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Disorder (1962)

Il disordine (original title)
Study of Milanese social life and of the people who become involved in it.


Franco Brusati
1 win. See more awards »




Cast overview, first billed only:
Sami Frey ... Carlo
Louis Jourdan ... Tom
Curd Jürgens ... Carlo's Father (as Curd Jurgens)
Antonella Lualdi ... Malì
Tomas Milian ... Bruno
Renato Salvatori ... Mario
Jean Sorel ... Andrea
Susan Strasberg ... Isabella
Alida Valli ... Carlo's Mother
Georges Wilson ... Don Giuseppe (as George Wilson)
Marisa Belli Marisa Belli ... Tom's servant
Emma Baron ... Mario's old mother
Adriana Asti ... Lina, the blonde girl
Lia Angeleri Lia Angeleri ... The nurse
Luciana Angiolillo


Salvatori pays a visit to his old ma who is bedridden in a gloomy old people's home. He promises her that pretty soon he'll be rich and they'll live together in their house. The young man is hired as a catering assistant in a desirable mansion, but the owner of the place is dying. The wife and the daughter are trying to regain the old man's love and affection while the son is busy gathering his friends for a feast. Written by dbdumonteil

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From Italy comes an arresting film...an emotional thriller




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Alternate Versions

Italian language TV version runs approx. 98 minutes. It eliminates a prologue with Mario (Renato Salvatori) and his mother in her nursing home. See more »

User Reviews

No lost classic but watchable
20 June 2014 | by jrd_73See all my reviews

Disorder is very much like some of the other, more noteworthy, Italian dramas being made in the early 1960's. The plot is a loose series of bad parties and depressed states held together by an observer (in this case an unemployed waiter). La Dolce Vita and La Notte would both be fair comparisons. Disorder feels more like a cash-in, an attempt to exploit the foreign public's then fascination with the soulless lives of the Italian decadent. Like the journalist in La Dolce Vita, the main character of Disorder is not part of this world. Unlike The Fellini film, Disorder does give a fair amount of time to this outsider's problems (unemployment, a sick mother). Of course, the outsider's life is just as miserable as the well-to-do characters in the film.

Disorder, which screened on 16mm as part of a campus film series this summer, is a mostly forgotten movie with a poor reputation. A certain falseness hangs over the film, which thinks it's more meaningful than it is. Still, the film has its strengths as well. The black and white cinematography is nice to look at. The photography is particularly striking in the moody first vignette where a dying man's son insists on throwing a nighttime party. There is evocative use of fog and darkness during and after the party. The actors do a good job as a whole, with only Alida Valli maybe going too far (a difficult role). I would single out the usually reliable Louis Jourdan, here playing a downtrodden man whose love has left him, for the highest acting honors. In addition, I also liked Susan Strasberg as an unloved daughter trying to prove her devotion by taking care of her dying father. Finally, the lovely Antonella Lualdi has the striking face one associates with this kind of upper-class heartache. I only wonder what her character, who could have nearly any man, would see in the jerk she was married to (played by Jean Sorrel).

To sum up, Disorder is no lost masterpiece. It is not a film that I would recommend anyone tracking down or petitioning Criterion to bring out on disk. However, for what it's worth, Disorder did reasonably hold my interest.

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Italy | France



Release Date:

25 May 1964 (USA) See more »

Also Known As:

Disorder See more »

Company Credits

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Technical Specs


Sound Mix:

Mono (Westrex Recording System)

Aspect Ratio:

1.66 : 1
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