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Jules and Jim (1962)

Jules et Jim (original title)
Not Rated | | Drama, Romance | 23 January 1962 (France)
Decades of a love triangle concerning two friends and an impulsive woman.

Director:

François Truffaut

Writers:

Henri-Pierre Roché (novel), François Truffaut (adaptation) | 1 more credit »
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Nominated for 2 BAFTA Film Awards. Another 3 wins & 1 nomination. See more awards »

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Cast

Complete credited cast:
Jeanne Moreau ... Catherine
Oskar Werner ... Jules (as Oscar Werner)
Henri Serre ... Jim
Vanna Urbino Vanna Urbino ... Gilberte
Serge Rezvani Serge Rezvani ... Albert (as Bassiak)
Anny Nelsen Anny Nelsen ... Lucie
Sabine Haudepin Sabine Haudepin ... Sabine, la petite
Marie Dubois ... Thérèse
Michel Subor ... Récitant / Narrator (voice)
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Storyline

In pre-WWI Paris, two friends, Jules (Austrian) and Jim (French), fall in love with the same woman, Catherine. But Catherine loves and marries Jules. When they meet again in Germany after the war, Catherine starts to love Jim - This is the story of three people in love, a love that doesn't affect their friendship, and about how their relationship evolves with the years. Written by Yepok

Plot Summary | Plot Synopsis

Taglines:

A Hymn to Life and Love

Genres:

Drama | Romance

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

France

Language:

French | German | English

Release Date:

23 January 1962 (France) See more »

Also Known As:

Jules and Jim See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

When Jim first visits Jules' home in Austria, Catherine shows him a picture of Jules costumed as Mozart. Oskar Werner, the actor who plays Jules, also portrayed Mozart in an earlier film. See more »

Goofs

When Jim recites La Marseillaise, the sound doesn't quite match up to the way that his lips are moving. See more »

Quotes

Jules: Either it's raining or I'm dreaming.
JimCatherine: Or both.
See more »

Connections

Referenced in De Avond van de Filmmuziek (2015) See more »

Soundtracks

Le Tourbillon
Written by Serge Rezvani
Performed by Jeanne Moreau
Played at the guitar by Serge Rezvani
See more »

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User Reviews

 
A breathless film about time.
12 July 2001 | by Alice LiddelSee all my reviews

Time and revisionist critics have tried to tarnish the gleam of Truffaut's final masterpiece - citing its apparent misogyny and apoliticism; but for some of us, 'Jules et Jim' is the unforgettable film that opened the gates to both European film, and the great masters of American cinema like Hitchcock, Hawks and Ray.

'Jules et Jim' is, along with 'Citizen Kane', THE vindication of the pleasures of cinematic form: the first half especially, in its rush of narrative registers and technical exuberance, is unparalleled in modern film. This isn't mere trickery - the use of paintings, books, plays, dreams, conversations, documentary footage, etc., as well as the different ways of telling a story through film, all point to the movie's theme - how do you represent people and the world in art without destroying them? Or is art the only to save people and life from extinction?

The foregrounding of theatricality, acting, disguises, pseudonyms, games, works-within-the-work, all point to the high modernism in which the film is set, when the old certainties about identity and place were being destroyed by the Great War. In fact the film could be considered Cubist in the way it uses film form to splice up and rearrange images, space, characters, viewpoints.

Truffaut's film is a beautiful elegy about time: the historical time heading towards destruction in the shape of the Nazis, and the circular time of love, obsession and art. These times struggle in the film's structure, history zipping past years in the framing, Parisian sections, and days stretching out interminably in the central rural rondelay.

Far from being misogynistic, the film places Catherine's speech about 'grains of sand' at its philosophical heart. AND she's played by Jeanne Moreau, the most honest and human of all great actresses.


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