A metaphysical mystery involving a university student's camera getting stolen, and the thief then committing suicide. Looking back upon the event, the situation comes to be questioned if it happened at all.
Nagisha Oshima directed this atypical 1962 film covering Christian persecution in Japan - and the response of the tragic hero, Shiro Amakusa. From the standpoint of filmmaking, the shots are mostly static (some several minutes, minimal camera movement), with simple black and white photography. The film shows particular care for the beleaguered Christians, who are forced into poverty (and worse) for their religion.
Obviously, the subject matter doesn't place for humor; the narrative dark and reflective, showing little hope for the characters. Oshima has always excelled at provocative filmmaking, provoking more thought than filmmaking fireworks.
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