starch
... Vivian Darkbloom
Marion Mathie ... Miss Lebone
James Dyrenforth ... Frederick Beale Sr.
Maxine Holden ... Miss Fromkiss
John Harrison ... Tom
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Storyline

Humbert Humbert forces a confrontation with a man, whose name he has just recently learned, in this man's home. The events that led to this standoff began four years earlier. Middle aged Humbert, a European, arrives in the United States where he has secured at job at Beardsley College in Beardsley, Ohio as a Professor of French Literature. Before he begins his post in the fall, he decides to spend the summer in the resort town of Ramsdale, New Hampshire. He is given the name of Charlotte Haze as someone who is renting a room in her home for the summer. He finds that Charlotte, widowed now for seven years, is a woman who puts on airs. Among the demonstration of those airs is throwing around the name of Clare Quilty, a television and stage script writer, who came to speak at her women's club meeting and who she implies is now a friend. Those airs also mask being lonely, especially as she is a sexually aggressive and liberated woman. Humbert considers Charlotte a proverbial "joke" but ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

How did they ever make a movie of Lolita? See more »

Genres:

Crime | Drama | Romance

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

| | |

Release Date:

21 June 1962 (West Germany)  »

Also Known As:

Лолита  »

Filming Locations:

 »

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Box Office

Budget:

$2,000,000 (estimated)

Gross USA:

$9,250,000
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

(RCA Sound Recording)

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

In 1962, Sue Lyon had a hit single with "Yah Yah Lolita," a version of Bob Harris' "Theme From Lolita" that combined a Latin instrumental with her repeated "Yah yahs." See more »

Goofs

Charlotte Haze's house is obviously British in architectural style as is the street in front of her home, although the location for her house is New Hampshire, USA according to the voice over in the film. Much of the film was shot in the UK. See more »

Quotes

[first lines]
Humbert Humbert: Quilty! Quilty?
Clare Quilty: Ah, wha? Who's there?
Humbert Humbert: Are you Quilty.
Clare Quilty: No, I'm... Spartacus. You come to free the slaves or sumpn?
Humbert Humbert: Are you Quilty?
Clare Quilty: Yeah, yeah, I'm Quilty, yeah, sure.
See more »

Crazy Credits

The credits are played over footage of Lolita's toenails being painted. See more »

Connections

Referenced in Eyes Wide Shut (1999) See more »

Soundtracks

Put Your Dreams Away
(uncredited)
By Paul Mann
See more »

Frequently Asked Questions

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User Reviews

A Masterwork of Translation
8 March 1999 | by See all my reviews

A significant part of Stanley Kubrick's genius was his ability to translate a literary style into a visual one. It is demonstrated nowhere more brilliantly than in LOLITA and A CLOCKWORK ORANGE.

LOLITA is perhaps the more stunning accomplishment, in that Nabokov's style is complex and multi-layered. Yet Kubrick captures the effect of it in camera angles and movements, in timing and point of view.

The broadest layer of Nabokov's novel, the parable of the aging culture of Europe trying to revivify itself by debauching the seductive young culture of America, is really missing in the film. But everything else is there, despite the fact that the film departs from the exact events of the novel.

Not to say that the film depends on the novel. It stands by itself quite easily. But it succeeds brilliantly in conveying the ideas and feelings that are the core of the novel, and it does so in completely cinematic terms. If films are to be based on works of literature, this is the way to do it, and the way it is almost never done.


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