The titular river unites a farmer recently released from prison, his young son, and an ambitious saloon singer. In order to survive, each must be purged of anger, and each must learn to understand and care for the others.
When billionaire Jean-Marc Clement learns that he is to be satirized in an off-Broadway revue, he passes himself off as an actor playing him in order to get closer to the beautiful star of the show, Amanda Dell.
Showgirls Lorelei Lee and Dorothy Shaw travel to Paris, pursued by a private detective hired by the suspicious father of Lorelei's fiancé, as well as a rich, enamored old man and many other doting admirers.
Roslyn Taber, the type of woman who turns heads easily, recently came to Reno to get a quickie divorce, she having no idea what to do with her life after that. She cannot tolerate seeing animal suffering, let alone human suffering. Coinciding with getting the divorce, Roslyn meets friends Gay Langland and Guido, a divorced aging grizzled cowboy and a widowed mechanic respectively. Although Guido makes no bones about wanting to get to know Roslyn in the biblical sense and although he "saw her first", Roslyn begins a relationship with Gay, despite Roslyn's friend Izzy Steers, who originally came to Reno years ago to get her own divorce and never left, warning her about cowboys as being unreliable, and despite Roslyn initially not being interested in Gay "in that way". Gay has grown children who he rarely sees and wishes he was there for more than was the case. Gay and Roslyn move into the under construction farmhouse owned by Guido, which he was building for his wife before she died. ...Written by
The film was beset with problems throughout production, the main ones being the temperatures in excess of 100 degrees and the breakdown in the marriage between Marilyn Monroe and writer Arthur Miller, as well as Marilyn's dysfunctional behavior. See more »
When Gay is holding the flashlight for Guido as he works on the plane, the flashlight is clearly off. Yet Gay keeps adjusting it to light the part of the plane engine Guido is working on. See more »
Young man, do you have the time? I got six clocks in the house and none of them work.
Twenty after nine.
After? It's twenty after, dear. Dahlin'. Five minutes.
What about you?
I'm all set, I just tyin' my sling. The lawyer said nine thirty sharp, dahlin'.
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Opening credits are shown on and around puzzle pieces. See more »
I've always wanted to see this movie because of the legendary actors associated with it and yesterday I finally rented it. I can't say it is an entertaining movie, but it is certainly profound and stays with you.
Clark Gable, Marilyn Monroe and Montgomery Clift were all wonderful. There is something extra poignant about the casting of these three actors. It is like "misfits" playing misfits. Knowing that it is Clark Gable's and Marilyn Monroe's last film added to the aura of finality at the end. Marilyn Monroe definitely does not get the credit she deserves as the fine actress she was. Even her character is trying to get beyond the external first impression she makes on men.
It is the first film I've seen of Montgomery Clift's. What a fine actor! He brought enormous depth to his character--much of which was portrayed without speaking.
Once again, if you're looking for an entertaining film, you may be disappointed. If you're looking for an interesting blend of characters who, in many ways, are mirrors of the actors playing them, then rent the Misfits. It is packed with stars but not with glitzy star quality, just no-holds-barred, uninhibited acting.
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