San Francisco debutante, Jessica Poole, is marrying Napa Valley cattle rancher, Roger Henderson, and hopes her peripatetic father, "Pogo" Poole, whom she hasn't seen for years, comes to the...
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In Buenos Aires, a man who has decreed that his daughters must marry in order of age allows an American dancer to perform at his club under the condition that he play suitor to his second-oldest daughter.
William A. Seiter
Father Conroy (Crosby) has a parish which serves the acting and performance community. When one of his parishoners gets too sick to work, his daughter Holly (Reynolds) finds a job working ... See full summary »
San Francisco debutante, Jessica Poole, is marrying Napa Valley cattle rancher, Roger Henderson, and hopes her peripatetic father, "Pogo" Poole, whom she hasn't seen for years, comes to the wedding. He arrives, disrupting the household of his ex-wife, Katharine, and her long-suffering husband, and befriending their cook, Toy. At first it seems that Pogo is set on breaking up the engagement, making up for years of neglect by wining and dining Jessica, showing up Roger as a hick, and enticing her to come to Europe with him. Then it seems his real goal is to win back Katharine's heart: why else would he have two tickets to Paris booked on a plane leaving right after the reception?Written by
When asked by James, Mr. Sanford tells him that Popo's plane leaves at 6:30. However, when everyone arrives at the airport to see Pogo off, the sign at the departure gate clearly shows the departure time as 4:30. See more »
American Movie Classics channel has just started showing this 1961 flick, and I can't speak too highly of it. A charming domestic comedy with some real dramatic tension, the film boasts a superb cast with the venerable Fred Astaire (yes, of course he dances...), the elegantly funny Lilli Palmer, and a befuddled Gary Merrill. Charley Ruggles as grampa positively steals the show as a sort of geriatrically comic Greek chorus; his brief rejoinders and observations always perfectly set off a scene. The production values, as well, are sumptuous; today's movies don't look as good as this 40-year-old number (the Technicolor process has it all over contemporary processes). Sparkling dialogue and wonderful acting make this story of a playboy father's disruptive effects on his daughter's impending wedding a delightful must-see. I just can't figure it out; how can a movie without no swear words, no violence, no nudity, and not a single sex scene be so captivating???
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