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Jules and Jim (1962)

Jules et Jim (original title)
Not Rated | | Drama, Romance | 23 January 1962 (France)
Decades of a love triangle concerning two friends and an impulsive woman.

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Writers:

(novel), (adaptation) | 1 more credit »
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Nominated for 2 BAFTA Film Awards. Another 3 wins & 1 nomination. See more awards »

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Cast

Complete credited cast:
... Catherine
... Jules (as Oscar Werner)
... Jim
Vanna Urbino ... Gilberte
Serge Rezvani ... Albert (as Bassiak)
Anny Nelsen ... Lucie
Sabine Haudepin ... Sabine, la petite
... Thérèse
... Récitant / Narrator (voice)
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Storyline

In pre-WWI Paris, two friends, Jules (Austrian) and Jim (French), fall in love with the same woman, Catherine. But Catherine loves and marries Jules. When they meet again in Germany after the war, Catherine starts to love Jim - This is the story of three people in love, a love that doesn't affect their friendship, and about how their relationship evolves with the years. Written by Yepok

Plot Summary | Plot Synopsis

Taglines:

A Hymn to Life and Love

Genres:

Drama | Romance

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

| |

Release Date:

23 January 1962 (France)  »

Also Known As:

Jules and Jim  »

Company Credits

Show more on  »

Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Was chosen by Premiere magazine as one of the "100 Movies That Shook the World" in the October 1998 issue. The list ranked the most "daring movies ever made." See more »

Goofs

When Catherine lights the letters on fire, they are at first away from her dress, but in the next shot they are burning on top of her dress. See more »

Quotes

Jules: What's appalling about war is that it deprives man of his own individual battle.
Jim: Yes, but I think he can wage his battle outside the field of war. I'm thinking of a gunner I met in the hospital. Returning from leave, he met a girl on the train. They talked from Nice to Marseilles. Stepping down onto the platform, she gave him her address. He wrote her frantically from the trenches every day for two years on bits of wrapping paper, by candlelight. As bombs rained down, his letters became ever ...
[...]
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Connections

Referenced in Un pont entre deux rives (1999) See more »

Soundtracks

Le Tourbillon
Written by Serge Rezvani
Performed by Jeanne Moreau
Played at the guitar by Serge Rezvani
See more »

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User Reviews

 
art isn't about "identification"
4 March 2005 | by See all my reviews

Why do so many people need to "get into the characters" "care about the characters" "identify with the characters", to enjoy or appreciate a great film? I think it's a type of selfishness, as shallow as the urge to reject an outcome one doesn't like. Examples: "I know it's good; but the ending was too down" (Lolita), or a woman I once heard criticize Unbearable Lightness of Being because one of the main characters is a womanizer who doesn't repent or have justice rendered to him. Ironically, in Jules and Jim, we see a woman who is a "manizer" whom some viewers are appalled or put off by).

Jules and Jim features three characters whose unrealism is beyond question - Truffaut himself might comment on how Catherine fascinated the other two, but I doubt very much he would claim any of the three to be "realistic". I think the whole thing is a fable, and therefore the three are more like archetypes. The beauty isn't really the story, but HOW the story unfolds, and, most importantly how it is told VISUALLY: the breeziness interrupted by dramatic outbursts (flames, jumping into the river, death by drowning), the exploration of love as a fleeing of tediousness and predictability, the hinting (yes there is a type of love between Jules and Jim, though not a homo erotic one) that friendship is always deeper than romantic love, the beautiful flowing and editing of sequences, for example: where all three go bicycling in the country.

The duty of film is to tell a story in moving images, to take advantage of the things that specifically make cinema different from drama or literature - moving the spectator about in space and time, which cannot be done in any other art form in quite the same way. But nothing about this movie is conventional, and people looking for "resolution", or a someone getting their comeuppances, or even a character learning more about himself must look elsewhere for gratification.


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