The classic story from the early days of Rome where there are no women. Romulus, the founder of Rome, finds women to be wives from Sabina where there are a lot of women. The Sabine men, of ...
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Set against an appealingly sunny Sicilian backdrop, this movie finds Simon Templar, an elegant thief and ethical busybody, outraged when a British banker is murdered after he recognizes an old colleague-turned-Mafia kingpin.
A European arms dealer (Sir Roger Moore) meets a liberated woman journalist (Susannah York), who is writing a story about the ridiculous things men do with the armaments during a N.A.T.O. ... See full summary »
In order to get back into the good graces with his wife with whom he has had a misunderstanding, a young chemistry professor concocts a wild story that he is an undercover FBI agent. To ... See full summary »
Widower Tony is trying to keep a small Miami hotel afloat while raising a 12-year-old son. He's forced to ask his harried brother Mario for help, but he'll only bail Tony out if he quits his bohemian lifestyle and marries a sensible woman.
Edward G. Robinson,
The classic story from the early days of Rome where there are no women. Romulus, the founder of Rome, finds women to be wives from Sabina where there are a lot of women. The Sabine men, of course, attack Rome to get their wives and daughters back.Written by
childish, heroic in few moments but not impressive. testimony of a time , in which blockbusters are skin for historical subjects, it is seductive only for cast. and for ambiguous intentions of director. sure, Roger Moore or Jean Marais are perfect names for epic but, in same time, important source of frustration. because the beautiful story is a strange mixture of feminism, myths, jokes and love story. all in same place, maybe the public is master of choices. the tale is thin, the fight scenes - nice, the beauty - not spectacular but interesting for understand sensitivity of a time. but the central error is its role of page from a movie type. after so many films inspired by Antiquity it is difficult to be happy at meeting with "Il ratto delle sabine". not for the force of the other creations - it is not Spartacus or Ben Hur - but for the ambition of director to say all in not well manner.
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