A young American serviceman, stationed in Germany after the fall of the Third Reich, jeopardises his position with the Marshall Plan relief effort by breaking the non-fraternisatiom rule ... See full summary »
The Globe is a small, but visionary newspaper started by Phineas Mitchell, an editor recently fired by The Star. The two newspapers become enemies, and the Star's ruthless heiress Charity Hackett decides to eliminate the competition.
During WWII, the publisher of the isolationist New York Gazette is murdered just as he was about to change the paper's policy and support the US war effort. His friend, a small town patriotic editor, is brought in to find the culprits.
Kelly, a prostitute, traumatised by an experience, referred to as 'The Naked Kiss,' by psychiatrists, leaves her past, and finds solace in the town of Grantville. She meets Griff, the ... See full summary »
During the Cold War, a scientific team refits a Japanese submarine and hires an ex-Navy officer to find a secret Chinese atomic island base and prevent a Communist plot against America that could trigger WW3.
Fourteen-year-old Tolly Devlin sees four hoods beat his father to death. Twenty years later, the killers have risen to the top of the crime syndicate and Tolly has a plan for revenge.Written by
Erik Gregersen <firstname.lastname@example.org>
Hanging on the wall in Driscoll's office is a certificate bearing the symbol of the U.S. Army's First Infantry Division - the unit that Samuel Fuller served in during World War II and depicted in The Big Red One (1980). The same type style for the infantry's numeral "1" is also featured in a reading campaign poster in front of National Accounts, the gangster headquarters building. See more »
[All goofs for this title are spoilers.]
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Why don't you take a good look at yourself. What do you see? A doctor? A scientist? A businessman? You see a scar-faced ex-con. A two-bit safecracker. A petty thief who don't know when he really made the big time. Where do you come off to blast her? No matter what she's been, what she's done. She's a giant! And you wanna know why? Well, I'll tell ya. Because she sees something in you worth saving. If only one tenth of one percent of all the good in her could rub off on you, you'd be a giant, ...
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Auld Lang Syne
Written by Robert Burns
Heard as a theme when Tolly's father's body is taken away; played by one of Sandy's dolls; also heard when Tolly's body is in the alleyway See more »
From its brisk opening, this dark and seamy underworld drama moves like a well-oiled machine, laying out and glorifying Cliff Robertson's revenge tactics to punish the men who killed his father.
Not unlike John Boorman's "Point Blank" which also featured an almost cyborg-natured Lee Marvin punishing the bigshot criminal overlords who did him wrong, here the pursuit is more humanized but suffers no slack as Robertson gives an extraordinary performance.
With a glinty-eyed, crooked smile and a gleeful look which seems to creep into his face as he torments his victims, Robertson suggests a little of Mel Gibson's instability in the first "Lethal Weapon", but without the looniness. His more understated moments are not only very realistic, but are the epitome of cool. Robertson can definitely smoke cigarettes better than anybody.
Fuller's direction is taut, featuring plenty of creative cinematography and a lot of sequences which are far more ahead of their time than the majority of crime films being made around 1961. As always, Fuller manages to tell his story with both hysteria and pathos. This is definitely a must-see for fans of Don Siegel's work or the crime films of Phil Karlson and Anthony Mann. "Underworld USA" could very well share a double bill with John Flynn's "The Outfit" as well. Superb stuff.
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