Divorced working woman Alex and well-to-do Jewish family doctor Daniel Hirsh share not only the same answering service but also the favours of young Bob Elkin who bed-hops between them as ... See full summary »
This film is the story of the spectacular life and violent death of British playwright Joe Orton. In his teens, Orton is befriended by the older, more reserved Kenneth Halliwell, and while ... See full summary »
A plea for reform of England's anti-sodomy statutes, Melville Farr, a married lawyer, tries to locate a blackmailer who has photos of Farr and a crying young gay man (who is being blackmailed and later commits suicide) in Farr's car. After the suicide, Farr tracks down other gay men being extorted for money by the same blackmail scheme. Worldly police Detective Inspector Harris considers the sodomy law nothing more than an license to blackmailers, and eventually is contacted by Farr to capture the malicious blackmailer. The movie, far ahead of its time, ends with Farr and his loving wife coming to terms with his homosexual tendencies in advance of the public exposure he will faces in the team of blackmailers' trial.Written by
Mike Mills <email@example.com>
At one point, the character of PH is shown outside a theater showing the musical 'Oliver!' on its billboard. In a later scene, the Police Inspector says that, as police, they cannot be dealing with the "Bill Sikes" of the world all the time. Bill Sikes is the notorious criminal in Charles Dickens' novel 'Oliver Twist' upon which the musical is based. See more »
When Melville is stood outside the Counsel & Clerks office, the shadow of the boom microphone is visible beside the sign, on the wall behind him. See more »
1961 in England. Homosexuals were routinely jailed just because they were homosexuals. It was still the love that dare not speak its name.
Blackmailers had a terrific open season on gays - extorting funds for silence. It is incredible that this movie was made - on two levels. One being the obvious, who would want to star in such a controversial film?
Enter one Dirk Bogarde, putting both his reputation and his career on the line. He moved deliberately beyond his "Doctor in the House" series of light romantic leading men to make this benchmark film.
It may seem dated today to some eyes, but it captures an authentic London of 1961 and is filmed on location in the streets for most of it. One can see the barriers, goofophiles, holding the passersby back from the location shooting! "Flower Drum Song" is featured on a marquee in one of the scenes.
The suspense is carried along beautifully, you are never sure how it is all going to turn out, there are no easy solutions, there are some wonderful sub-plots, unexpected little surprises, like the childhood friend of a victim staunchly loyal against his wife's homophobic wishes.
The husband and wife story is beautifully depicted and completely non-formulaic. I love the rush and buzz of London surrounding the taut, tense story. Groundbreaking film. 8 out 10.
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