6.4/10
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Gold of the Seven Saints (1961)

Unrated | | Adventure, Western | 18 February 1961 (USA)
In Seven Saints, Utah, McCracken's outlaw gang is vying for fur trappers Jim Rainbolt and Shaun Garrett's gold nugget fortune that also catches the eye of Mexican bandit Gondora and his caballeros.

Director:

Gordon Douglas

Writers:

Leigh Brackett (screenplay by), Leonard Freeman (screenplay by) | 1 more credit »
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Cast

Credited cast:
Clint Walker ... Jim Rainbolt
Roger Moore ... Shaun Garrett
Letícia Román ... Tita, Gondora's 'Ward'
Robert Middleton ... Amos Gondora
Chill Wills ... Doc Wilson Gates, MD
Gene Evans ... McCracken
Roberto Contreras ... Armenderez, Gondora Gunman
Jack Williams Jack Williams ... Ames (as Jack C Williams)
Art Stewart Art Stewart ... Ricca
Rest of cast listed alphabetically:
Nestor Paiva ... Gondora Henchman
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Storyline

Fur-trapper Shawn Garrett gets out of a horse-stealing charge in a small, frontier town by agreeing to buy the horse with a gold nugget. This nugget attracts the attention of a man named McCracken who, with his gang, secretly follows Garrett across the desert in the hope of finding the source of his gold. Garrett joins up with his partner, Jim Rainbolt, and together they manage to hold off McCracken's gang long enough to hide their gold before seeking refuge in the hacienda of a landowner named Gondora. Gondora soon finds out about the gold, however, and Rainbolt and Garrett now find themselves in a fight to save their gold and their lives as well. Written by dinky-4

Plot Summary | Add Synopsis

Taglines:

Poets And Dreamers... Brave Men And Bullet-In-The-Back Men Came After It... But First There Was A Secret To Unravel... The Mystery Of A Thousand Years!

Genres:

Adventure | Western

Certificate:

Unrated | See all certifications »
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Details

Country:

USA

Language:

English | Spanish

Release Date:

18 February 1961 (USA) See more »

Also Known As:

Das Gold der sieben Berge See more »

Filming Locations:

Arches National Park, Utah, USA See more »

Company Credits

Production Co:

Warner Bros. See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (RCA Sound Recording)

Color:

Black and White (Sepiatone)

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

The novel (by Steve Frazee) on which this movie is based was originally titled "Desert Guns." See more »

Goofs

When Jim Rainbolt (Clint Walker) and Shaun Garrett (Roger Moore) slide a little ways down the mountain and each hide behind their own boulder to confront their pursuers, they raise a cloud of dust. Immediately after stopping behind their respective boulders, they are both shown individually in close-up peering from behind the boulders with no dust around them at all, and immediately after that they are both shown again in the same frame behind their boulders with the dust cloud all around them that they had just raised. See more »

Quotes

Doc Wilson Gates, MD: You're kinda fond of that young feller, ain't ya?
Jim Rainbolt: Sort of used to him after three years. He's got a knack for getting us into trouble and his mouth is too big for his size sometimes, but there ain't nobody I'd rather have backing me.
See more »

Connections

Referenced in Sweet Trash (1970) See more »

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User Reviews

There's gold in that chest of Walker's
26 November 2002 | by Poseidon-3See all my reviews

This presumably standard little western has a touch more to it than one might expect. For one thing, it has the unusual pairing of towering western figure Walker and lean British actor Moore (sporting a grating Irish brogue.) Additionally, despite continual references to "pretty girls" and a showy role for lifted and separated Italian actress Roman, the movie is rife with homoerotic images and subtext! Walker and Moore play fur-trappers who have recently acquired 125 lbs of gold. Once word gets out that they're packing it across the desert, villains come out from under every rock to steal it. The pair have a sort of Batman and Robin dynamic with Moore (referred to as "kid" by Walker even though they are only months apart in age) trying hard to be a good partner, but inevitably running into trouble. Walker, as the wiser and stronger hero, must come to his rescue. Walker's first appearance in the film presents him as a monument that nearly dwarfs the surrounding Utah scenery. His beefy body is regularly placed in various Greco-Roman positions. He sprawls out under a rock for a nap while Moore lays his head at his feet looking upward. Later, in a scene with Wills (as a questionable doctor who's come to get in on the gold), Walker wields a phallic gun between his legs. He tells Wills that there is no one besides Moore who he'd rather "have my back." When the trio lands at Middleton's hacienda, Walker (in the film's highlight) takes a bath in a huge barrel and is scrubbed down by Roman as Moore looks on longingly (supposedly due to butt-swinging Roman, but the audience knows better!) A publicity shot for the film actually shows Moore spooning in this tub with Walker snugly behind him! This (probably staged just for fun) shot isn't in the movie. If it had been, the flick would have outgrossed "The Guns of Navarone" that year! A later shot of an ostensibly nude Walker asleep on his bunk has him lit like an archangel taking a nap. By now, Walker has crossed the line into the gay cowboy fantasy stratosphere! By the time Moore is stripped to the waist and tied to a rock (in another Batman-esque move...one can almost hear an announcer ominously asking what will happen to our Boy Wonder) waiting for Walker to come and rescue him, Walker comes upon three skinny-dipping varmints, and then is asked to get on his belly with his granite behind on display, the film has taken on a whole new aspect. Moore (who should never be allowed to sing on film again) ekes out the final ditty (something to the effect of "if marriage is in store, I'm outta here") as the duo rides off together contentedly. The one major drawback to the film is its lack of color. The striking scenery and Walker's polar blue eyes deserved to be shot in vivid Technicolor. This was director Douglas' third time at bat with Walker, so he knew the value of Walker's treasure chest. Did Walker realize his own appeal and understand the way he was being presented? His gentle, "aw shucks" personality in interviews would suggest not. Thank God, however, that he exists on celluloid for later generations to appreciate.


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