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Lawrence of Arabia (1962)

Approved | | Adventure, Biography, Drama | 11 December 1962 (UK)
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4:43 | Trailer
The story of T.E. Lawrence, the English officer who successfully united and led the diverse, often warring, Arab tribes during World War I in order to fight the Turks.

Director:

David Lean

Writers:

T.E. Lawrence (writings), Robert Bolt (screenplay) | 1 more credit »
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Popularity
1,065 ( 139)
Top Rated Movies #109 | Won 7 Oscars. Another 23 wins & 14 nominations. See more awards »

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Cast

Cast overview, first billed only:
Peter O'Toole ... T.E. Lawrence
Alec Guinness ... Prince Faisal
Anthony Quinn ... Auda Abu Tayi
Jack Hawkins ... General Allenby
Omar Sharif ... Sherif Ali
José Ferrer ... Turkish Bey (as Jose Ferrer)
Anthony Quayle ... Colonel Brighton
Claude Rains ... Mr. Dryden
Arthur Kennedy ... Jackson Bentley
Donald Wolfit ... General Murray
I.S. Johar ... Gasim
Gamil Ratib ... Majid
Michel Ray ... Farraj
John Dimech ... Daud
Zia Mohyeddin ... Tafas
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Storyline

Due to his knowledge of the native Bedouin tribes, British Lieutenant T.E. Lawrence is sent to Arabia to find Prince Faisal and serve as a liaison between the Arabs and the British in their fight against the Turks. With the aid of native Sherif Ali, Lawrence rebels against the orders of his superior officer and strikes out on a daring camel journey across the harsh desert to attack a well-guarded Turkish port. Written by Jwelch5742

Plot Summary | Plot Synopsis

Taglines:

A Mighty Motion Picture Of Action And Adventure! See more »


Certificate:

Approved | See all certifications »

Parents Guide:

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Did You Know?

Trivia

The production schedule was so long that producer Sam Spiegel insisted on a two-month break. This afforded him the chance to find a filming location that was less arduous than Jordan, ultimately settling on Spain. Anthony Quinn, Sir Anthony Quayle, Sir Alec Guinness, and Omar Sharif all took advantage of the break to work on other movies. Quayle starred in Damn the Defiant! (1962), while Quinn starred in Requiem for a Heavyweight (1962). See more »

Goofs

During the opening credits, the shadows fall well to the right of the motorcycle. Right after the credits, when the angle changes, the shadows fall directly beneath the motorcycle. See more »

Quotes

[first lines]
Colonel Brighton: He was the most extraordinary man I ever knew.
Vicar at St. Paul's: Did you know him well?
Colonel Brighton: I knew him.
Vicar at St. Paul's: Well, nil nisi bonum. But did he really deserve a place in here?
See more »

Crazy Credits

The opening credits read: Introducing Peter O'Toole as T.E. Lawrence. However, O'Toole had already played very noticeable roles in two feature-length films, the Disney 1960 version of Kidnapped (1960), and The Day They Robbed the Bank of England (1960). See more »

Alternate Versions

In accordance with a 1995 decision by the Writers Guild of America to give Michael Wilson a co-writing credit (based on documentary evidence that he had been a major contributor to the script), newer copies such as the DVD and the prints made for the 40th anniversary re-release feature the altered credit: "Screenplay by Robert Bolt and Michael Wilson" (previously, only Bolt's name was listed). See more »


Soundtracks

Rescue of Gasim
Music by Maurice Jarre
Performed by London Philharmonic Orchestra
Conducted by Maurice Jarre
See more »

User Reviews

 
A Film of Epic Scale and Epic Proportion= One of the Greatest
30 June 2019 | by nferlisiSee all my reviews

Every once in a while there is a film that will blow you away from start to finish, in this case Lawrence of Arabia ins one of those very few films that will blow you away. For many years my grandfather enjoyed this film and suggested it to me for some time, finally being old enough to see it, I see why he and many others have enjoyed it. Epics are a kind of film that take an immense approach towards a story that needs a massive vision in order to tell such a story. David Lean took this massive vision in order to create something of epic scale and scope, which captured the extensiveness of an epic-genre film. Like most other epics, they take a great amount of time to tell their long stories, some ranging between three to five hours long which I will say may be too long for any kind of film. Lawrence of Arabia runs in at three hours and thirty-six minutes would seem like a rather long film, but this runtime feels appropriate when telling the progressional story of T.E. Lawrence building his character in great depth. Think of it like breaking the character of T.E. Lawrence into several parts such as a man, soldier, hero, leader, and advisor. In regards to the performances, Peter O'Toole brings T.E. Lawrence to life on multiple levels making us feel for his life journey and all other circumstances that he faces on that journey. All supporting and secondary performances adds a lot of good flare as well, especially from Omar Sharif's character. The direction by David Lean resonates every minute of this epic, Lean took such great care in creating a film of scale, meaning making this film both look and feel immense. Great utilization of wide lenses and shots allow the look of the film to larger than life, which in turn makes those particular shots more impactful.

I would recommend this film to anyone, even if it were just one time. This film has been on many "top films or greatest films of all times", after seeing it I feel that this film justifies its placement on those lists. Overall Star Rating: 8.4/10


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Frequently Asked Questions

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Details

Official Sites:

Official Facebook

Country:

UK

Language:

English | Arabic | Turkish

Release Date:

11 December 1962 (UK) See more »

Also Known As:

Lawrence of Arabia See more »

Filming Locations:

London, England, UK See more »

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Box Office

Budget:

$15,000,000 (estimated)

Opening Weekend USA:

$20,846, 22 September 2002

Gross USA:

$45,306,425

Cumulative Worldwide Gross:

$45,710,874
See more on IMDbPro »

Company Credits

Production Co:

Horizon Pictures (II) See more »
Show more on IMDbPro »

Technical Specs

Runtime:

(re-release) (1970) | (cut) (1962) (theatrical) | (premiere) | (1988) (restored)

Sound Mix:

70 mm 6-Track (70 mm prints)| Mono (35 mm optical prints)| 4-Track Stereo (35 mm magnetic prints)| Dolby Atmos

Color:

Color

Aspect Ratio:

2.20 : 1
See full technical specs »

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