The Innocents (1961)

A young governess for two children becomes convinced that the house and grounds are haunted.

Director:

Jack Clayton

Writers:

Henry James (based on the story "The Turn of the Screw"), John Mortimer (additional scenes & dialogue)

Stars:

Deborah Kerr, Peter Wyngarde, Megs Jenkins

Nominated for 2 BAFTA Film Awards. Another 3 wins & 3 nominations.

Cast

Complete credited cast:
Deborah Kerr	...	Miss Giddens
Peter Wyngarde	...	Peter Quint
Megs Jenkins	...	Mrs. Grose
Michael Redgrave	...	The Uncle
Martin Stephens	...	Miles
Pamela Franklin	...	Flora
Clytie Jessop	...	Miss Jessel
Isla Cameron	...	Anna

Storyline

In Victorian England, the uncle of orphaned niece Flora and nephew Miles hires Miss Giddens as governess to raise the children at his estate with total independence and authority. Soon after her arrival, Miss Giddens comes to believe that the spirits of the former governess Miss Jessel and valet Peter Quint are possessing the children. Miss Giddens decides to help the children to face and exorcise the spirits.

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Plot Keywords:

children | governess | estate | england | valet | 

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Taglines:

Do They Ever Return to Possess the Living?

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Genres:

Horror

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Certificate:

Not Rated

Details

Country:

UK

Language:

English

Release Date:

19 February 1962 (Sweden)

Also Known As:

The Turn of the Screw

Filming Locations:

Bluebell Railway, East Sussex, England, UK

Box Office

Budget:

£430,000 (estimated)

Gross USA:

$2,616,000

Company Credits

Production Co:

Twentieth Century Fox, Achilles

Technical Specs

Runtime:

100 min

Sound Mix:

Mono (Westrex Recording System)

Color:

Black and White

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

Director Jack Clayton turned down the offer of Cary Grant to play the uncle.

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Goofs

An obvious center back zipper in several of Miss Kerr's costumes, as well as in Mrs. Gross & Flora's costumes. The Innocents is set during the Victorian period, 1837-1901. Commercial zippers were not used in clothing until 1925.

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Quotes

Miss Giddens: And where my pet is Miss Jessel? Where is she, Flora?
Mrs. Grose: Miss Giddens!
Miss Giddens: Where is she? You know you can see her!
Mrs. Grose: Miss!
Miss Giddens: Look, Flora! Look! There! You know you can see her!
Flora: [possessed by Miss Jessel] I can't! I can't!
Miss Giddens: Admit it! She's there! You know you can see her!
Flora: [possessed by Miss Jessel] I can't! I can't!
Miss Giddens: But look, she's there!
Flora: [possessed by Miss Jessel] Help me, I'm frightened!
[...]

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Crazy Credits

The film begins with a totally black screen and the sound of Flora singing for several seconds; then the 20th Century Fox logo fades in and out. The singing continues for a few seconds before the opening credits begin. As the credits display, we see an anguished Miss Giddens praying on the left side of the screen. Her actions are not explained until the film's climax.

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Connections

Referenced in Three O'Clock High (1987)

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Soundtracks

O Willow Waly
Music by Georges Auric
Lyric by Paul Dehn

User Reviews

The other Others

The Innocents is a masterpiece of atmospheric horror cinema. The obvious influence for 2001's 'The Others', The Innocents portrays themes of paranoia, death and madness; superbly wrapped around a plethora of great performances from the four main leads.

The story revolves around an uncle who doesn't have time for the children he has inherited, and therefore hires Miss Giddens (Deborah Kerr) to look after them. When Miss Giddens arrives at the mansion, she first meets Flora, the young girl and is 'enchanted' by the child. A few days later the boy, Miles, arrives at the house after being expelled from school. The fourth lead is made up by the housekeeper, Mrs Grose; played by Meg Jenkins. From the housekeeper, Miss Giddens eventually learns of what happened to the previous occupants of the house, and that's where the fun starts...

Martin Stephens (Miles) and Pamela Franklin (Flora) do surprisingly good jobs as the two adorable young children that are the centre of the story. Their characters are portrayed as nice young children, but at the same time there is something sinister about them, and that is where the tale draws a lot of it's suspense and mystery from. Deborah Kerr also shines as the watcher of the children. We know from the outset that her character loves children, which makes her plight believable to the audience when she does all she can to save the children from the evil she believes is haunting them. We never really know what is happening in the movie; the children's viewpoints contradict that of Miss Giddens, and as there is evidence to support what both sides say, along with evidence to support that of the contrary, the mystery is able to build itself through this and that, therefore, along with the empathy we are able to feel for Mrs Giddens due to the nature of her character; the film is able to remain interesting and suspenseful for it's running time.

The thing that this film does best is in capturing a dark and foreboding atmosphere. Through the way the story is portrayed and the beautiful cinematography, Jack Clayton is able to create scenes and sequences that are genuinely frightening and suspenseful; less is more rarely works to a great effect, but here it does. The 'ghosts' have very little screen time, but the time they do have is powerful and memorable enough to make it seem like much more. The film's creepy and menacing atmosphere never delves into violence or gore and relies solely on the story itself and the Gothic, atmospheric setting; and that is much to the film's credit.

If you liked the slightly later 60's paranoid horror films, such as Carnival of Souls or The Haunting, then this film is definitely one to check out.