During a high profile Mafia testimony case in California's Riverside County, a hired killer checks-in a hotel room near the courthouse while his next door depressed neighbor wants to commit suicide due to marital problems.
A frustrated former big-city journalist now stuck working for an Albuquerque newspaper exploits a story about a man trapped in a cave to re-jump start his career, but the situation quickly escalates into an out-of-control circus.
Berlin is the epitome of political and economic polarization. A microcosm of that polarization is the life of American C.R. MacNamara, known as Mac to his friends. He is Coca-Cola's head of West Berlin operations, although he feels he deserves to be Coca-Cola's head of European operations based in London. Mac's wife, Phyllis, wants him instead to get a steady and stable job back in head office in Atlanta. His West Berlin staff are all still used to treating him like their old master, the Fuhrer. The one exception is his secretary, Ingeborg, who is the latest in the long line of his secretary mistresses. And he's working on a trade agreement of getting Coca-Cola into the Russian market. His life goes into a tailspin when he hosts Scarlett Hazeltine in his home for two weeks. She is the seventeen year old spoiled and party-loving daughter of his Atlanta based boss, Wendell Hazeltine. Unlike most of the stops she's made on her European trip, Scarlett seems to like West Berlin and stays ...Written by
Joan Crawford (then on the board of PepsiCo) telephoned director Billy Wilder to protest the movie's Coca-Cola connection. Wilder then added a final scene in which James Cagney buys four bottles of Coke from a vending machine. The last bottle out of the machine isn't Coke but another brand . . . Pepsi. See more »
In the Grand Hotel Potemkin sequence showing the crossed Soviet and East German flags, the East German flag is upside down (black stripe should be on the top); maybe this was a deliberate error on the part of the filmmakers. See more »
"One, Two, Three," is a fast paced, cleverly scripted comedy, with an absolutely stellar performance from James Cagney. Billy Wilder's direction is vigorous and tight-knit, with a tempo that doesn't let up, yet doesn't tire either. One good line after the next, in an original comedy with loads of laughs. But it's Cagney's show, and does he give it his all! This is a wonderful tribute to one of the screen's all-time great actors.
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