In the industrial North, Giovanni is a skilled factory worker offered a promotion if he'll go to Sicily for 18 months to assist in a new department. His impending absence strains his ... See full summary »
The life inside a farm in Italy at the end of the 19th century. Many poor country families live there, and the owner pays them by their productivity. One of the families has a very clever ... See full summary »
Two middle-aged men work as caretakers on an isolated dam construction site high in the snow-capped Italian Alps. When one of them leaves for the valley to spend Christmas vacation with his... See full summary »
A middle-aged, middle-class man named Bruno gets his boss's job . The film examines his sensitivity towards his old boss, whom he doesn't want to hurt, towards his employees, and towards his wife and mistress.
Brunetto Del Vita,
The history of the first victim of modern artillery and its moving agony, amidst conspiracies and betrayals of the powerful. Life and death of Giovanni De' Medici, a young brave captain in ... See full summary »
Domenico and Antonietta are two suburban Italian youths who meet while seeking "a job for life" from a big city corporation. After a bizarre screening process made up of written exams, physical agility exercises, and interview questions such as "Do you drink to forget your troubles?" (Domenico and Antonietta are no older than 17 or 18), they land jobs in the "Technical Division" and "Typing Services" respectively. From there, Domenico works as an underutilized errand boy until a clerk position is vacated by the death of an older employee. Domenico finally takes his place in a room of 12 other clerks with a manager overseeing them from a desk at the head of the room. The film ends as Domenico ponders his fate, from behind his tiny desk at the back of the small windowless room, listening to the sound of the mimeograph machine as it runs off carbon copies next to the manager's desk.Written by
Alex M. Dunne <firstname.lastname@example.org>
Go on, let him sleep.
Well, you know...
All right, you tell him to do his best.
He's not a child anymore. He knows what to do.
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Cinemateca Portuguesa (Lisbon) in two sessions «In Memoriam Ermanno Olmi», September 2018, has shown the film with an extra scene which edited out of the film's "last cut" in 1961. See more »
"Il Posto" is an extremely simple film; by that I do not refer to its intelligence, which is on par with anything written by Sartre or Hobbes, but its way of representing its characters and the environment surrounding them; they are not shown with an emotional and artistic grace, as in a film by Visconti, but rather in a plain (but not dull) and un-grandiloquent way. They are shown not as heroes, or rebels, but rather as ordinary people, with ordinary problems inside of ordinary lives. But even through this simplicity, Ermanno Olmi finds beauty.
It is about a shy and timid young man from a small village trying to get a corporate job in Milan; he meets and falls in love with a beautiful girl who works there; he tries to court her. It is also an extremely (and extremely subtly) political film; we see the day-to-day lives of the middle-aged employees, and their interactions with others. We see the poor, the rich, and those in-between, there interactions and their place in their world, and how they stay that way. It is, as well as an intimate character piece, a film of society, and its flaws.
It's a film of sublime beauty, though not on the surface. Its a film that leaves the viewer with a sense of every emotion possible: humor, sadness, tragedy, innocence, etc. Its a social and emotional documentary-as-fiction. Its a film I wouldn't hesitate to call perfect.
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