The story of T.E. Lawrence, the English officer who successfully united and led the diverse, often warring, Arab tribes during World War I in order to fight the Turks.The story of T.E. Lawrence, the English officer who successfully united and led the diverse, often warring, Arab tribes during World War I in order to fight the Turks.The story of T.E. Lawrence, the English officer who successfully united and led the diverse, often warring, Arab tribes during World War I in order to fight the Turks.
- Won 7 Oscars
- 31 wins & 15 nominations total
- Turkish Bey
- (as Jose Ferrer)
- Medical Officer
- (as Howard Marion Crawford)
- Director
- Writers
- Robert Bolt
- Michael Wilson(originally uncredited: credit restored in 1978 by WGA)
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaOn his first location scouting trip in Jordan, director Sir David Lean discovered the remains of the Turkish locomotives and railroad tracks T.E. Lawrence had destroyed during the Arab Revolution. After forty years in the sun, they hadn't even rusted.
- GoofsWhen Lawrence issues the promissory note to Auda he writes right-to-left. Many have interpreted this as the film being processed backwards when in fact he is writing Arabic which is right-to-left. And when he signs his name at the bottom, he does so left-to-right.
- Quotes
[Lawrence has just extinguished a match between his thumb and forefinger. William Potter surreptitiously attempts the same]
William Potter: Ooh! It damn well 'urts!
T.E. Lawrence: Certainly it hurts.
Officer: What's the trick then?
T.E. Lawrence: The trick, William Potter, is not minding that it hurts.
- Crazy creditsThe opening credits read: Introducing Peter O'Toole as T.E. Lawrence. However, that "Introducing" credit is false as O'Toole had already played roles in Kidnapped (1960), The Day They Robbed the Bank of England (1960) and The Savage Innocents (1960).
- Alternate versionsThere are technically four versions of the film: the original 222 minute print, then cut to 202 minutes after its 1962 premiere, the 187 minute 1970 theatrical re-cut and the 228 minute including the overture, entr'acte music and play-out music in the 1988 restoration. Full details as follows: Originally released at 222 minutes for the UK premiere in December 1962. Shortly after premiere which took place in London in December 1962, David Lean, reportedly under the orders of producer Sam Spiegel, cut 20 minutes from the film to 202 minutes. Cuts included the shot of goggles on the tree, Brighton's "remarkable man" line to the priest, early shots of the drafting room scene, the whole officer's mess sequence where he's called a clown and upsets water on someone, and some dialogue between the General and Dryden. The 1970 theatrical re-release cut the film further to 187 minutes. The film was restored in 1988 at 228 minutes. This version, supervised by David Lean, was advertised as a Director's Cut and has been the version made available to home video formats since.
- ConnectionsFeatured in Hollywood: The Great Stars (1963)
- SoundtracksThe Man Who Broke the Bank at Monte Carlo
(1892) (uncredited)
Music and Lyrics by Fred Gilbert
Sung a cappella by Peter O'Toole
"Lawrence" feels unlike other historical epics of its time. In most "big" films--I'm thinking of movies like "Ben-Hur," "Spartacus," "Cleopatra," all movies that premiered roughly around the same time as "Lawrence"--one gets the sense that directors framed compositions based on how much they were able to fit into their widescreen lenses. One rarely sees characters filmed from anything closer than a medium shot, and usually the background is stuffed to overflowing with garish art direction. Everything feels static and wooden. But in "Lawrence," Lean keeps his frames constantly alive by juxtaposing huge landscape shots with extreme close-ups of actor faces. In one especially brutal scene, after a battle that results in the slaughter of many people, the action cuts to a close-up of O'Toole, looking panicked and crazed, gripping a bloody knife in his hand as if he's reluctant to drop it, obviously both disturbed and titillated by the carnage he just witnessed. It's moments like that---not just an impressive battle scene but a character's reactions to the results of that scene---that set "Lawrence" apart from other standard epics.
And of course, I have to reserve space in my review for the performance of Mr. O'Toole. He is perhaps my favorite actor, not one of the most prolific, but certainly one of the most unpredictable. He has a flair for choosing eccentric characters that give him almost unlimited room in which to perform. He carries "Lawrence of Arabia" almost singlehandedly on his slim shoulders. That's not to say the supporting cast isn't great, but O'Toole towers above them all. O'Toole understands that the most influential figures in history could also be the most difficult and ruthless when they needed to be, and he gives Lawrence an incredibly complex characterization, leaving his audience in doubt as to whether he should be worshiped or feared, or perhaps both.
Lean would never direct an equal to "Lawrence of Arabia" again. His later films are certainly more than watchable, and "A Passage to India" is even quite remarkable in its own way, but we would never get another "Lawrence." Even more reason to appreciate it now.
My Grade: A+
- evanston_dad
- Apr 29, 2005
Details
- Release date
- Country of origin
- Official site
- Languages
- Also known as
- Lorens od Arabije
- Filming locations
- Wadi Rum, Jordan(desert - red cliffs)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $15,000,000 (estimated)
- Gross US & Canada
- $45,306,425
- Opening weekend US & Canada
- $20,846
- Sep 22, 2002
- Gross worldwide
- $45,720,631
- Runtime3 hours 38 minutes
- Color
- Sound mix
Contribute to this page
