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Barabbas

  • 19611961
  • K-16K-16
  • 2h 17m
IMDb RATING
6.9/10
6.5K
YOUR RATING
POPULARITY
14,675
10,579
Barabbas (1961)
Barabbas, the criminal that the Jewish leaders induced the populace to vote to set free, so that Christ could be crucified, is haunted by the image of Jesus for the rest of his life.
Play trailer4:26
1 Video
91 Photos
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Barabbas, the criminal that the Jewish leaders induced the populace to vote to set free, so that Christ could be crucified, is haunted by the image of Jesus for the rest of his life.Barabbas, the criminal that the Jewish leaders induced the populace to vote to set free, so that Christ could be crucified, is haunted by the image of Jesus for the rest of his life.Barabbas, the criminal that the Jewish leaders induced the populace to vote to set free, so that Christ could be crucified, is haunted by the image of Jesus for the rest of his life.

IMDb RATING
6.9/10
6.5K
YOUR RATING
POPULARITY
14,675
10,579
  • Director
    • Richard Fleischer
  • Writers
    • Christopher Fry(screenplay)
    • Pär Lagerkvist(novel "Barabbas")
    • Nigel Balchin(uncredited)
  • Stars
    • Anthony Quinn
    • Silvana Mangano
    • Arthur Kennedy
Top credits
  • Director
    • Richard Fleischer
  • Writers
    • Christopher Fry(screenplay)
    • Pär Lagerkvist(novel "Barabbas")
    • Nigel Balchin(uncredited)
  • Stars
    • Anthony Quinn
    • Silvana Mangano
    • Arthur Kennedy
  • See production, box office & company info
    • 60User reviews
    • 28Critic reviews
  • See more at IMDbPro
    • Awards
      • 1 win & 3 nominations

    Videos1

    Trailer
    Trailer 4:26
    Trailer

    Photos91

    Anthony Quinn at an event for Barabbas (1961)
    Barabbas (1961)
    Richard Burton and Claire Bloom in Aleksanteri Suuri (1956)
    Anthony Quinn in Barabbas (1961)
    Anthony Quinn in Barabbas (1961)
    Barabbas (1961)
    Barabbas (1961)
    Barabbas (1961)
    Barabbas (1961)
    Barabbas (1961)
    Barabbas (1961)
    Barabbas (1961)

    Top cast

    Edit
    Anthony Quinn
    Anthony Quinn
    • Barabbas
    Silvana Mangano
    Silvana Mangano
    • Rachel
    Arthur Kennedy
    Arthur Kennedy
    • Pontius Pilate
    Katy Jurado
    Katy Jurado
    • Sara
    Harry Andrews
    Harry Andrews
    • Peter
    Vittorio Gassman
    Vittorio Gassman
    • Sahak
    Norman Wooland
    Norman Wooland
    • Rufio
    Valentina Cortese
    Valentina Cortese
    • Julia
    Jack Palance
    Jack Palance
    • Torvald
    Ernest Borgnine
    Ernest Borgnine
    • Lucius
    Arnoldo Foà
    Arnoldo Foà
    • Joseph of Arimathea
    • (as Arnoldo Foa')
    Michael Gwynn
    Michael Gwynn
    • Lazarus
    Laurence Payne
    Laurence Payne
    • Disciple
    Douglas Fowley
    Douglas Fowley
    • Vasasio
    Guido Celano
    Guido Celano
    • Scorpio
    Enrico Glori
    Enrico Glori
    • Man Pleading for Release of Prisoner
    Carlo Giustini
    Carlo Giustini
    • Officer
    • (as Carlo Giutini)
    Giovanni Di Benedetto
    • Officer
    • (as Gianni Di Benedetto)
    • Director
      • Richard Fleischer
    • Writers
      • Christopher Fry(screenplay)
      • Pär Lagerkvist(novel "Barabbas")
      • Nigel Balchin(uncredited)
    • All cast & crew
    • Production, box office & more at IMDbPro

    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      The solar eclipse that takes place during the crucifixion scene was the real thing, an event for which director Richard Fleischer delayed shooting in order to capture the ethereal nature of the phenomenon on 2/15/61.
    • Goofs
      When Barabbas is sent to the sulfur mines, a guard chains him to another prisoner by hammering closed an iron link shaped like a 'C' with both ends of the 'C' glowing red-hot. The same technique is shown at least one other time. However, it's not the ends of the 'C'-shape that should be glowing red-hot in order to hammer the link closed, it is the middle, where it needs to bend. Cold iron is brittle and needs to be heated to bend or it will fracture.
    • Quotes

      Peter: [Arrested for arson, Barabbas has been brought to the dungeons housing the Christians falsely accused of the act] This burning city is no work of ours. This isn't how the new kingdom is going to be made. You were wrong.

