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Lawrence of Arabia (1962)

Approved | | Adventure, Biography, Drama | 11 December 1962 (UK)
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4:43 | Trailer
The story of T.E. Lawrence, the English officer who successfully united and led the diverse, often warring, Arab tribes during World War I in order to fight the Turks.

Director:

David Lean

Writers:

T.E. Lawrence (writings), Robert Bolt (screenplay) | 1 more credit »
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Popularity
523 ( 350)
Top Rated Movies #107 | Won 7 Oscars. Another 23 wins & 14 nominations. See more awards »

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Cast

Cast overview, first billed only:
Peter O'Toole ... T.E. Lawrence
Alec Guinness ... Prince Faisal
Anthony Quinn ... Auda Abu Tayi
Jack Hawkins ... General Allenby
Omar Sharif ... Sherif Ali
José Ferrer ... Turkish Bey (as Jose Ferrer)
Anthony Quayle ... Colonel Brighton
Claude Rains ... Mr. Dryden
Arthur Kennedy ... Jackson Bentley
Donald Wolfit ... General Murray
I.S. Johar ... Gasim
Gamil Ratib ... Majid
Michel Ray ... Farraj
John Dimech ... Daud
Zia Mohyeddin ... Tafas
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Storyline

Due to his knowledge of the native Bedouin tribes, British Lieutenant T.E. Lawrence is sent to Arabia to find Prince Faisal and serve as a liaison between the Arabs and the British in their fight against the Turks. With the aid of native Sherif Ali, Lawrence rebels against the orders of his superior officer and strikes out on a daring camel journey across the harsh desert to attack a well-guarded Turkish port. Written by Jwelch5742

Plot Summary | Plot Synopsis

Taglines:

After five years... the first motion picture from the creators of "The Bridge On The River Kwai." Columbia Pictures presents The Sam Spiegel - David Lean Production of ..... See more »


Certificate:

Approved | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook

Country:

UK

Language:

English | Arabic | Turkish

Release Date:

11 December 1962 (UK) See more »

Also Known As:

Lawrence of Arabia See more »

Filming Locations:

Morocco See more »

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Box Office

Budget:

$15,000,000 (estimated)

Opening Weekend USA:

$20,846, 22 September 2002

Gross USA:

$45,306,425

Cumulative Worldwide Gross:

$45,710,874
See more on IMDbPro »

Company Credits

Production Co:

Horizon Pictures (II) See more »
Show more on IMDbPro »

Technical Specs

Runtime:

(re-release) (1970) | (cut) (1962) (theatrical) | (premiere) | (1988) (restored)

Sound Mix:

70 mm 6-Track (70 mm prints)| Mono (35 mm optical prints)| 4-Track Stereo (35 mm magnetic prints)

Color:

Color (Technicolor)

Aspect Ratio:

2.20 : 1
See full technical specs »
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Did You Know?

Trivia

After five months shooting in Jordan, Producer Sam Spiegel ran short on cash and moved the entire production to Spain, where he had frozen assets he could only spend in that country. Director Sir David Lean was so unhappy about the move that he stayed in Jordan on his own after everyone else had left for a rest in England. Surveying one of the last scenes there, a desert panorama complete with camels, he complained, "Bloody well match that somewhere else in the world." See more »

Goofs

General Sir Edmund Allenby (promoted to Field Marshal in 1919) is characterized in the film as being cynical, manipulative, obstructive, and dismissive of Lawrence and his Arab allies, and is shown to come into conflict with them several times. However, there is significant evidence that Allenby and Lawrence enjoyed working with one another and had a good relationship that stretched into the post-war period. Allenby even endorsed Lawrence's book, "Seven Pillars of Wisdom," while Lawrence remembered him fondly as "great." Allenby also appeared to respect the Arabs working alongside him, as evinced by his congratulating Prince Faisal on the "great achievement" of his "gallant troops." See more »

Quotes

[first lines]
Colonel Brighton: He was the most extraordinary man I ever knew.
Vicar at St. Paul's: Did you know him well?
Colonel Brighton: I knew him.
Vicar at St. Paul's: Well, nil nisi bonum. But did he really deserve a place in here?
See more »

Crazy Credits

The opening credits read: Introducing Peter O'Toole as T.E. Lawrence. However, O'Toole had already played very noticeable roles in two feature-length films, the Disney 1960 version of Kidnapped (1960), and The Day They Robbed the Bank of England (1960). See more »

Alternate Versions

When Robert Harris took on the task of restoring Lawrence of Arabia(1962) in 1987, his aim was to restore the film to its original 222 minutes length that premiered before The Queen in London on 10 December 1962. Initially he gradually found all the missing pieces including the famous "goggle" shot and the newly created(in 1962) Columbia logo shot. Harris' idea was to return this to the missing film, despite the fact that David Lean ordered that it be removed from the original film in January 1963 because he preferred the "sparkling" Columbia logo. All the 202 minutes version of the film,(which commenced at The Metropole Theatre in February 1963). had the "sparkling" Columbia logo. David Lean eventually got involved in the restoration process with Robert Harris and the two men worked together to get Lawrence back to its 222 minutes original cut. Then Lean decided that he would make some trims. In the scene in the second half where General Allenby entices Lawrence back to Arabia part of that scene is cut by a few seconds. Where Allenby says to Lawrence: "You're the most extraordinary man I've ever met" Lawrence replies: I'm extraordinary, I'm extraordinary, what of it." Lean decided to cut the second "I'm extraordinary" out. He did this also with many other scenes and brought the original running time of 222 minutes down to 216 minutes, not including the overture, entr'acte music and play out music. See more »


Soundtracks

Lawrence And Bodyguard
Music by Maurice Jarre
Performed by London Philharmonic Orchestra
Conducted by Maurice Jarre
See more »

Frequently Asked Questions

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User Reviews

 
Review-proof
23 December 2004 | by rbhagwatSee all my reviews

I first saw this movie on a scratchy VHS almost twenty years ago (I was 10). Liked it (sort of-enjoyed the battle scenes and the train blowing up), but didn't understand why my dad was so crazy about it.

The next time was on laserdisc (remember those?) almost 10 years ago and I was hooked. I finally got it - the conflict, the performances, the music, the dialogue - all mesmerising.

But it was only in 2002, when I saw the 40th-anniversary reissue on 70mm that I was completely blown away seeing the scale, the enormity of Lean's accomplishment. There were scenes that gave me goosepimples (the opening credits, the cut from the matchstick to the desert sunrise, "nothing is written" - others too numerous to mention).

The point of this rather rambling review is this - a movie that can evoke such passion in its admirers stands by itself, beyond reviews or criticism. If you haven't seen it yet I envy you, because you get to experience it for the first time.


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