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Love at Twenty (1962)

L'amour à vingt ans (original title)
| Drama, Romance | 6 February 1963 (USA)
Love at Twenty Poster
"Love at Twenty" unites five directors from around the world to present their different perspectives on what love really is at the age of 20. The episodes are united with the score of ... See full summary »

Directors:

Shintarô Ishihara, Marcel Ophüls | 3 more credits »

Writers:

Shintarô Ishihara, Marcel Ophüls | 4 more credits »

Stars:

Jean-Pierre Léaud, Marie-France Pisier, Patrick Auffay | See full cast & crew »
Available on Amazon
Reviews
1 nomination. See more awards »

Photos

See all 41 photos »
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Cast

Cast overview, first billed only:
Jean-Pierre Léaud ... Antoine Doinel (segment "Antoine et Colette")
Marie-France Pisier ... Colette (segment "Antoine et Colette")
Patrick Auffay Patrick Auffay ... René (segment "Antoine et Colette")
Rosy Varte Rosy Varte ... La mère de Colette (segment "Antoine et Colette")
François Darbon François Darbon ... Le beau-père de Colette (segment "Antoine et Colette")
Jean-François Adam Jean-François Adam ... Albert Tazzi (segment "Antoine et Colette")
Pierre Schaeffer Pierre Schaeffer ... Self (segment "Antoine et Colette")
Cristina Gaioni ... Christina (as Christina Gajoni)
Geronimo Meynier Geronimo Meynier ... Leonardo
Eleonora Rossi Drago ... Valentina
Nami Tamura Nami Tamura ... Fukimo
Kôji Furuhata Kôji Furuhata ... Hiroshi (as Koji Furuhata)
Barbara Frey ... Ursula
Christian Doermer ... Tonio
Vera Tschechowa
See full cast »
Edit

Storyline

"Love at Twenty" unites five directors from around the world to present their different perspectives on what love really is at the age of 20. The episodes are united with the score of Georges Delerue and still photos of Henri Cartier-Bresson. The directors create their peculiar scenarios with Truffaut revisiting Antoine Doinel, this time finding some meaning to his life while getting involved with a girl; Renzo Rossellini's episode about an abandoned mistress; Ishihara's tale about an obsessive love; Ophüls' story about a pregnant woman trying to plot against the baby's father; and Wajda presenting a confusing relationship between people from different generations. Written by Rodrigo Amaro

Plot Summary | Add Synopsis

Plot Keywords:

antoine doinel character | anthology film | french new wave | omnibus | anthology | See All (6) »

Taglines:

The Intimate Secrets of Young Lovers See more »

Genres:

Drama | Romance

Certificate:

See all certifications »

Parents Guide:

Add content advisory for parents »
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Details

Country:

France | Italy | Japan | Poland | West Germany

Language:

French | Polish | Japanese | Italian | German

Release Date:

6 February 1963 (USA) See more »

Also Known As:

Love at Twenty See more »

Filming Locations:

Paris, France See more »

Company Credits

Production Co:

Ulysse Productions, Unitec Films, Cinesecolo See more »
Show more on IMDbPro »

Technical Specs

Sound Mix:

Mono

Color:

Black and White

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

In the Truffaut segment, archive footage from The 400 Blows (1959) can be seen See more »

Connections

Followed by Bed & Board (1970) See more »

Soundtracks

La Chanson de Prévert
Music by Serge Gainsbourg
Lyrics by Serge Gainsbourg
Performed by Serge Gainsbourg
In the segment by François Truffaut
See more »

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User Reviews

 
Great
14 January 2002 | by Daniel Karlsson – See all my reviews

This picture is worth watching just for Truffaut's terrific episode...it's too great for words. What a wonderful time that most have been back then when teenagers went to Mussorgsky recitals... not very common today, unfortunately. Anyway. Unlike American films which often show love in a artificial way, Truffaut and the other directors of the New Wave show realistic love, how it can be in real life. I love the way they film. The next episode (in Rome) is not quite as good as Truffaut's. In fact, it's real horrible. It almost ruins in otherwise a great film. The Japanese part is very good, but weird. I can't see why there must always be someone who dies in every Japanese film. The final episode in Poland is the 2nd best in the set. To conclude, I liked this movie a lot. It's the sort of film that makes you happy afterwards. And it's funny too. 5 out of 5?
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