The story of T.E. Lawrence, the English officer who successfully united and led the diverse, often warring, Arab tribes during World War I in order to fight the Turks.
British POWs are forced to build a railway bridge across the river Kwai for their Japanese captors, not knowing that the allied forces are planning to destroy it.
Director:
David Lean
Stars:
William Holden,
Alec Guinness,
Jack Hawkins
The life, success and troubles of Wolfgang Amadeus Mozart, as told by Antonio Salieri, the contemporaneous composer who was insanely jealous of Mozart's talent and claimed to have murdered him.
Director:
Milos Forman
Stars:
F. Murray Abraham,
Tom Hulce,
Elizabeth Berridge
Due to his knowledge of the native Bedouin tribes, British Lieutenant T.E. Lawrence is sent to Arabia to find Prince Faisal and serve as a liaison between the Arabs and the British in their fight against the Turks. With the aid of native Sherif Ali, Lawrence rebels against the orders of his superior officer and strikes out on a daring camel journey across the harsh desert to attack a well-guarded Turkish port.Written by
Jwelch5742
It took impeccable planning to prepare the railroad attack. The filmmakers could only film the sequence once. After careful testing, they determined that it would take ten pounds of guncotton to cut the rails and another ten to send the train cars careening off the track. To control the trains motion through the desert sand, they had to plant steel plates under the sand. The engineer set the locomotive at full throttle, then jumped off before the tracks exploded. See more »
Goofs
When Lawrence is showing off in his new Arab dress, the shadows are initially long, but in the next shot have suddenly shortened. See more »
Mr. Peter O'Toole was also in "The Savage Innocents", with Anthony Quinn (1960). See more »
Alternate Versions
There are technically four versions of the film: the original 222 minute print, then cut to 202 minutes after its 1962 premiere, the 187 minute 1970 theatrical re-cut and the 228 minute including the overture, entr'acte music and play-out music in the 1988 restoration. Full details as follows: Originally released at 222 minutes for the UK premiere in December 1962. Shortly after premiere which took place in London in December 1962, David Lean, reportedly under the orders of producer Sam Spiegel, cut 20 minutes from the film to 202 minutes. Cuts included the shot of goggles on the tree, Brighton's "remarkable man" line to the priest, early shots of the drafting room scene, the whole officer's mess sequence where he's called a clown and upsets water on someone, and some dialogue between the General and Dryden. The 1970 theatrical re-release cut the film further to 187 minutes. The film was restored in 1988 at 228 minutes. This version, supervised by David Lean, was advertised as a Director's Cut and has been the version made available to home video formats since. See more »
I first saw this movie on a scratchy VHS almost twenty years ago (I was 10). Liked it (sort of-enjoyed the battle scenes and the train blowing up), but didn't understand why my dad was so crazy about it.
The next time was on laserdisc (remember those?) almost 10 years ago and I was hooked. I finally got it - the conflict, the performances, the music, the dialogue - all mesmerising.
But it was only in 2002, when I saw the 40th-anniversary reissue on 70mm that I was completely blown away seeing the scale, the enormity of Lean's accomplishment. There were scenes that gave me goosepimples (the opening credits, the cut from the matchstick to the desert sunrise, "nothing is written" - others too numerous to mention).
The point of this rather rambling review is this - a movie that can evoke such passion in its admirers stands by itself, beyond reviews or criticism. If you haven't seen it yet I envy you, because you get to experience it for the first time.
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I first saw this movie on a scratchy VHS almost twenty years ago (I was 10). Liked it (sort of-enjoyed the battle scenes and the train blowing up), but didn't understand why my dad was so crazy about it.
The next time was on laserdisc (remember those?) almost 10 years ago and I was hooked. I finally got it - the conflict, the performances, the music, the dialogue - all mesmerising.
But it was only in 2002, when I saw the 40th-anniversary reissue on 70mm that I was completely blown away seeing the scale, the enormity of Lean's accomplishment. There were scenes that gave me goosepimples (the opening credits, the cut from the matchstick to the desert sunrise, "nothing is written" - others too numerous to mention).
The point of this rather rambling review is this - a movie that can evoke such passion in its admirers stands by itself, beyond reviews or criticism. If you haven't seen it yet I envy you, because you get to experience it for the first time.