Francis of Assisi (1961)

In 13th century Italy, Francis Bernardone, the son of an Assisi merchant, renounces a promising army career in favor of a monastic life and starts his own religious order, sanctioned by the Pope.

Director:

Michael Curtiz

Writers:

Ludwig von Wohl (novel) (as Louis De Wohl), Eugene Vale (screenplay)

Stars:

Bradford Dillman, Dolores Hart, Stuart Whitman

Cast

Cast overview, first billed only:
Bradford Dillman	...	Francis Bernardone of Assisi
Dolores Hart	...	Clare
Stuart Whitman	...	Count Paolo of Vandria
Cecil Kellaway	...	Cardinal Hugolino
Eduard Franz	...	Pietro Bernardone
Athene Seyler	...	Aunt Buona
Finlay Currie	...	The Pope
Mervyn Johns	...	Brother Juniper
Russell Napier	...	Brother Elias
John Welsh	...	Canon Cattanei
Harold Goldblatt	...	Bernard
Edith Sharpe	...	Donna Pica
Jack Lambert	...	Scefi
Oliver Johnston	...	Father Livoni
Malcolm Keen	...	Bishop Guido

Storyline

Francis Bernardone (Bradford Dillman) is the son of a wealthy cloth merchant in Assisi, who gives up all his worldly goods to dedicate himself to God. Clare (Dolores Hart) is a young aristocratic woman who, according to the film, is so taken with St. Francis that she leaves her family and becomes a nun. By this time (1212 A.D.), St. Francis has a well-established reputation for his vows of poverty. The movie goes on to note miracles (such as the appearance of the stigmata on Francis's hands and feet) and other aspects of his life, up to and including his death on October 3, 1226.

---

Plot Keywords:

religious conversion | reference to allah | israel | reference to jesus christ | forgiveness | 

---

Taglines:

The story of a lusty, fighting young adventurer who exchanged his sword for a cross and rose to glory

---

Genres:

Biography | Drama | History

---

Certificate:

Not Rated

Details

Country:

USA

Language:

English

Release Date:

12 July 1961 (USA)

Also Known As:

Francisco de Asís

Filming Locations:

Italy

Box Office

Budget:

$2,015,000 (estimated)

Company Credits

Production Co:

Perseus Productions, Twentieth Century Fox

Technical Specs

Runtime:

105 min

Sound Mix:

Mono (Westrex Recording System)

Color:

Color

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

In the film, Dolores Hart plays an aristocratic woman who becomes a nun. In reality, Hart left Hollywood to become a nun in 1963.

---

Goofs

Several times in the movie, you can see the Basilica of Saint Francis in the background. It wasn't built before 1230, four year after Saint Francis' death.

---

Quotes

Francis Bernardone of Assisi: This could be so, a voice told me to rebuild the Lord's house. I thought I had to work with stone and mortar, but perhaps I was wrong.

---

Crazy Credits

[Right before the closing title card] Pax et Bonum ("peace and all good [be with you]"). This Latin phrase is the traditional greeting and goodbye of the Franciscans, and it was established by Francis himself.

---

Connections

Referenced in God Is the Bigger Elvis (2012)

User Reviews

Some Interesting Reflections Weakened By Its Veneration Of Its Subject

This recreates a lot of the legends about Francis of Assisi - one of the best known of the Roman Catholic saints, who is also admired and much quoted by Protestants. There's no doubt that the movie also recreates some of the historical facts about his life - his disagreement with his father over the course his life should take, his visit to the Holy Land and encounter with the sultan and his struggle to gain recognition of his new order from the Pope. This also takes both the legends and the reality to unnecessary extremes at times - such as Francis' encounter with the cheetahs in the Sahara as he was seeking out the sultan. Throughout the whole movie, Francis is portrayed in a too pious light; his humanity (I mean by this his flesh and blood reality, as opposed to his kindness) seemed lost in the mix. This is not especially surprising when you consider that the movie is based on a hagiography (a biography of a saint) written by by the Catholic author Ludwig von Wohl, whose own commission from Pope Pius XII was to "write about the history and mission of the Church in the world." Clearly the Catholic Church wants its saints portrayed in the best light possible, and so a certain sense of veneration for Francis in a movie based on von Wohl's work is inevitable.

Setting that aside (and even Protestants admire Francis, so I have no major criticism) what I most enjoyed here was the continual reflection in the movie on the state of the church and the Christian faith and Christians; the constant temptation (to which we all give in) to compromise the standards of Christ in favour of the standards of the world. The movie continually comes back to that theme; one could even say it revolves around it, as the primary battle Francis fights is to keep his order true to his "rule" - which was essentially the teachings of Christ that His own followers should renounce worldly possessions. Considering the repeated inability of Christians and the church to truly live up to the standards of Christ, the most meaningful words here were probably put on Francis' lips (although I'm unclear whether he actually spoke them): "if men were more perfect, we would need less compassion." So true.

This is at times interesting - but it's still significantly weakened in my view by its veneration of Francis rather than its objective portrayal of his life.