7.6/10
4,174
46 user 33 critic

A Taste of Honey (1961)

Not Rated | | Drama | 30 April 1962 (USA)
A pregnant teenage girl must fend for herself when her mother remarries, leaving the girl with only a new male friend for support.

Director:

Tony Richardson

Writers:

Shelagh Delaney (screenplay), Tony Richardson (screenplay) | 1 more credit »
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Won 1 Golden Globe. Another 9 wins & 6 nominations. See more awards »

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Cast

Complete credited cast:
Dora Bryan ... Helen
Robert Stephens ... Peter Smith
Rita Tushingham ... Jo [Josephine]
Murray Melvin ... Geoffrey Ingham
Paul Danquah Paul Danquah ... Jimmy
Rest of cast listed alphabetically:
Michael Bilton Michael Bilton ... Landlord
Eunice Black Eunice Black ... Schoolteacher
David Boliver David Boliver ... Bert
Margo Cunningham Margo Cunningham ... Landlady
A. Goodman A. Goodman ... Rag and Bone Man
John Harrison John Harrison ... Cave Attendant
Veronica Howard Veronica Howard ... Gladys
Moira Kaye Moira Kaye ... Doris
Graham Roberts Graham Roberts
Valerie Skardon Valerie Skardon ... Woman in Shoe Shop (as Valerie Scarden)
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Storyline

Black and white, gay and straight, mothers and daughters, class, and coming of age. Jo is working class, in her teens, living with her drunk and libidinous mother in northern England. When mom marries impulsively, Jo is out on the streets; she and Geoffrey, a gay co worker who's adrift himself, find a room together. Then Jo finds herself pregnant after a one night stand with Jimmy, a Black sailor. Geoffrey takes over the preparations for the baby's birth, and becomes, in effect, the child's father. The three of them seem to have things sorted out when Jo's mother reappears on the scene, assertive and domineering. Which "family" will emerge? Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Taglines:

The prize winning comedy-drama of a young girl's passionate love for life!...

Genres:

Drama

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

UK

Language:

English

Release Date:

30 April 1962 (USA) See more »

Also Known As:

En duft af honning See more »

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Box Office

Budget:

£120,000 (estimated)
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (RCA Sound Recording)

Aspect Ratio:

1.66 : 1
See full technical specs »
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Did You Know?

Trivia

Some of the scenes were filmed in the City of Manchester. The scene by the canal is in Ancoats. In the opening credits Bradford Pit can be seen and there are numerous shots of Bradford Gas Works (the main love scene was filmed there) The number 77 bus was a cross city bus along with the number 57, starting at Pendlebury or Swinton and travelling through Salford and Manchester to Thornley Park (Denton Border) or The Bull's Head at Reddish (Stockport Border). Both services were run jointly by Salford City and Manchester City buses until the mid sixties. See more »

Goofs

During the opening credits bus ride through Manchester the very large building on Portland street overlooking Piccadilly Gardens (now a Thistle hotel) has large letters across the top on each wing identifying it as "Hickson, Lloyd & King Ltd.", but in the shot, the letters are all backwards in a mirror image. See more »

Quotes

Jimmy: I dreamt about you last night - fell out of bed twice!
See more »

Connections

Featured in Timeshift: 1960: Year of the North (2010) See more »

Soundtracks

Let's Slip Away
(uncredited)
from Saturday Night and Sunday Morning (1960)
Music by John Dankworth
Lyrics by David Dearlove
Performed by Cleo Laine
Played during the Blackpool sequence
See more »

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User Reviews

 
Body language says more than words
8 September 2006 | by angelprof03See all my reviews

There are several aspects about this film that I find absolutely clever. First, the way of representing characters' feelings through acting rather than speaking. Helen, Jo or Geoffey's faces give away more than they could say. Helen is a masterpiece of selfishness only by looking at the way she puts on lipstick or combs her hair or lits a cigarette. She's so self-concerned, she never allows Jo into her own body space. At the same time Jo becomes more and more despondent, tragically aware of her mother's lack of love (the acme when she throws away Peter's chocs in Blackpool) and her bent shoulders speak out for her. She carries the weight of being unwanted. Then, the dialogues never convey a proper explanation of things; the characters never explain themselves clearly or are able to articulate a description, crying out for their own feelings. The people in this film don't even know theirs, they haven't got the means to express them and it's up to the watchers to understand everything. Probably that's why I felt so overwhelmed while watching it. I really felt the public was called to read through the lines of such a powerful representation of life.


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