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Gypsy (1962)

Approved | | Biography, Comedy, Drama | 1 November 1962 (USA)
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Based on the Broadway hit about the life and times of burlesque dancer Gypsy Rose Lee and her aggressive stage mother, Mama Rose.

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(based upon the stage play: book by), (from the memoirs of) | 1 more credit »
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Nominated for 3 Oscars. Another 1 win & 10 nominations. See more awards »

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Cast

Cast overview, first billed only:
... Rose Hovick
... Louise Hovick
... Herbie Sommers
... Tulsa
Betty Bruce ... Tessie Tura
... Mr. Kringelein
... Grandpa
... 'Baby' June (as Suzanne Cupito)
... 'Dainty' June (as Ann Jilliann)
Diane Pace ... 'Baby' Louise
Faith Dane ... Mazeppa
... Electra
... Betty Cratchitt
... George
... Mervyn Goldstone
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Storyline

Mama Rose lives to see her daughter June succeed on Broadway by way of vaudeville. When June marries and leaves, Rose turns her hope and attention to her elder, less obviously talented, daughter Louise. However, having her headlining as a stripper at Minsky's Burlesque is not what she initially has in mind. Written by Jeremy Perkins <jwp@aber.ac.uk>

Plot Summary | Add Synopsis

Taglines:

All The Heart and Happiness of The Broadway Play See more »


Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

1 November 1962 (USA)  »

Also Known As:

Gypsy - Königin der Nacht  »

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Box Office

Budget:

$4,000,000 (estimated)

Gross USA:

$13,008,000
See more on IMDbPro »

Company Credits

Show more on  »

Technical Specs

Runtime:

Sound Mix:

(70 mm prints)| (RCA Sound Recording)

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Per the Rhino soundtrack information, Rosalind Russell herself sang in the eventually deleted "Together, Wherever We Go" number, not Lisa Kirk. See more »

Goofs

During 'Rose's Turn', after Rose sings, "Mamma's letting go," she puts her hands in front of her abdomen, then in the next shot, her hands are down. See more »

Quotes

Rose Hovick: Here she is, boys! Here she is, world! Here's Rose!
See more »

Crazy Credits

Opening credits are superimposed on a closed stage curtain, below which is an orchestra and conductor, performing the film's overture. The overture has been truncated from the stage version's original overture, but is otherwise quite faithful to it. See more »

Connections

References Open Your Eyes (1919) See more »

Soundtracks

Some People
(1959) (uncredited)
Music by Jule Styne
Lyrics by Stephen Sondheim
Performed by Lisa Kirk
See more »

Frequently Asked Questions

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User Reviews

 
An unusual musical
19 July 2011 | by See all my reviews

This is an unusual musical film, loosely based on (not directly copied from) the Broadway musical of the same name, using the music by Sondheim & Stein. (Among its better known songs are: "Everything's Coming Up Roses," "Let Me Entertain You").

The Broadway play was loosely based on Gypsy Rose Lee's fairy tale version of growing up under the strong hand of her mother (Rose Hovick) along with her younger sister, June Havoc, who earlier escaped Momma Rose's clutches and much later became a stage, movie, & TV star.

Rosalind Russell's performance (Momma Rose) has often been criticized as being inferior to Ethel Merman's although Russell (IMO) delivers a very strong performance. Much of the difference is that in the stage version, most of Momma Rose's dark side is not shown; in Russell's version, one sees a slightly more realistic version of Momma Rose.

Russell's Momma Rose increasingly becomes (IMO) an unlikeable character rather than one brassy, funny, and larger than life. This is a bit closer to the real Momma Rose (read Noralee Frankel's "Stripping Gypsy" for an excellent biography). Momma was an extremely demanding woman, more than a bit psychopathic, who not only pressed both of her daughters to earn money for her but also drove them emotionally away. Karl Malden as Momma Rose's put-upon lover-in-waiting stands in for the many men Momma Rose actually conned and he brings enough sympathy to his role that it adds more fuel to disliking the Momma Rose that Russell brings to life. Natalie Wood is a very believable Gypsy.

An interesting film, both for its presentations of family relationships and for an era. If the film was less detailed, shorter, possibly its emotional impact would have been closer to that of the stage version. As it is, Momma's selfishness, her determination to get whatever she wanted at any cost, becomes dominant and one is thankful her two daughters escaped.

The difference between the versions of Momma Rose presented in this film and that of the stage musical stimulated me to read Frankel's excellent biography ("Stripping Gypsy"), Preminger's (Gypsy's son) "Gypsy & Me" AKA "My G-String Mother," plus June Havoc's "Early Havoc" & "More Havoc." (Plus Abbot's less helpful biography of Gypsy: "American Rose.")

Fascinating family to explore!

I also read Gypsy's fantasy, "Gypsy, a Memoir," the foundation on which the musical was built. It's interesting storytelling but a fairy tale. Momma Rose died a few years before "Gypsy," her book, was published. On her death bed, Momma Rose died putting a curse on Gypsy as Gypsy was trying to comfort her. But a great story is more acceptable than the truth and, besides, Gypsy had learned quite well from her mother the marketable advantage of spinning interesting stories!


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