| Complete credited cast: | |||
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Jean Négroni | ... | Narrator (voice) (as Jean Negroni) |
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Hélène Chatelain | ... | The Woman |
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Davos Hanich | ... | The Man |
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Jacques Ledoux | ... | The Experimenter |
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André Heinrich | ||
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Jacques Branchu | ||
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Pierre Joffroy | ||
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Étienne Becker | ... | (as Etienne Becker) |
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Philbert von Lifchitz | ||
| Ligia Branice | ... | A woman from the future (as Ligia Borowcyk) | |
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Janine Klein | ... | A woman from the future |
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William Klein | ... | A man from the future (as Bill Klein) |
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Germano Facetti | ... | (as Germano Faccetti) |
| Rest of cast listed alphabetically: | |||
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James Kirk | ... | Narrator (voice) |
Time travel, still images, past, present and future and the aftermath of World War III. The tale of a man, a slave, sent back and forth, in and out of time, to find a solution to the world's fate, to replenish its decreasing stocks of food, medicine and energies, and in doing so, resulting in a perpetual memory of a lone female, life, death and past events that are recreated on an airport jetty. Written by Cinema_Fan
The first time I saw this movie it was on a local educational TV channel (PBS was barely starting) in 1969. I was a youngster and it made such an indelible impression that I remembered it all these years. Luckily, to my surprise I discovered a copy recently at a video rental store.
The movie is only approximately 30 minutes in length and is composed of black and white still photography (except for one scene, where they show a mans eye blinking). It is a powerful depiction of the end of the world, human love and memory. The French narration adds to the poetic subtlety and drama. To my dismay, I heard there was a new DVD version available, but with English narration. Hopefully, the original French version will be made available, as it seems to add so much more to the dramatic effect of the movie.
To the average movie viewer, this film would be best described as avant-garde in nature. It is a prime example of how science fiction and drama can be produced with nuance and subtleties, rather than overuse of technological effects and gratuitous titillation and violence.