A family saga covering several decades of Westward expansion in the nineteenth century - including the Gold Rush, the Civil War, and the building of the railroads.
In 1836, a small band of soldiers sacrifice their lives in hopeless combat against a massive army in order to prevent a tyrant from smashing the new Republic of Texas.
Director:
John Wayne
Stars:
John Wayne,
Richard Widmark,
Laurence Harvey
At Fort Apache, an honorable and veteran war captain finds conflict when his regime is placed under the command of a young, glory hungry lieutenant colonel with no respect for the local Indian tribe.
A cavalry officer posted on the Rio Grande is confronted with murderous raiding Apaches, a son who's a risk-taking recruit and his wife from whom he has been separated for many years.
Captain Nathan Brittles, on the eve of retirement, takes out a last patrol to stop an impending massive Indian attack. Encumbered by women who must be evacuated, Brittles finds his mission imperiled.
A corrupt marshal is pressured by his army friend into negotiating the release of white captives of the Comanches, but finds that their reintegration into society has its consequences.
Director:
John Ford
Stars:
James Stewart,
Richard Widmark,
Shirley Jones
The Cheyenne, tired of broken U.S. government promises, head for their ancestral lands but a sympathetic cavalry officer is tasked to bring them back to their reservation.
Director:
John Ford
Stars:
Richard Widmark,
Carroll Baker,
Karl Malden
In 1863, a Union outfit is sent behind Confederate lines in Mississippi to destroy enemy railroads but a captive southern belle and the unit's doctor cause frictions within ranks.
Director:
John Ford
Stars:
John Wayne,
William Holden,
Constance Towers
Setting off on a journey to the west in the 1830s, the Prescott family run into a man named Linus, who helps them fight off a pack of thieves. Linus then marries daughter Eve Prescott (Carroll Baker), and 30 years later goes off to fight in the Civil War with their son, with bloody results. Eve's sister, Lily, heads farther west and has adventures with a professional gambler, stretching all the way to San Francisco and into the 1880s.Written by
Jwelch5742
This features three of Hollywood's greatest Western stars, John Wayne, James Stewart and Henry Fonda, appearing together for the first and only time, although none share scenes together. Peter Bogdanovich was desperate for them to appear in his proposed version of Larry McMurtry's "The Streets of Laredo" in 1973. It fell apart when Wayne turned it down. Bogdanovich said that Wayne claimed it was "too depressing, and then he decides to make The Shootist (1976) about an ageing gunfighter dying of cancer!" See more »
Goofs
Ma and Pa Prescott are buried on the bank of the river in which they drowned. When Eve visits her parent's graves decades later, there is no sign of a river anywhere near the farm. See more »
Quotes
[first lines]
Narrator:
[as the camera pans over the Rocky Mountains]
This land has a name today, and is marked on maps. But, the names and the marks and the maps all had to be won, won from nature and from primitive man.
See more »
Crazy Credits
Opening credits: Except for historical events and characters, the events and characters depicted in this photoplay are fictitious and any similarity to actual persons or events is purely coincidental. See more »
Alternate Versions
The 164 minute film has been digitally restored for Blu-ray DVD, with both a stitched wide-screen version and a "Smilebox" version that simulates the Cinerama wrap around. The restoration gives a unified single image, and completely removes the vertical lines that separate the three camera images, as well as the small jitter that was evident at the intersection of the three original film images. See more »
I still remember seeing How the West Was Won in Cinerama when it made it into general release back in 1962. A motion picture theater equipped for Cinerama is the only way this one should be seen. The formatted VHS copy I watched tonight can't come close to doing it justice.
James R. Webb's original screenplay for the screen won an Oscar in 1962 and it involves an episodic account of the Presscott family and their contribution to settling the American west in the 19th century. We first meet the Presscotts, Karl Malden and Agnes Moorehead going west on the Erie Canal and later by flatboat on the Ohio River. They have two daughters, dreamy romantic Carroll Baker and feisty Debbie Reynolds. The girls meet and marry mountain man James Stewart and gambler Gregory Peck eventually and their adventures and those of their children are what make up the plot of How the West Was Won.
Three of Hollywood's top directors did parts of this film although the lion's share by all accounts was done by Henry Hathaway. John Ford did the Civil War sequence and George Marshall the sequence about the railroad.
