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Lawrence of Arabia (1962)

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The story of T.E. Lawrence, the English officer who successfully united and led the diverse, often warring, Arab tribes during World War I in order to fight the Turks.

Director:

David Lean

Writers:

T.E. Lawrence (writings), Robert Bolt (screenplay) | 1 more credit »
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Popularity
1,827 ( 205)
Top Rated Movies #84 | Won 7 Oscars. Another 23 wins & 14 nominations. See more awards »

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Cast

Cast overview, first billed only:
Peter O'Toole ... T.E. Lawrence
Alec Guinness ... Prince Faisal
Anthony Quinn ... Auda Abu Tayi
Jack Hawkins ... General Allenby
Omar Sharif ... Sherif Ali
José Ferrer ... Turkish Bey (as Jose Ferrer)
Anthony Quayle ... Colonel Brighton
Claude Rains ... Mr. Dryden
Arthur Kennedy ... Jackson Bentley
Donald Wolfit ... General Murray
I.S. Johar ... Gasim
Gamil Ratib ... Majid
Michel Ray ... Farraj
John Dimech John Dimech ... Daud
Zia Mohyeddin ... Tafas
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Storyline

Due to his knowledge of the native Bedouin tribes, British Lieutenant T.E. Lawrence is sent to Arabia to find Prince Faisal and serve as a liaison between the Arabs and the British in their fight against the Turks. With the aid of native Sherif Ali, Lawrence rebels against the orders of his superior officer and strikes out on a daring camel journey across the harsh desert to attack a well-guarded Turkish port. Written by Jwelch5742

Plot Summary | Plot Synopsis

Taglines:

An Epic Masterpiece As You've Never Seen It Before! (1992 Restored Video Release) See more »


Certificate:

PG | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook

Country:

UK

Language:

English | Arabic | Turkish

Release Date:

11 December 1962 (UK) See more »

Also Known As:

Lawrence de Arabia See more »

Filming Locations:

Morocco See more »

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Box Office

Budget:

$15,000,000 (estimated)

Opening Weekend USA:

$20,846, 22 September 2002, Limited Release

Gross USA:

$44,824,144

Cumulative Worldwide Gross:

$77,324,144
See more on IMDbPro »

Company Credits

Production Co:

Horizon Pictures (II) See more »
Show more on IMDbPro »

Technical Specs

Runtime:

| (director's cut) | (1970 re-release) | (original) | (premiere) | (restored roadshow)

Sound Mix:

70 mm 6-Track (RCA Sound Recording) (70 mm prints)| Mono (35 mm prints) (original version)| 4-Track Stereo (magnetic prints) (35 mm) (original version)

Color:

Color (Technicolor)

Aspect Ratio:

2.20 : 1
See full technical specs »
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Did You Know?

Trivia

As production wound down in Jordan, Omar Sharif and Peter O'Toole wanted to prepare themselves for their return to civilization. They had read about the sudden popularity of the "Twist" in one of the magazines shipped to the company's desert compound and flew in a teacher from Paris to give them lessons in the evening, after the day's filming was completed. The production dragged on for so long, however, that by the time they were back in England, the "Twist" had fallen out of fashion. See more »

Goofs

When Lawrence arrives at the Suez Canal, the ship which comes into focus is a late-'50s Blue Funnel Line ship. See more »

Quotes

[first lines]
Colonel Brighton: He was the most extraordinary man I ever knew.
Vicar at St. Paul's: Did you know him well?
Colonel Brighton: I knew him.
Vicar at St. Paul's: Well nil nisi bonum. But did he really deserve a place here?
See more »

Crazy Credits

The opening credits read: Introducing Peter O'Toole as T.E. Lawrence. However, O'Toole had already played very noticeable roles in two feature-length films, the Disney 1960 version of Kidnapped (1960), and The Day They Robbed the Bank of England (1960). See more »

Connections

Featured in The Story of Film: An Odyssey: Sex & Melodrama (2011) See more »

Soundtracks

Sun's Anvil
Music by Maurice Jarre
Performed by London Philharmonic Orchestra
Conducted by Maurice Jarre
See more »

Frequently Asked Questions

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User Reviews

 
Review-proof
23 December 2004 | by rbhagwatSee all my reviews

I first saw this movie on a scratchy VHS almost twenty years ago (I was 10). Liked it (sort of-enjoyed the battle scenes and the train blowing up), but didn't understand why my dad was so crazy about it.

The next time was on laserdisc (remember those?) almost 10 years ago and I was hooked. I finally got it - the conflict, the performances, the music, the dialogue - all mesmerising.

But it was only in 2002, when I saw the 40th-anniversary reissue on 70mm that I was completely blown away seeing the scale, the enormity of Lean's accomplishment. There were scenes that gave me goosepimples (the opening credits, the cut from the matchstick to the desert sunrise, "nothing is written" - others too numerous to mention).

The point of this rather rambling review is this - a movie that can evoke such passion in its admirers stands by itself, beyond reviews or criticism. If you haven't seen it yet I envy you, because you get to experience it for the first time.


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