Jane's car breaks down and she makes her way to a nearby estate, owned by a mysterious man named Caligari. Soon she finds that she has become a virtual prisoner, and none of the strange ...
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When the annual fair comes to town, murder, madness and mayhem creep in its shadows. Dr. Caligari, a mysterious hypnotist, appears to control every move of his bizarre, clairvoyant sleepwalker, but does he?
David Lee Fisher
Judson Pearce Morgan,
Daamen J. Krall,
Featuring music instead of any dialogue and set in a near Kafkaesque future, this loose remake of The Cabinet of Dr. Caligari follows a bureaucrat whom mysterious Dr. Ramirez and his hideous sidekick want as their latest victim.
When three friends visit the fair, they attend an exhibition by the mysterious Dr. Krauss and his masked sideshow freak, the psychic Conrad. There they learn that two of the three comrades will not survive past dawn...
Jane's car breaks down and she makes her way to a nearby estate, owned by a mysterious man named Caligari. Soon she finds that she has become a virtual prisoner, and none of the strange inhabitants of the estate are willing or capable of helping her escape. Caligari reveals himself as a passive pervert, showing her filthy pictures, spying on her, and trying to make her talk about intimate details of her life. She attempts to free herself by the only means at her disposal.Written by
Ed Sutton <firstname.lastname@example.org>
Although several horror/suspense movies (most notably Psycho) were advertised with the warning that patrons would not be seated after film began or during climactic final minutes, ads for this one included the unenforceable caveat that no one would be allowed to leave the theater during the last 13 minutes. See more »
When Jane's car breaks down in long-shot at beginning of the film, the terrain is completely different from the location scenery when she gets out of car and begins walking moments later. See more »
How old were you when you first let a man make love to you? Next, who was he? Next, how did you feel at the time? Next, how did you feel afterwards? What did you feel? What did you think? Were you pleased, frightened, ecstatic, disgusted? What did he say? What words did you speak? That's what I want to know. Now. Tell me. Now. Now. All of it, now. Tell me. YES!
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Something just that little bit different here and something really rather good. The slightly odd or seeming unlikely happenings, including the casting of Glynis Johns all make sense by the end, at least as far as I am concerned. Great sets help create a 'modern' but nevertheless creepy feel and Gerald Fried's score is most effective. A very simple idea is admirably sustained and every now and then when we feel things cannot go on like this for much longer we are jolted, either by the outrageousness of Caligari or by the sudden appearance of another guest. I had never even heard of this film before the appearance of the DVD and wonder if indeed it ever opened in the UK. The sexual references and physical violence certainly surprised me for a film of the early 60's. Well worth seeing.
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