A frustrated former big-city journalist now stuck working for an Albuquerque newspaper exploits a story about a man trapped in a cave to re-jump start his career, but the situation quickly escalates into an out-of-control circus.
During a high profile Mafia testimony case in California's Riverside County, a hired killer checks-in a hotel room near the courthouse while his next door depressed neighbor wants to commit suicide due to marital problems.
Berlin is the epitome of political and economic polarization. A microcosm of that polarization is the life of American C.R. MacNamara, known as Mac to his friends. He is Coca-Cola's head of West Berlin operations, although he feels he deserves to be Coca-Cola's head of European operations based in London. Mac's wife, Phyllis, wants him instead to get a steady and stable job back in head office in Atlanta. His West Berlin staff are all still used to treating him like their old master, the Fuhrer. The one exception is his secretary, Ingeborg, who is the latest in the long line of his secretary mistresses. And he's working on a trade agreement of getting Coca-Cola into the Russian market. His life goes into a tailspin when he hosts Scarlett Hazeltine in his home for two weeks. She is the seventeen year old spoiled and party-loving daughter of his Atlanta based boss, Wendell Hazeltine. Unlike most of the stops she's made on her European trip, Scarlett seems to like West Berlin and stays ...Written by
When Phyllis asks her husband for the combination of the safe, C.R. MacNamara yells back 22-5-17. This happens to be the date of the Great Atlanta Fire of 1917, home to Coca-Cola. See more »
In the shots from the west side of the Brandenburg Gate, a sign is shown reading: "ACHTUNG! YOU ARE NOW LEAVING WEST BERLIN." No such sign, in mixed German and English, was ever posted in Berlin. The signs advising that one was leaving or entering one of the four sectors of the divided city were all written in four languages: German, English, French and Russian. Apart from its factual inaccuracy, it would make no sense to post a sign written partially in one language and partially in another. See more »
Although "One, Two, Three" was made at a tense and crucial point in the Cold War standoff, it is bitingly funny and has aged well. As previous reviewers have noted, the performances are top notch, particularly those delivered by Cagney, Bucholz and Arlene Francis. The satire is thick in every scene, with particularly sharp barbs aimed at the behavior and attitudes of post-war Germans. The parodies of and references to Cagney's earlier films are also very funny. Cagney's makeover of the committed young Communist is outrageous.
A definite "10"...Wilder during his career peak, and Cagney delivering a fitting career finale.
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