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King of Kings (1961)

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The temporary physical life of the Biblical Savior, Jesus Christ.

Director:

Nicholas Ray

Writer:

Philip Yordan (screenplay)
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Nominated for 1 Golden Globe. Another 1 win. See more awards »

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Cast

Cast overview, first billed only:
Jeffrey Hunter ... Jesus
Siobhan McKenna ... Mary
Hurd Hatfield ... Pontius Pilate
Ron Randell ... Lucius
Viveca Lindfors ... Claudia
Rita Gam ... Herodias
Carmen Sevilla ... Mary Magdalene
Brigid Bazlen ... Salome
Harry Guardino ... Barabbas
Rip Torn ... Judas
Frank Thring ... Herod Antipas
Guy Rolfe ... Caiaphas
Royal Dano ... Peter
Robert Ryan ... John The Baptist
Edric Connor Edric Connor ... Balthazar
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Storyline

The story of the life of Jesus Christ from his birth in Bethlehem to his crucifixion and subsequent resurrection. Filmed on a relatively grand scale, the film includes all of the major events referred to in the New Testament; his baptism by John the Baptist; the miracles - cripples walking, blind men seeing; the fishes and the loaves; and so on. The film actually begins with the Roman invasion by Pompey in 65 B.C., the appointment of King Herod the Great by the Romans and finally the crowning of Herod Antipas after he murders his father. The revolt led by Barrabas is also included and John the Baptist's beheading as Salome's price for dancing for Herod. Written by garykmcd

Plot Summary | Add Synopsis

Taglines:

The most exciting human drama the screen has ever told. A story of the Christ, His life, His deeds, the inspiration of His spoken words. See more »


Motion Picture Rating (MPAA)

Rated PG-13 for some violent content | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

30 October 1961 (USA) See more »

Also Known As:

Samuel Bronston's Production King of Kings See more »

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Box Office

Budget:

$5,037,000 (estimated)

Gross USA:

$14,483,352

Cumulative Worldwide Gross:

$25,000,000, 31 January 1989
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

4-Track Stereo (35mm prints)| 70 mm 6-Track (70 mm prints) (Westrex Recording System)| Mono (35 mm prints) (Westrex Recording System)

Color:

Color (Technicolor)

Aspect Ratio:

2.20 : 1
See full technical specs »
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Did You Know?

Trivia

Not only was Jeffrey Hunter's chest hair shaved for the crucifixion scene but his underarms as well. So much attention has been paid to this situation over the past fifty years, that nobody's ever noticed Hunter also wears a false putty nose throughout the film, most evident in the close-ups at the crucifixion scenes. See more »

Goofs

During Jesus' walk through the wilderness, he drops to the ground to suck water out of a cactus. Cactus is native to North America, and there are no cactus plants in the Mideast. See more »

Quotes

Lucius: [to Jesus, who is trying to visit John the Baptist in prison] For some reason, I favored Your mother once before. I will give You a moment with the prisoner John. But remember this... break Caesar's law, and you shall find in me the most merciless of men.
See more »

Connections

Version of Day of Triumph (1954) See more »

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User Reviews

the music, the narration, the blue eyes ...
27 June 2002 | by didi-5See all my reviews

Everything fits together as soon as the film opens with Orson Welles' narrating the story of the Son of God. Little Jesus grows up to be the very American and impossibly blue-eyed Jeffrey Hunter (his opening scene with Robert Ryan's Baptist is superb), who goes on to cure the lame, the insane, the blind, rehabilitate Mary Magdelene, and all the usual things. Hunter is very good in the role, which may have been surprising at the time given his previous form in Westerns (and later in Star Trek's pilot episode!). Other good points - Hurd 'Dorian Gray' Hatfield as Pilate, the dance of the seven veils, the ending, the glorious score ...

It fits together better than The Greatest Story Ever Told, which got too starry and was spoiled by John Wayne's son of gawd. Here everyone knows their place and the religious context remains unscathed by the whitewash of Hollywood. Excellent.


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