The Saint (Sir Roger Moore) is a modern day Robin Hood of sorts. He prevents criminals from succeeding . Where a reward is offered, or the criminals loot is not discovered or "lost", he keeps it to cover his expenses.Simon Templar must always stay one step ahead of the law. Fortunately, his wit, charm, and knowledge of a criminal's ways makes it a fairly easy task.Written by
A version of the car story seen elsewhere says that Jaguar were indeed requested to supply the (then new) E type as an ideal "typically British" steed for Simon Templar, also typically British in the early sixties, Jaguar were bedeviled with strikes and parts supply, and could not deliver on time. Commencement date was looming, and finally Sir Roger Moore volunteered his personal car, the now famed Volvo P1800. Although stylish, it was hardly the racy image needed (post-production gave it the exciting exhaust note). For Volvo, it was a godsend. The P1800 had been selling sluggishly in the UK, suddenly it was "cool", and sales skyrocketed, and as a result, production was extended past the formerly planned finish date. On the rare occasions the vehicle was actually on-location on real streets, it was technically illegal, as the "ST 1" licence plate was registered to another vehicle (the cops turned a blind eye). See more »
It's May 2004 and I was absolutely delighted to see yesterday that BBC America has begun running Roger Moore's The Saint again Monday through Friday.
As much as I enjoyed Moore as Bond, Simon Templer was his.
George Sanders was so dry (Louis Hayward and other one-timers don't really count here). Ian Ogilvy was actually a fine Templer.
However, Moore nailed it. Unlike Sanders, who played Templer like a fop that no one could possibly find the least bit threatening, intimidating or dangerous, Moore was suave and sophisticated without being above it all. Moore brought a needed sense of humanity to the role - and you could see that he could get tough if action & toughness were called for.
Moore had a hand in writing and contributing to the screenplays and the episodes he directed may be my favorites.
There was something comforting and familiar about the show's lower budget production values that just agreed with me. They were solid, professional. And Ed Astley's music was perfect. I'd love to get the soundtrack if it's available.
Ivor Dean as Inspector Claude Eustace Teal was an ideal foil. He was at times Templer's ally, his antagonist, amused and bemused and angered and frustrated at Simon to the point of full red-faced boil-over.
Too bad the kids of today aren't treated to this form of stylish entertainment on their boob tubes, because you can bet your bottom dollar that only 1 in 10,000 will discover it while channel surfing and become a fan.
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