A Chinese detective breaks up a drug smuggling ring and tries to find the "Daffodil Killer". The drug smugglers had devised the ingenious method of smuggling heroin from Hong Kong in the stems of daffodils.
Several employees on a nobleman's estate show up at a former abbey, reputed to be haunted, to search for a hidden treasure. Howver, a mysterious hooded figure begins killing off those who may have figured out where the treasure is hidden.
Franz Josef Gottlieb
When a wealthy man dies, his avaricious relatives look forward to inheriting all his money. However, he leaves a provision in his will that they all must spend a week together in his castle... See full summary »
A serial killer named The Shark is terrorizing London by killing his victims with a speargun and then, dressed in a scruba-diver's wetsuit, using the city's sewer tunnels to make his ... See full summary »
Both Scotland Yard and an amateur American sleuth are tracking a master criminal known as The Frog. This moniker refers to the bulging-eyed mask worn by the evildoer, and is reflected by ... See full summary »
Elfie von Kalckreuth,
THE PUZZLE OF THE RED ORCHID (Helmuth Ashley, 1962) **1/2
This is yet another "Krimi" pairing Christopher Lee and Klaus Kinski; the hero this time around is, like them, a Jess Franco regular i.e. Adrian Hoven, and the leading lady future "Euro-Cult" starlet Marisa Mell. The film, however, is not only inferior to THE DEVIL'S DAFFODIL (1961) – which preceded this viewing – but only marginally a genre entry as, rather, than a sadistic masked killer (the German "Krimis" were obvious precursors to the Italian "Gialli") we get rival gangs of Chicago hoodlums who improbably relocate to London to first extort and then dispatch various wealthy elders when they invariably turn to Scotland Yard for protection! Why this is done is never quite clear, especially since they never get to collect; incidentally, we start off with one mobster eliminating his opponents – but the only survivor, Kinski, soon sets up his own unit of gun-happy thugs whilst retaining an ostensibly respectable front as a tobacconist. One of the victims bequeaths his fortune to his secretary (Mell) rather than his sole ne'er-do-well relative (who has a propensity for orchids, the only link to the title – that is to say, extremely cursory – provided by the narrative!); still, he proves to be not what he seems – with his final trapping of the heroine inside a bank vault one of the very few scenes pertaining to the form's recognizable style (another highlight has a car going off the rails after a large mirror set up along the road gave the illusion to the bewildered driver of an imminent head-on collision).
Lee does not have much of substance to do as an F.B.I.(!) agent, but he at least gets to display his quick two-gun draw in a shoot-out with one of the baddies. Somewhat more prevalent, regrettably, is a comic-relief butler who happens to have served each of the murdered parties immediately prior to their untimely demise and, ultimately, even offers his would-be expert services to both one of the perpetrators – who promptly winds up dead himself – and the Police!
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