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The Day the Earth Caught Fire (1961)

Unrated | | Drama, Sci-Fi, Romance | May 1962 (USA)
When the U.S. and Russia unwittingly test atomic bombs at the same time, it alters the nutation (axis of rotation) of the Earth.

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(written for the screen by), (written for the screen by)
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Won 1 BAFTA Film Award. Another 1 nomination. See more awards »

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Cast

Complete credited cast:
... Jeannie Craig
... Bill Maguire
... Peter Stenning
... 'Jacko' Jackson - Night Editor
Bernard Braden ... 'Dave' Davis - News Editor
Reginald Beckwith ... Harry
Gene Anderson ... May
... Angela
Arthur Christiansen ... 'Jeff' Jefferson - Editor
... Sir John Kelly
Edward Underdown ... Dick Sanderson
Ian Ellis ... Michael Stenning
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Storyline

Hysterical panic has engulfed the world after the United States and the Soviet Union simultaneously detonate nuclear devices causing a change to the nutation (axis of rotation) of the Earth. Written by Fernando <diamond@argenet.com.ar>

Plot Summary | Add Synopsis

Taglines:

THE PICTURE THAT GIVES YOU A FRONT SEAT TO THE MOST JOLTING EVENTS OF TOMORROW...TODAY! (original U.S. print ad - all caps) See more »

Genres:

Drama | Sci-Fi | Romance

Certificate:

Unrated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

May 1962 (USA)  »

Also Known As:

The Day the Earth Caught Fire  »

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Box Office

Budget:

£200,000 (estimated)
See more on IMDbPro »

Company Credits

Production Co:

,  »
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Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Color:

(with tinted sequences)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Saturday Review magazine cover story, issue date February 10, 1962. Review by Hollis Alpert. See more »

Goofs

At the 'peace' rally there is sign mistakenly using the Mercedes logo instead of the peace sign. See more »

Quotes

Peter Stenning: So Man has sown the wind - and reaped the whirlwind. Perhaps in the next few hours, there will be no remembrance of the past, and no hope for the future that might have been. All the works of Man will be consumed in the great fire out of which he was created. But perhaps at the heart of the burning light into which he has thrust his world, there is a heart that cares more for him, than he has ever cared for himself. And if there is a future for Man - insensitive as he is, proud and defiant in ...
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Crazy Credits

There are no end credits whatsoever (not even a "The End" caption); merely a fade to black. See more »

Connections

Referenced in Matinee (1993) See more »

Soundtracks

Light Cavalry Overture
(uncredited)
Written by Franz von Suppé
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User Reviews

 
The Day the Earth Caught Fire

1961's "The Day the Earth Caught Fire" must be judged according to the parameters of classics as 1951's "The Day the Earth Stood Still", and not today's special effects mega productions in which the perspective of the disappearance of planet Earth is taken with cynic humor. The idea came to director Val Guest during the Cold War in 1954, and it is under that decade's spirit that the movie is better appreciated. I remember seeing it when it opened, and I've never forgotten that experience, specially its tinted sequence. Forty-three years later I am able to see it again, and it's still the same notable film, not the least affected by today's cinematic technology, because, in its core, Guest's motivation -the worry for the actions of mindless men who struggle to control the Earth- is still relevant. If it's not highly regarded today as "The Day the Earth Stood Still", I think it has to do with the fact that Universal sold it as a B movie in America (though not so by British Lion in the UK, where it was a huge success, and won the film industry's top prize for its screenplay) and because not too many critics paid attention to it and wrote positive reviews, establishing it as an important science-fiction movie since then. Although there are very few re-enacted disaster scenes and it relies upon footage of real catastrophes, the tension is handled effectively in the newspaper's office where most of the action takes place, with its overlapping dialogues and constant flow of new information; and in the development of the romantic story in the midst of violence and terror in the streets. Edward Judd, Janet Munro and Leo McKern contribute good performances to this fine movie, shot in wide-screen Dyaliscope.


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