The Civil War piece featured John Wayne and Harry Morgan in a moment of reflection at the battlefield of Shiloh. Morgan did a first rate job as Grant in his brief cameo and Wayne was playing Sherman for the second time in his career. He'd previously played Sherman in an unbilled cameo on his friend Ward Bond's Wagon Train series. I'm surprised Wayne never did Sherman in a biographical film, he would have been good casting.
If any of the stars could be said to be THE star of the film it would have to be Debbie Reynolds. She's in the film almost through out and in the last sequence where as a widow she goes to live with her nephew George Peppard and his family she's made up as a gray haired old woman and does very well with the aging. Debbie also gets to do a couple of musical numbers, A Home in the Meadow and Raise A Ruckus both blend in well in the story. Debbie's performance in How the West Was Won must have been the reason she was cast in The Unsinkable Molly Brown.
Cinerama was rarely as effectively employed as in How the West Was Won. I well remember feeling like you were right on the flatboat that the Presscott family was on as they got caught in the Ohio River rapids. The Indian attack and the buffalo stampede were also well done. But the climax involving that running gun battle between peace officers George Peppard and Lee J. Cobb with outlaw Eli Wallach and his gang on a moving train even on a formatted VHS is beyond thrilling.
There is a sequence that was removed and it had to do with Peppard going to live with buffalo hunter Henry Fonda and marrying Hope Lange who was Fonda's daughter. She dies and Peppard leaves the mountains and then marries Carolyn Jones. Lange's part was completely left on the cutting room floor. Hopefully there will be a restored version of How the West Was Won, we'll see Hope Lange and more of Henry Fonda.
And it should be restored. All those Hollywood legends in one exciting film. They really don't make them like this any more.
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I still remember seeing How the West Was Won in Cinerama when it made it into general release back in 1962. A motion picture theater equipped for Cinerama is the only way this one should be seen. The formatted VHS copy I watched tonight can't come close to doing it justice.
James R. Webb's original screenplay for the screen won an Oscar in 1962 and it involves an episodic account of the Presscott family and their contribution to settling the American west in the 19th century. We first meet the Presscotts, Karl Malden and Agnes Moorehead going west on the Erie Canal and later by flatboat on the Ohio River. They have two daughters, dreamy romantic Carroll Baker and feisty Debbie Reynolds. The girls meet and marry mountain man James Stewart and gambler Gregory Peck eventually and their adventures and those of their children are what make up the plot of How the West Was Won.
Three of Hollywood's top directors did parts of this film although the lion's share by all accounts was done by Henry Hathaway. John Ford did the Civil War sequence and George Marshall the sequence about the railroad.
The Civil War piece featured John Wayne and Harry Morgan in a moment of reflection at the battlefield of Shiloh. Morgan did a first rate job as Grant in his brief cameo and Wayne was playing Sherman for the second time in his career. He'd previously played Sherman in an unbilled cameo on his friend Ward Bond's Wagon Train series. I'm surprised Wayne never did Sherman in a biographical film, he would have been good casting.
If any of the stars could be said to be THE star of the film it would have to be Debbie Reynolds. She's in the film almost through out and in the last sequence where as a widow she goes to live with her nephew George Peppard and his family she's made up as a gray haired old woman and does very well with the aging. Debbie also gets to do a couple of musical numbers, A Home in the Meadow and Raise A Ruckus both blend in well in the story. Debbie's performance in How the West Was Won must have been the reason she was cast in The Unsinkable Molly Brown.
Cinerama was rarely as effectively employed as in How the West Was Won. I well remember feeling like you were right on the flatboat that the Presscott family was on as they got caught in the Ohio River rapids. The Indian attack and the buffalo stampede were also well done. But the climax involving that running gun battle between peace officers George Peppard and Lee J. Cobb with outlaw Eli Wallach and his gang on a moving train even on a formatted VHS is beyond thrilling.
There is a sequence that was removed and it had to do with Peppard going to live with buffalo hunter Henry Fonda and marrying Hope Lange who was Fonda's daughter. She dies and Peppard leaves the mountains and then marries Carolyn Jones. Lange's part was completely left on the cutting room floor. Hopefully there will be a restored version of How the West Was Won, we'll see Hope Lange and more of Henry Fonda.
And it should be restored. All those Hollywood legends in one exciting film. They really don't make them like this any more.