During a high profile Mafia testimony case in California's Riverside County, a hired killer checks-in a hotel room near the courthouse while his next door depressed neighbor wants to commit suicide due to marital problems.
A frustrated former big-city journalist now stuck working for an Albuquerque newspaper exploits a story about a man trapped in a cave to re-jump start his career, but the situation quickly escalates into an out-of-control circus.
Berlin is the epitome of political and economic polarization. A microcosm of that polarization is the life of American C.R. MacNamara, known as Mac to his friends. He is Coca-Cola's head of West Berlin operations, although he feels he deserves to be Coca-Cola's head of European operations based in London. Mac's wife, Phyllis, wants him instead to get a steady and stable job back in head office in Atlanta. His West Berlin staff are all still used to treating him like their old master, the Fuhrer. The one exception is his secretary, Ingeborg, who is the latest in the long line of his secretary mistresses. And he's working on a trade agreement of getting Coca-Cola into the Russian market. His life goes into a tailspin when he hosts Scarlett Hazeltine in his home for two weeks. She is the seventeen year old spoiled and party-loving daughter of his Atlanta based boss, Wendell Hazeltine. Unlike most of the stops she's made on her European trip, Scarlett seems to like West Berlin and stays ...Written by
James Cagney had such a negative experience making this picture that he retired from films for 20 years until his cameo in Ragtime (1981). See more »
In the scene with the three MPs, when one opens the door and says he wants to be taken away, the other soldier call him "Sarge" at least twice. However, the insignia on his sleeve shows he's a Specialist 5th Class, equal in pay grade but not addressed as a sergeant. The two soldiers with stripes (Corporals) would actually out rank the specialist who was not considered a Noncomissioned Officer. See more »
Here's your mail, here's your Wall Street Journal, and here's my resignation.
Resignation? What are you talking about?
You do not work me overtime anymore, you do not take advantage of me on weekends, you have lost all interest in the... umlaut. So obviously, my services are no longer required here.
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If you're planning on screening "One, Two,Three" for the first time and you weren't alive in 1961, take a moment to acquaint yourself with the political climate of the time....then get ready to laugh A LOT ! I was 17 when "One, Two, Three" came out and all these years later I am still amazed at the majesty of this film. As most of you know, this was to be James Cagney's last picture, and it took a lot of convincing by Billy Wilder to get him to do it. Cagney did come back one more time for "Ragtime", but that doesn't lessen the greatness of this, his final starring role. I saw a comment posted about the film having the perfect cast and I agree, but it's not surprising when you consider this: name me a Billy Wilder film that didn't have the perfect cast ! William Holden and Gloria Swanson in "Sunset Blvd", Jack Lemmon and Shirley MacLaine in "The Apartment", Jack Lemmon, Tony Curtis and Marilyn Monroe in "Some Like It Hot", Jack Lemmon and..well, you get the picture: Billy Wilder knew precisely who he wanted for every part and usually got them, and if he had to go with choice # 2, then choice # 2 was one lucky actor. And each supporting role, no matter how small, got the same Wilder treatment. I know because my dad was the TV Movie Host in "The Apartment". Actors knew that being in a Billy Wilder film meant the script would be first rate and the director would get a first rate performance out of them, even if it took all night. Pamela Tiffin was just terrific in this film, but sadly she never got another role worthy of her ability. The same goes for Horst Buchholz, "The Magnificent Seven" not withstanding. At least they got to do "One, Two, Three" and that might have just been enough. Right up there in the same league with "The Philadelphia Story", "Annie Hall" and the original version of "To Be Or Not To Be" starring Jack Benny and Carole Lombard, Billy Wilder's "One, Two, Three" is a forever film classic for all the reasons I and others have mentioned, and for one more which it shares with every great film: "One, Two, Three" assumes you have a brain and treats you accordingly. " SCHLEMMER !!!!!"
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