A UN reporter broadcasts a report on the appearance of a prehistoric monster that emerges from hibernation while a pharmaceutical company seeks publicity with a monster of their own. (US Ver... Read allA UN reporter broadcasts a report on the appearance of a prehistoric monster that emerges from hibernation while a pharmaceutical company seeks publicity with a monster of their own. (US Version)A UN reporter broadcasts a report on the appearance of a prehistoric monster that emerges from hibernation while a pharmaceutical company seeks publicity with a monster of their own. (US Version)
- Directors
- Writers
- Shin'ichi Sekizawa
- Paul Mason(english version)
- Bruce Howard(english version)
- Stars
- Directors
- Writers
- Shin'ichi Sekizawa
- Paul Mason(english version)
- Bruce Howard(english version)
- Stars
- Kazuo Fujita
- (as Keji Sahaka)
- Directors
- Writers
- Shin'ichi Sekizawa
- Paul Mason(english version)
- Bruce Howard(english version)
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaIn the fight scene, when King Kong throws Godzilla over his shoulder, suit actor Shoichi Hirose didn't throw an empty suit, but actually threw it with Haruo Nakajima still inside as this was Hirose's way of proving he was the stronger of the two. This move was one of the many martial arts influences in the fight choreography since Godzilla suit actor Nakajima practiced Judo and was given the opportunity to choreograph the fight.
- GoofsWhen being hauled around by the balloons, Kong's right leg is twisted around painfully and sticks out of him at an odd angle. When it cuts to the suit with an actor inside it, the leg is back to its normal shape.
- Quotes
Furue: Wait for me.
Osamu Sakurai: Come on, keep up.
Furue: I'm tired. Can't we rest?
Osamu Sakurai: No, we'll keep going until dark.
Furue: Who says?
Osamu Sakurai: I says! And if you don't like it, you can go back to camp.
Furue: Okay. But look, my corns hurt.
Osamu Sakurai: You and your corns.
Furue: But, you see, my corns always hurt when they're near a monster.
Osamu Sakurai: Great. When you and the monster meet, be sure you tell him all about your corn problems.
- Crazy creditsIn the credits for the U.S. version, actor Kenji Sahara is listed as "Keji Sahaka."
- Alternate versionsThis USA version is re-edited from the Japanese original, Kingu Kongu tai Gojira (1962), and is vastly different. New scenes featuring Eric Carter as a United Nations reporter were inserted for the USA version, replacing some footage from the Japanese release. Most of the comedy bits featuring Shôichi Hirose and Ichirô Arishima are deleted in favor of bland action, screeching to a halt U.N. news reports which are completely dissociated from the story. In the USA version, Harry Holcombe recites a ludicrous idea that Godzilla is a cross of a tyrannosaurus (while pointing to an allosaurus in a children's book) and a stegosaurus. Most of Ifukube's magisterial score is deleted and replaced with themes from the score of Mustan laguunin hirviö (1954).
- ConnectionsEdited from Chikyû Bôeigun (1957)
I have seen both the U.S. Version and the Japanese Version, and I'll have to confess that while this review will be based on the proper Asian edition, I also have a nostalgic fondness for the American Cut, which actually benefits from some added jokes ("When you and the monster meet, be sure to tell him all about your corn problems!") and the exciting Universal stock music which compliments much of the action.
Godzilla was still a bad guy at this point in time, and I'm among the group who considers his costume here my personal favorite (it was very much like the Aurora model kit, or maybe it was the other way around). It's not very original to bash the obvious awful King Kong suit, so I'll say that while it's definitely kind of ragged, I actually think it's appealing in its unusual weirdness. Kong is more or less painted as the heroic one of these two, and I have to tell you that I absolutely love that native song of worship which is chanted at him by the island dwellers who dance and pray on his home turf. I appreciate it even more when it's used as the title credits music in the Toho version.
The story is silly and simple, but it works. Godzilla is back in town after awakening from the iceberg he froze in at the conclusion of GODZILLA RAIDS AGAIN, and so a frustrated pharmaceutical advertiser decides to send a couple of his zany cronies to King Kong's Island to capture and bring back his own monster to give Godzilla some competition. Humor is very well used here, and it works well alongside the usual rampages and city stompings.
The touted "battle of the giants" has been unfairly maligned as looking too much like a "wrestling match," but I don't see how else these creatures are supposed to tangle with one another unless they opted to stare each other down for ten minutes. Not much fun there, I'm afraid! Their climactic fight is well worth the wait and fulfills all expectations. *** out of ****
- JoeKarlosi
- Feb 15, 2005
Details
- Release date
- Countries of origin
- Language
- Also known as
- Die Rückkehr des King Kong
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $200,000 (estimated)
- Runtime1 hour 37 minutes
- Color
- Aspect ratio
- 2.35 : 1
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