      Barabbas: Who are you to tell me I'm wrong?

      Peter: Many years ago, we spoke together. Do you remember?

      Barabbas: No.

      Peter: You asked me why I was making a net so far from the sea.

      Barabbas: Jerusalem. The street of the potters.

      Peter: You were as mistaken then as you are again now.

      Female Christian: We didn't set fire to the city.

      Male Christian: You've done the work of the wild beasts of the emperor.

      Female Christian: Are you a lunatic?

      Male Christian: It was his fire, you fool. Not God's.

      Barabbas: [the realization of his error sinks in] Why can't God make himself plain? What's become of all the fine hopes, the trumpets, the angels, all the promises? Every time I've seen it end up in the same way, with torments and dead bodies, with no good come of it. Huh? All for nothing.

      Peter: Do you think they persecute us to destroy nothing? Or, for that matter, do you think that what has battered on your soul for twenty years has been nothing? It wasn't for nothing that Christ died. Mankind isn't nothing. In His eyes, each individual man is the whole world. He loves each man as though there were no other.

      Barabbas: I was the opposite of everything he taught, wasn't I? Why did He let Himself be killed instead of me?

      Peter: Because being farthest from Him, you were the nearest.

      Barabbas: I'm no nearer than I was before.

      Peter: Nor any farther away. The truth of the matter is, He's never moved from your side. I can tell you this: there has been a wrestling in your spirit back and forth in your life which, in itself, is knowledge of God. By the conflict you have known Him. I can tell you as well that so it will be with the coming of the kingdom. A wrestling back and forth and a laboring of the world spirit, like a woman in childbirth. We are only the beginning. We won't see the time when the earth is full of the kingdom. And yet, even now, even here, the hour at the end of life, the kingdom is within us. There's nothing more to fear. Upon us, the years will be but many years, many martyrdoms. The ground of men is very stubborn to mature. But men will look back to us in our day, and will wonder, and remember our hope. It is the end of the day. We shall trust ourselves to a little pain, and sleep, saying to world, "Godspeed."

    • Connections
      Featured in The World According to Smith & Jones: The Romans (1987)

    User reviews60

    Review
    Review
    Featured review
    7/10
    The forgotten biblical film?.
    Pontius Pilate asks the people of Jerusalem whom they want freed, Jesus Of Nazareth or Barrabas?, the former has been tagged as a King of the Jewish people, the latter a thief and a murderer, they choose Barrabas.

    This is a pure work of fiction based around the 1950 Pär Lagerkvist novel of the same name. It has basically taken a passage in the New Testament and extended it to ask what became of the man who was freed instead of Christ? We open of course with the people choosing Barrabas, and the subsequent Crucifixion of Christ that is now scripture legend. This event doesn't at first seem to bother Barrabas, but as the story progresses it becomes clear that he himself has his own cross to bear. We follow him as he witnesses a barbaric stoning of someone close to him, this turns him bitter and a return to a life of crime is his only response. Once again arrested, he is sent to work in the sulphur mines, here he ages fast and hangs on desperately to his life and sanity. He forms a friendship with a fellow inmate and after both men get sent to gladiator school, he finds that the faith surrounding Christ looms large and bright in his life story.

    Richard Fleischer directs, producer is Dino De Laurentus, Anthony Quinn takes the role of Barrabas, and Jack Palance and Ernest Borgnine add weight to the acting roll call. There is some very good work to be sampled here, Quinn manages to put a bit of sincerity into the lead role; for as Barrabas' perspective alters, Quinn convinces with a nice show of depth. Palance is decently nasty as Torvald, and although Ernest Borgnine is wasted as Lucius, he does however leave a very decent impression due to a good show of acting restraint. There are some lovely shots here as well, particularly around the sulphur mines sequences, whilst both the sets and costumes are suitably on the money.

    Barrabas is a film that is rarely mentioned when talk of biblical epics arises, and the small amount of user comments here suggests it's largely forgotten. That's a shame because it holds up considerably better than the likes of The Robe. 7/10
    helpful•8
    2
    • hitchcockthelegend
    • Aug 8, 2008

    Details

    Edit
    • Release date
      • January 11, 1963 (Finland)
    • Countries of origin
      • Italy
      • United States
    • Language
      • English
    • Also known as
      • Barabas
    • Filming locations
      • Arena di Verona, Verona, Veneto, Italy
    • Production companies
      • Columbia Pictures
      • Dino De Laurentiis Company
    • See more company credits at IMDbPro

    Box office

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    • Gross US & Canada
      • $6,322,000
    See detailed box office info on IMDbPro

    Technical specs

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    • Runtime
      2 hours 17 minutes

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