IMDb RATING
7.8/10
5.1K
YOUR RATING
When a kind-hearted sailor is made to join an English vessel at war in 1797, he finds himself caught between devotion to his crewmates and obedience to their hated, cruel master-at-arms.When a kind-hearted sailor is made to join an English vessel at war in 1797, he finds himself caught between devotion to his crewmates and obedience to their hated, cruel master-at-arms.When a kind-hearted sailor is made to join an English vessel at war in 1797, he finds himself caught between devotion to his crewmates and obedience to their hated, cruel master-at-arms.
- Nominated for 1 Oscar
- 2 wins & 8 nominations total
Ray McAnally
- William O'Daniel - Maintopman
- (as Ray McAnnally)
Niall MacGinnis
- Nathaniel Graveling - Ship's Master, Rights of Man
- (as Niall McGinnis)
Storyline
Did you know
- TriviaHerman Melville had been writing poetry for thirty years when he returned to fiction with "Billy Budd" in late 1888. Still unfinished when he died in 1891, it was forgotten. Melville's biographer accidentally stumbled upon it when going through a trunk of Melville's papers in his granddaughter's New Jersey house in 1919. Melville's widow worked to help complete it, and it was finally published in 1924. Over the years, other unsatisfactory versions were published, but it wasn't until Melville's original notes were found that the definitive version was ultimately published in 1962. Coincidentally, Sir Peter Ustinov's movie version was released the same year.
- GoofsWhen Billy Budd first comes onboard the British ship, he witnesses a sailor being flogged and is told by everyone that no one even knows what the sailor had done. This would not be the case in the Royal Navy, since at all floggings the Captain was required to read in front of the crew the specific Article of War which had been violated and then state the number of lashes for the offense.
- Quotes
Billy Budd: There are many ways to lie, Mr. Claggert, but there is only one way to tell the truth.
- Crazy creditsAs the cast is listed onscreen, the actors are heard stating their characters' names and ranks.
- Alternate versionsWest German theatrical version was cut by approx. five minutes.
- ConnectionsFeatured in The Man Who Fell to Earth (1976)
Featured review
Peter Ustinov is generally a lot better at being a raconteur, chat-show guest and portly, engaging presenter of documentaries than film director, but this adaptation of Melville's short novel (note that the screenplay is based on a previous stage version) is surprisingly gripping. Terence Stamp, in his first movie role, is excellent as the benign life-force, Billy. Pressganged into service aboard a Royal Navy Man'o'War (clunky symbolism - the ship Billy leaves is called the "Rights of Man"), he soon wins over the crew with his guileless respect for justice and fair play. Robert Ryan is superb as Claggart, although perhaps this actor's tremendous capacity for sheer charmless evil overbalances the plot. When Claggart is struck down by the momentarily enraged Billy, he dies with a smile on his face, a detail which isn't in the book. It makes Claggart into a malevolent genius, when Melville wrote him as a preternaturally bitter and empty man. But that's showbiz for you.
There's a lovely scene between Stamp and Ryan, presumably missed by those who refuse to recognise the latter's genius, in which Billy almost manages to win Claggart over; you can see Ryan's eyes getting almost misty (he was a great eye actor) as he contemplates the spectacle of his own bleakness compared to Billy's warmth. But then, as he suddenly growls "You would charm me, too. Get away!" it's as if he suspected Billy if coming onto him. Remarkable touch.
John Neville and David McCallum are fine as the officers with tortured consciences; Ustinov has to carry off the difficult moral turnaround, kind of the opposite of what Fonda spends a whole film doing in "Twelve Angry Men", and has seldom acted so well. Perhaps in the book he's a less significant character, but for dramatic purposes the role obviously needed expanding, and it's done with taste and restraint. Supporting roles are all finely rendered, with Melvyn Douglas especially red-eyed and gravelly as the religious Dansker. Good stuff. And unusually for an adaptation, a sizable chunk of the dialogue is authentic Melville.
There's a lovely scene between Stamp and Ryan, presumably missed by those who refuse to recognise the latter's genius, in which Billy almost manages to win Claggart over; you can see Ryan's eyes getting almost misty (he was a great eye actor) as he contemplates the spectacle of his own bleakness compared to Billy's warmth. But then, as he suddenly growls "You would charm me, too. Get away!" it's as if he suspected Billy if coming onto him. Remarkable touch.
John Neville and David McCallum are fine as the officers with tortured consciences; Ustinov has to carry off the difficult moral turnaround, kind of the opposite of what Fonda spends a whole film doing in "Twelve Angry Men", and has seldom acted so well. Perhaps in the book he's a less significant character, but for dramatic purposes the role obviously needed expanding, and it's done with taste and restraint. Supporting roles are all finely rendered, with Melvyn Douglas especially red-eyed and gravelly as the religious Dansker. Good stuff. And unusually for an adaptation, a sizable chunk of the dialogue is authentic Melville.
Details
- Release date
- Country of origin
- Language
- Also known as
- Die Verdammten der Meere
- Filming locations
- Sierra Helada, Alicante, Comunidad Valenciana, Spain(final scene: naval battle under the cliffs)
- Production company
- See more company credits at IMDbPro
- Runtime2 hours 3 minutes
- Color
- Aspect ratio
- 2.35 : 1
Contribute to this page
Suggest an edit or add missing content