When billionaire Jean-Marc Clement learns that he is to be satirized in an off-Broadway revue, he passes himself off as an actor playing him in order to get closer to the beautiful star of the show, Amanda Dell.
The titular river unites a farmer recently released from prison, his young son, and an ambitious saloon singer. In order to survive, each must be purged of anger, and each must learn to understand and care for the others.
Showgirls Lorelei Lee and Dorothy Shaw travel to Paris, pursued by a private detective hired by the suspicious father of Lorelei's fiancé, as well as a rich, enamored old man and many other doting admirers.
Roslyn Taber, the type of woman who turns heads easily, recently came to Reno to get a quickie divorce, she having no idea what to do with her life after that. She cannot tolerate seeing animal suffering, let alone human suffering. Coinciding with getting the divorce, Roslyn meets friends Gay Langland and Guido, a divorced aging grizzled cowboy and a widowed mechanic respectively. Although Guido makes no bones about wanting to get to know Roslyn in the biblical sense and although he "saw her first", Roslyn begins a relationship with Gay, despite Roslyn's friend Izzy Steers, who originally came to Reno years ago to get her own divorce and never left, warning her about cowboys as being unreliable, and despite Roslyn initially not being interested in Gay "in that way". Gay has grown children who he rarely sees and wishes he was there for more than was the case. Gay and Roslyn move into the under construction farmhouse owned by Guido, which he was building for his wife before she died. ...Written by
As Roslyn and Gay are leaving the dry lake bed, they stop at the aircraft to retrieve Gay's dog. You see Roslyn jump into the truck and slide to the middle of the bench style seat, with the dog jumping in behind her. Although Roslyn's hands are down by her side, and the dog is between her and the door, the door slams shut. This is obviously due to a crew member closing the door right after the dog jumped in. See more »
Young man, do you have the time? I got six clocks in the house and none of them work.
Twenty after nine.
After? It's twenty after, dear. Dahlin'. Five minutes.
What about you?
I'm all set, I just tyin' my sling. The lawyer said nine thirty sharp, dahlin'.
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There are no closing credits of any kind. Not even the words "THE END" appear on the screen. See more »
The Misfits is famous for being the last completed film of two cultural icons, Clark Gable and Marilyn Monroe. It brings the two famous stars into the then current year of 1961.
This is a movie about a woman in Reno, Nevada (where else?) who is there to get a divorce. On a whim (she makes up her mind fast!) she drives out to the desert on the day of her divorce with a washed out aging cowboy (Clark Gable) and his buddy (Eli Wallach) as well as her friend (Thelma Ritter). This begins a wistful adventure and sometimes sad relationship for her with the cowboy and his misfit friends (including Montgomery Clift). They grapple with life's issues from divorce, friendship, greed and even cruelty until finally, everyone's character and philosophy of life is laid bare in a showdown over 6 wild horses.
This is an underrated cinematic gem...and I can see why. The first time I saw this movie a few years ago I thought it was beautiful and well done but sad and too depressing with a vague ending. Recently, I couldn't pass it by because of it's place in movie history when I saw it on DVD for just $5.88! What a shock I got watching this one on my big screen TV in the original widescreen format in glorious black and white. It was so fantastically fascinating from beginning to end that I watched it twice in a row. Marilyn Monroe is an amazing actress and she brings Rosalyn Tabor to life in this film. She's riveting and not because of her fantastic looks. What a thrill! Clark Gable inhabits his character Gay like he's in his own skin, making him a man you can respect and sympathize with. Montgomery Clift, Eli Wallach and Thelma Ritter are all incredible in their roles. I don't know how I missed so much the first time I saw this move. It has humor, pathos and drama. The great John Houston directs it brilliantly! The cinematography is nothing short of breathtaking and the editing is sheer genius. It's an overlooked cinematic gem and I recommend it! Watch it twice if you're don't see the joy and hope in this film the first time. It's there! This crew hs created a near mastepiece. Keep following that same bright star. I rate this a 91/100. Don't miss seing it in the widescreen format on a big screen TV.
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