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A Taste of Honey (1961)

Not Rated | | Drama | 30 April 1962 (USA)
A pregnant teenage girl must fend for herself when her mother remarries, leaving the girl with only a new male friend for support.

Director:

Tony Richardson

Writers:

Shelagh Delaney (screenplay), Tony Richardson (screenplay) | 1 more credit »
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Won 1 Golden Globe. Another 9 wins & 6 nominations. See more awards »

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Cast

Complete credited cast:
Dora Bryan ... Helen
Robert Stephens ... Peter Smith
Rita Tushingham ... Jo [Josephine]
Murray Melvin ... Geoffrey Ingham
Paul Danquah Paul Danquah ... Jimmy
Rest of cast listed alphabetically:
Michael Bilton Michael Bilton ... Landlord
Eunice Black Eunice Black ... Schoolteacher
David Boliver David Boliver ... Bert
Margo Cunningham Margo Cunningham ... Landlady
A. Goodman A. Goodman ... Rag and Bone Man
John Harrison John Harrison ... Cave Attendant
Veronica Howard Veronica Howard ... Gladys
Moira Kaye Moira Kaye ... Doris
Graham Roberts Graham Roberts
Valerie Skardon Valerie Skardon ... Woman in Shoe Shop (as Valerie Scarden)
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Storyline

Black and white, gay and straight, mothers and daughters, class, and coming of age. Jo is working class, in her teens, living with her drunk and libidinous mother in northern England. When mom marries impulsively, Jo is out on the streets; she and Geoffrey, a gay co worker who's adrift himself, find a room together. Then Jo finds herself pregnant after a one night stand with Jimmy, a Black sailor. Geoffrey takes over the preparations for the baby's birth, and becomes, in effect, the child's father. The three of them seem to have things sorted out when Jo's mother reappears on the scene, assertive and domineering. Which "family" will emerge? Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Taglines:

The prize winning comedy-drama of a young girl's passionate love for life!...

Genres:

Drama

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

UK

Language:

English

Release Date:

30 April 1962 (USA) See more »

Also Known As:

En duft af honning See more »

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Box Office

Budget:

GBP121,602 (estimated)

Cumulative Worldwide Gross:

$4,597
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (RCA Sound Recording)

Aspect Ratio:

1.66 : 1
See full technical specs »
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Did You Know?

Trivia

Despite glowing reviews and recognition from the Cannes Film Festival, BAFTA, Golden Globes, Directors' Guild, Writers' Guild, and the National Board of Review, the film was completely ignored by the Academy Awards. See more »

Goofs

During the opening credits bus ride through Manchester the very large building on Portland street overlooking Piccadilly Gardens (now a Thistle hotel) has large letters across the top on each wing identifying it as "Hickson, Lloyd & King Ltd.", but in the shot, the letters are all backwards in a mirror image. See more »

Quotes

Geoffrey: You need somebody to love you while you're looking for somebody to love.
See more »

Connections

Featured in Timeshift: 1960: Year of the North (2010) See more »

Soundtracks

On a Mountain Stands a Lady
(uncredited)
Sung by the kids at the canal as "On a Hill There Is a Lady"
Traditional English children's song
See more »

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User Reviews

 
Sensitive and Well Acted Kitchen Sink Drama
20 November 2008 | by JamesHitchcockSee all my reviews

During the late fifties and early sixties a feature of the British film industry was what have become known as "kitchen sink" films- social-realist pictures focusing on the lives of ordinary working-class people. Tony Richardson was one of the key figures in this movement, and "A Taste of Honey" is one of a number of such films directed by him; others include "Look Back in Anger" from 1958 and "The Loneliness of the Long-Distance Runner" from 1962. All of these films are based upon literary sources, in the case of "A Taste of Honey" upon a play by Shelagh Delaney.

The main character is Jo, a working-class Manchester teenager. The plot is a fairly simple one and charts Jo's relationships with her sluttish mother Helen, her sailor boyfriend Jimmy, Helen's car-dealer lover (and later husband) Peter and Geoff, the young man who befriends Jo after Jimmy disappears back to sea leaving her pregnant. There are a number of fine performances, from Murray Melvin as the gentle, sensitive Geoff, Dora Bryan as the promiscuous Helen and from Robert Stephens as the relatively affluent but coarse and vulgar Peter. The best is probably from the nineteen-year-old Rita Tushingham, making her screen debut as the naïve and vulnerable yet determined and strong-willed heroine. She was to become a well-known figure in the British cinema of the sixties and seventies, even though she was far from having classic "film star" looks.

The film contains a number of elements which would have been highly controversial in the early sixties, in particular its non-judgemental attitude towards premarital sex and pregnancy and the mixed-race love affair between Jo and Jimmy. The British cinema was, in some respects, more liberal than its American counterpart at this period. I cannot imagine the Hollywood of 1961 making a film about a sexual relationship between a black man and a white woman. Still less can I imagine a Hollywood film about a sexual relationship between a black man and a white teenage girl, a theme which would probably still be off-limits in 2008.

There were, however, limits to British liberalism. A number of reviewers have assumed that Geoff is gay. Certainly, Melvin plays him with what might be seen as stereotypically gay characteristics- he is, for example, rather effeminate in his voice and gestures. He is also much more "domesticated" than Jo, being better than her at cooking, needlework and housekeeping. He is never, however, identified in the script as a homosexual; there is no reference to his having sex with, or being sexually attracted to, other men. Indeed, it is suggested that Geoff is romantically in love with Jo, and he even proposes marriage.

It should be remembered that, at the time this film was being made homosexuality was still illegal in Britain and there had never been a British film with an explicitly gay theme; the first such was "Victim", which opened in August 1961, only a month before "A Taste of Honey". When "The Trials of Oscar Wilde" came out the previous year it refused to admit that Wilde actually was a homosexual, but rather tried to give the impression that he was the victim of unfounded gossip, of a deliberate conspiracy to blacken his name and of perjured evidence.

Like a number of "kitchen sink" films, it has a strong sense of place, conjured up by its atmospheric black-and-white photography of Manchester scenes, especially the terraced houses of the working-class districts. We see recognisable landmarks such as the city's Town Hall, the Ship Canal and Blackpool Tower (Like many working-class Mancunians from this period, Jo and Helen take their holidays in Blackpool).

Another notable feature of the film is the presence of children. The film opens and closes to the accompaniment of the nursery rhyme "The Big Ship Sailed on the Alley-Alley-O", and in several scenes we see children playing outside. (Among them, apparently, is the future Government minister Hazel Blears). Richardson's intention was presumably to contrast the innocence of childhood with the cares of adult life and to stress that Jo is little more than a child herself. Indeed, when the film opens she is still a schoolgirl, probably aged fifteen, that being the age when most pupils left school in the early sixties, unless they were intending to obtain formal educational qualifications such as O-levels. Delaney herself was only seventeen when she wrote the play on which the film is based.

"A Taste of Honey" perhaps lacks the dramatic power of some of the social-realist films of this period, such as J. Lee Thompson's "Tiger Bay" or John Schlesinger's "A Kind of Loving". It is, however, a sensitive, well-acted and occasionally humorous look at human relationships and one of the better British films from this period. 8/10


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