Brick, an alcoholic ex-football player, drinks his days away and resists the affections of his wife, Maggie. His reunion with his father, Big Daddy, who is dying of cancer, jogs a host of memories and revelations for both father and son.
Honest and hard-working Texas rancher Homer Bannon has a conflict with his unscrupulous, selfish, arrogant and egotistical son Hud, who sank into alcoholism after accidentally killing his brother in a car crash.
Wyoming, early 1900s. Butch Cassidy and The Sundance Kid are the leaders of a band of outlaws. After a train robbery goes wrong they find themselves on the run with a posse hard on their heels. Their solution - escape to Bolivia.
George Roy Hill
"Fast" Eddie Felson is a small-time pool hustler with a lot of talent but a self-destructive attitude. His bravado causes him to challenge the legendary "Minnesota Fats" to a high-stakes match, but he loses in a heartbreaking marathon. Now broke and without his long-time manager, Felson faces an uphill battle to regain his confidence and his game. It isn't until he hits rock bottom that he agrees to join up with ruthless and cutthroat manager Bert Gordon. Gordon agrees to take him on the road to learn the ropes. But Felson soon realizes that making it to the top could cost him his soul, and perhaps his girlfriend. Will he decide that this is too steep a price to pay in time to save himself?Written by
Ranked #6 on the American Film Institute's list of the 10 greatest films in the genre "Sports" in June 2008. See more »
In the early pool scene Fats takes two shots left handed although he is a right handed player. See more »
Eddie, is it alright if I get personal?
Whaddaya been so far?
Eddie, you're a born loser.
What's that supposed to mean?
First time in ten years I ever saw Minnesota Fats hooked... really hooked. But you let him off.
I told you I got drunk.
Sure you got drunk. You have the best excuse in the world for losing; no trouble losing when you got a good excuse. Winning... that can be heavy on your back, too, like a monkey. You'll drop that load too when you got an excuse. All you gotta do is learn to ...
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The Hustler is seen as a well respected, getting Oscar nominations and making Paul Newman's name as an actor. Here is a film noir style film with gritty, flawed characters, looking at working class culture. It made during a great period of cinema.
The film tells the story of a small time pool hustler, Fast Eddie Felson (Paul Newman), who had been traveling around America, making a lot of money and wanting to challenge Minnesota Fats (Jackie Gleason), the best pool player in America. After initial success, Fats beats Eddie, with him being battered and beaten. He ends up forming a relationship with an alcoholic woman, Sarah (Piper Laurie), a woman who is beaten down by life. They both help each other and seem in love, but Eddie does the only thing he can do, hustle, getting himself in dangerous. In a bar Eddie meets Bert Gordon (George C. Scott), a gambler who offers to back Eddie up and give him his chance to beat Fats.
The film is considered by some a sports movie, but the film isn't. It is a character drama, it is about the broken American dream (like the writer John Steinbeck focused on). Many of the characters are flawed in some way. Eddie is a very arrogant character, who doesn't know where to stop and is almost on the path to self-destruction. Sarah is an alcoholic, who has given up on her dreams. Bert Gordon is a user, a man who only thinks of his own self-interest, an good villain. The Hustler strongest element is the acting, with top performance from all the actors. They made you believe in their characters. The director, Robert Rossen, does a good job, using fading shots, strong fixed shots, adding to the atmosphere and does well filming the pool scenes.
They are some problems with the film. It is a little too long and seems unfocused. Just cutting a few minutes properly would have made this a better film.
I personally the grim and gritty reality that this film sets out. This is a worthy film from the film noir school.
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