Charlie is approached by his crook brother Chico, who is chased by two gangsters. Charlie helps him to escape, but he upsets the criminals, so when his brother Fido is kidnapped, Charlie has to take an attitude with tragic consequences.
Director:
François Truffaut
Stars:
Charles Aznavour,
Marie Dubois,
Nicole Berger
After being discharged from the army, Antoine Doinel centers a screwball comedy where he applies for different jobs and tries to make sense of his relationships with women.
Director:
François Truffaut
Stars:
Jean-Pierre Léaud,
Claude Jade,
Delphine Seyrig
Antoine Doinel works dying flowers in the courtyard outside his apartment. He is married to Christine, who is pregnant. He has an affair with a Japanese woman, jeopardising his marriage.
Director:
François Truffaut
Stars:
Jean-Pierre Léaud,
Claude Jade,
Hiroko Berghauer
Pierre Lachenay is a well-known publisher and lecturer, married with Franca and father of Sabine, around 10. He meets an air hostess, Nicole. They start a love affair, which Pierre is hiding, but he cannot stand staying away from her.
Director:
François Truffaut
Stars:
Jean Desailly,
Françoise Dorléac,
Nelly Benedetti
A small-time thief steals a car and impulsively murders a motorcycle policeman. Wanted by the authorities, he reunites with a hip American journalism student and attempts to persuade her to run away with him to Italy.
Director:
Jean-Luc Godard
Stars:
Jean-Paul Belmondo,
Jean Seberg,
Daniel Boulanger
Antoine Doinel is now more than thirty. He divorces from Christine. He is a proofreader, and is in love with Sabine, a record seller. Colette, his teenager love, is now a lawyer. She buys ... See full summary »
Director:
François Truffaut
Stars:
Jean-Pierre Léaud,
Claude Jade,
Marie-France Pisier
Pierrot escapes his boring society and travels from Paris to the Mediterranean Sea with Marianne, a girl chased by hit-men from Algeria. They lead an unorthodox life, always on the run.
Director:
Jean-Luc Godard
Stars:
Jean-Paul Belmondo,
Anna Karina,
Graziella Galvani
Antoine Doinel is 17, lives in a hotel and works in a factory making records; he loves music. He falls in love with a woman he meets at a concert. She sees him as a friend, but her parents love him.
Director:
François Truffaut
Stars:
Jean-Pierre Léaud,
Marie-France Pisier,
Patrick Auffay
In pre-WWI Paris, two friends, Jules (Austrian) and Jim (French), fall in love with the same woman, Catherine. But Catherine loves and marries Jules. When they meet again in Germany after the war, Catherine starts to love Jim - This is the story of three people in love, a love that doesn't affect their friendship, and about how their relationship evolves with the years.Written by
Yepok
When Jim first visits Jules' home in Austria, Catherine shows him a picture of Jules costumed as Mozart. Oskar Werner, the actor who plays Jules, also portrayed Mozart in an earlier film. See more »
Goofs
When Catherine lights the letters on fire, they are at first away from her dress, but in the next shot they are burning on top of her dress. See more »
Quotes
Jules:
The most important factor in any relationship is the woman's fidelity. The husband's is secondary. Who was it who wrote, "Woman is natural, therefore abominable?"
Jim:
Baudelaire, but he was describing a certain world.
Jules:
Not at all. He spoke of women in general. What he says about a young girl is magnificent: "Horror, monster, assassin of the arts, little fool, little slut. The greatest idiocy combined with the greatest depravity." Wait. I'm not finished. This is marvelous: "I'm always astonished they ...
[...] See more »
There is a book by Goethe mentioned in this movie, it's "Wahlverwandschaften", and its appearance is quite meaningful. Because the movie takes a look on human loves and lives that is quite similar to older Goethe's fatalistic world-view in his novel, very far from hope and idealisms. Strength (Moreau's character) and Weakness (Jim) are equal forces of nature, and both conduct us to death. The stoic attitude (Jules) is resignation and, seen this way, it is "weakness" too, but, on the other hand, it seems to be the STRONGEST way, because it means survival. JULES ET JIM, both in its content and in its aesthetics, has an air of antique tragedies, but - and this is more like the German novel - without complain, without crying. That's why it leaves you so "unsatisfied", and that's why it's still disturbing, even today.
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There is a book by Goethe mentioned in this movie, it's "Wahlverwandschaften", and its appearance is quite meaningful. Because the movie takes a look on human loves and lives that is quite similar to older Goethe's fatalistic world-view in his novel, very far from hope and idealisms. Strength (Moreau's character) and Weakness (Jim) are equal forces of nature, and both conduct us to death. The stoic attitude (Jules) is resignation and, seen this way, it is "weakness" too, but, on the other hand, it seems to be the STRONGEST way, because it means survival. JULES ET JIM, both in its content and in its aesthetics, has an air of antique tragedies, but - and this is more like the German novel - without complain, without crying. That's why it leaves you so "unsatisfied", and that's why it's still disturbing, even today.