Francis Bernardone (Bradford Dillman) is the son of a wealthy cloth merchant in Assisi, who gives up all his worldly goods to dedicate himself to God. Clare (Dolores Hart) is a young aristocratic woman who, according to the film, is so taken with St. Francis that she leaves her family and becomes a nun. By this time (1212 A.D.), St. Francis has a well-established reputation for his vows of poverty. The movie goes on to note miracles (such as the appearance of the stigmata on Francis's hands and feet) and other aspects of his life, up to and including his death on October 3, 1226.Written by
[Right before the closing title card] Pax et Bonum ("peace and all good [be with you]"). This Latin phrase is the traditional greeting and goodbye of the Franciscans, and it was established by Francis himself. See more »
For each Romano-Catholic believer, the portrait of Francis of Assisi has precise traits, impecable nuances, the right frame. a film about him change nothing. for a Greek - Orthodox like me, it is more simple. legends adapted by different directors for a great effect. in this case, maybe, two pillars define the film - too Catholic sensitivity and too much Hollywood. each of them are far to be real errors or sins. it is a film by Michael Curtiz, represents part of an age of American cinematography, the time of impressive shows but , maybe, after the experience of other films about the Poor from Assisi, the film seems for me just a correct homework. sure, Iam really subjective.
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