The fashion industry and Paris provide the setting for a comedy surrounding the mistaken impression that Joanne Woodward is a high-priced call girl. Paul Newman is the journalist interviewing her for insights on her profession.
Frank Capua is a rising star on the race circuit who dreams of winning the big one--the Indianapolis 500. But to get there he runs the risk of losing his wife Elora to his rival, Luther ... See full summary »
Young and restless Nick Adams, the only son of a domineering mother and a weak but noble doctor father, leaves his rural Michigan home to embark on an eventful cross-country journey. He is touched and affected by his encounters with a punch-drunk ex-boxer, a sympathetic telegrapher, and an alcoholic advancement for a burlesque show. After failing to get a job as reporter in New York, he enlists in the Italian army during World War I as an ambulance driver. His camaraderie with fellow soldiers and a romance with a nurse he meets after being wounded propel him to manhood.Written by
When announced in '61, Henry Fonda was to play Nick's father. See more »
You've already had twelve drinks. How can you be thirsty?
[Clasping the side of Nick's face]
It's an emotional thirst, not a physical one. You wouldn't understand.
See more »
Beautifully produced version of Hemingway's saga of his early journey towards manhood. Amazing supporting cast is a mix of veterans and rising talent of the time with assured direction. The entire cast does well but there are a few standouts. Paul Newman does good character work as a punch drunk has-been boxer, Eli Wallach has some fun with his conscripted soldier and Arthur Kennedy offers his usual thoughtful work as the lead's goodhearted but dominated father. Also kept an eye out for a blink and you'll miss her appearance by Sharon Tate in her screen bow.
The problem lies in Richard Beymer in the lead. He's not bad but he's just sort of there lacking the charisma to anchor such a pageant over its extended running time. Someone with the ability to hold the camera's gaze is needed, either Steve McQueen or Albert Finney who were the proper age at the time would have been better casting. As it stands the film is good but missing the key element that would have made it more.
6 of 6 people found this review helpful.
Was this review helpful to you?
| Report this