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West Side Story (1961)

Not Rated | | Crime, Drama, Musical | 23 December 1961 (Japan)
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Two youngsters from rival New York City gangs fall in love, but tensions between their respective friends build toward tragedy.

Writers:

Ernest Lehman (screenplay), Arthur Laurents (book) | 1 more credit »
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Popularity
885 ( 26)
Won 10 Oscars. Another 18 wins & 11 nominations. See more awards »

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Cast

Cast overview, first billed only:
Natalie Wood ... Maria
Richard Beymer ... Tony
Russ Tamblyn ... Riff
Rita Moreno ... Anita
George Chakiris ... Bernardo
Simon Oakland ... Schrank
Ned Glass ... Doc
William Bramley William Bramley ... Krupke
Tucker Smith ... Ice
Tony Mordente ... Action
David Winters ... A-rab
Eliot Feld ... Baby John
Bert Michaels Bert Michaels ... Snowboy
David Bean David Bean ... Tiger
Robert Banas Robert Banas ... Joyboy
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Storyline

West Side Story is the award-winning adaptation of the classic romantic tragedy, "Romeo and Juliet". The feuding families become two warring New York City gangs- the white Jets led by Riff and the Puerto Rican Sharks, led by Bernardo. Their hatred escalates to a point where neither can coexist with any form of understanding. But when Riff's best friend (and former Jet) Tony and Bernardo's younger sister Maria meet at a dance, no one can do anything to stop their love. Maria and Tony begin meeting in secret, planning to run away. Then the Sharks and Jets plan a rumble under the highway - whoever wins gains control of the streets. Maria sends Tony to stop it, hoping it can end the violence. It goes terribly wrong, and before the lovers know what's happened, tragedy strikes and doesn't stop until the climactic and heartbreaking ending. Written by Anonymous

Plot Summary | Plot Synopsis

Taglines:

Watch this shot now. Hey. Shoot, man. Go. Hey, yeah. See more »


Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | Spanish

Release Date:

23 December 1961 (Japan) See more »

Also Known As:

West Side Story See more »

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Box Office

Budget:

$6,000,000 (estimated)

Gross USA:

$43,656,822
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

4-Track Stereo (35 mm magnetic prints)| 70 mm 6-Track (Westrex Recording System) (70 mm prints)| Mono (35 mm optical prints)

Color:

Color (Technicolor)

Aspect Ratio:

2.20 : 1
See full technical specs »
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Did You Know?

Trivia

The original stage version of Maria's song "I Feel Pretty" included the lyrics "I feel pretty and witty and bright / And I pity / Any girl who isn't me tonight." In the film this night scene was changed to the daytime, and presumably for this reason, the rhyming words "bright" and "tonight" were changed to "gay" and "today." See more »

Goofs

The length of Riff's cigarette in the lead up to the Jets song/dance. It starts out short and stubby, and just before they start singing and he flicks it away, it is much longer. See more »

Quotes

[first lines]
[the Jets dance across the streets of New York, eventually coming to a playground where they toss around a basketball. The ball is intercepted by Bernardo, leader of the Sharks]
Riff: [snaps fingers at Bernardo] Come on.
[Bernardo drops the ball, Riff picks it up]
Riff: Beat it.
See more »

Crazy Credits

There are no opening credits; a stylized, tinted aerial still of Manhattan is shown as the overture plays. The background changes color as the themes change throughout the overture. As the overture ends, the tinting is blue, the title appears, and the shot segues to aerial photography of Manhattan streets and landmarks. See more »

Alternate Versions

The Special Limited Edition DVD released by MGM in 2003 restores an intermission that was intended to be included in the original roadshow version but was subsequently dropped in order to create what the filmmakers termed a "rising tension" in the story. The intermission sequence was supposed to have taken place right before the song 'I Feel Pretty' and brings the film's total running time to more than 152 minutes. This break was used, however, for the film's first television showing in 1972 on NBC. It was broadcast in two installments, one each on separate nights, the first part ending at the break, and the second part beginning at the "I Feel Pretty" sequence. See more »

Connections

Referenced in Who Wants to Be a Millionaire: Episode #7.137 (2009) See more »

Soundtracks

Maria
(1957) (uncredited) (1957) (uncredited)
Music by Leonard Bernstein
Lyrics by Stephen Sondheim
Performed by Richard Beymer (dubbed by Jimmy Bryant)
Later Danced by Natalie Wood
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Frequently Asked Questions

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User Reviews

A triumph of song, dance, music, choreography, photography...
11 January 2004 | by DoylenfSee all my reviews

Viewing WEST SIDE STORY last night on TCM for the first time in years, I realized what an impact this made on film musicals with its innovative use of dazzling choreography and high-flying camera-work that made it a cinematic experience rather than a stage-bound one.

Robert Wise and Jerome Robbins directed this poignant and powerful musical with a talented cast of performers--Natalie Wood at her dewy-eyed loveliest as the Juliet-like heroine and Richard Beymer doing his best to bring some heart-felt passion to the role of the Romeo-like Tony, but he's too refined to be believable as an ex-gang member. At least he does have some chemistry with Natalie and obviously put his heart and soul into his performing. The voice dubbing for both is done skillfully, but I would have preferred a stronger voice for Beymer.

Rita Moreno (not Chita Rivera as another commentator named her) and George Chakiris are beyond reproach as Anita and Bernardo--and all of the gang members do superb footwork and acting as the Jets/Sharks. Most impressive is the actor playing Ice (Tucker Smith) who figures prominently in the finger-snapping "Cool" number.

This is the quintessential 1960s musical with some expert choreography (the rooftop version of "America" is a standout) and stellar work from everyone in the cast. Leonard Bernstein must have been proud of this film version of his Broadway musical. Robert Wise's firm control in blending the music with the "book" is craftsmanship at its finest.

By all means, a musical that deserved all of its Oscars!!


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