Chûshingura (1962)

After their lord is tricked into committing ritual suicide, forty-seven samurai warriors await the chance to avenge their master and reclaim their honor.

Director:

Hiroshi Inagaki

Writer:

Toshio Yasumi (screenplay)

Stars:

Yûzô Kayama, Chûsha Ichikawa, Tatsuya Mihashi

Cast

Cast overview, first billed only:
Yûzô Kayama	...	Takuminokami Asano
Tatsuya Mihashi	...	Yasubei Horibe
Akira Takarada	...	Gunbei Takada
Yôsuke Natsuki	...	Kin'emon Okano
Makoto Satô	...	Kazuemon Fuwa
Tadao Takashima	...	Jûjirô Hazama
Seizaburô Kawazu	...	Chûzaemon Yoshida
Takashi Shimura	...	Hyôbu Chisaka
Daisuke Katô	...	Kichiemon Terasaka
Keiju Kobayashi	...	Awajinokami Wakisaka
Ryô Ikebe	...	Chikara Tsuchiya
Setsuko Hara	...	Riku
Yôko Tsukasa	...	Yôzen'in
Reiko Dan	...	Okaru
Yuriko Hoshi	...	Otsuya

Storyline

A young lord attempts to combat the corruption endemic to the Shogunate bureaucracy, only to be placed in an impossible conflict of duties. He refuses to pay the "customary" bribe expected by a Chancellor sent from the Shogunate to teach him the etiquette for receiving envoys from the Emperor. In revenge, the Chancellor goads the lord into drawing his sword when the envoys are present, a crime punishable by death. The young lord is forced to commit ritual suicide for this crime. His vassals are ordered to turn over their lords estate for confiscation, forbidden to take revenge for their lords death, then disbanded as a clan. To obey the Shogun, the lords former samurai must follow those orders, but to be loyal to oaths they swore to their lord and have justice, they must avenge him. This conflict of obligations is the primary dilemma in Japanese society, which is why this story is considered their national epic. The story is richly woven and the film worth seeing for the gorgeous art ...

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Plot Keywords:

last film for actress | employee employer relationship | suicide | samurai | revenge | 

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Taglines:

Japan's Supreme Screen Classic

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Genres:

Action | Drama | History

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Details

Country:

Japan

Language:

Japanese

Release Date:

3 October 1963 (USA)

Also Known As:

Chushingura: 47 Samurai

Filming Locations:

Japan

Company Credits

Production Co:

Toho Company

Technical Specs

Runtime:

207 min 100 min (second release) 108 min (first release) 204 min (1966 re-issue)

Sound Mix:

Mono

Color:

Color (Eastmancolor)

Aspect Ratio:

2.20 : 1

Did You Know?

Trivia

The final film of Setsuko Hara, before she announced her retirement in 1963.

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Alternate Versions

First USA release featured English subtitles and English narration and 108 minute running time, 1963.

• Second USA release, also 1963, was cut to 100 minutes.
• Third USA release, in 1966, ran 207 minutes and featured English subtitles.
• Fourth USA release ran 208 minutes.

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Connections

Version of 47 Ronin (2013)

User Reviews

Overwhelming, Brilliant, Magnificent!

I first saw this very great film in the fall of 1965 when I started as a freshman at Cal. It had been playing at a local art house for ELEVEN months and, it being Berkeley, people were picketing to demand a new movie! I was lucky to have the chance to see it three times before it finally closed six weeks later. At the time, I thought it was UNDOUBTEDLY the greatest movie ever made, or ever likely to be.

Six years later, I had a second encounter with "Chushingura" when it was revived at an art house in San Francisco. A group of friends and I attended a showing where we were the only Caucasians in attendance -- EVERYONE ELSE in this 200+ seat cinema appeared to be Japanese or Japanese-American. It being the early '70s in the Bay Area, we had fully prepared ourselves to maximally enjoy the sheer visual beauties of this film. Sure enough, it was gorgeous, and we all muttered "wow" either singly and in chorus as we wallowed in the cinematographic feast.

But the stunning thing, to me, was the response of the Japanese/ Japanese-American audience. Utterly quiet throughout the movie, when the lights went up most of them had tears streaming down their cheeks --no vocal crying, mind you, just the overwhelming emotional response to a peak, deeply moving experience. I really envied them their cultural insight into the profoundly Japanese issues this masterpiece explores, something which as much as I admire "Chushingura" I must admit that as a Westerner I don't entirely comprehend.

The story is described elsewhere, so I'll focus first on the unparalleled BEAUTY of this movie. It is simply the most gorgeous thing ever committed to celluloid. Every single frame is like a perfect work of art, a series of superbly imagined Japanese images of nature and humanity which engulf your senses in endless, exquisite splendor. Next, "Chushingura" has stupendous pacing -- the shifts between tension and serenity, between lyricism and violence are expertly crafted, and the movie flows, sometimes majestically and sometimes in terrifying haste, to its incredibly exciting climax and compellingly tragic denouement. Finally, "Chushingura" explores deep themes of honor and loyalty, retribution and atonement, that may not resonate fully with a Western audience, but which nevertheless inspire awe and an enhanced curiosity about the culture and people that produced and are molded by them -- the culture that created this unforgettable cinematic masterwork.

Is "Chushingura" UNDOUBTEDLY the great movie ever? Maybe not, but it's definitely in the running with only a handful of other films for that exalted position.