Filmmaker Shirley Clarke ("The Connection") directs this powerful, stark semi-documentary look at the horrors of Harlem ghetto slum life filled with drugs, violence, human misery, and a ... See full summary »
Diagnosed with an autoimmune disease, journalist Shannon Harvey went in search of the missing link in healthcare. Featuring interviews with leading scientists The Connection proves we have more to say about our health than we thought.
"Tells the story of a group of Chilean children who discover a larger reality and a different world through the cinema. Each Saturday, Alicia Vega transforms the chapel of Lo Hermida into a... See full summary »
Judy O'Brien is an aspiring ballerina in a dance troupe. Also in the company is Bubbles, a brash mantrap who leaves the struggling troupe for a career in burlesque. When the company ... See full summary »
Roy Del Ruth
Little Gerta, when her mother dies. is brought to her father, Carl Von Seydling, a government official, who deserted his wife and child a few years before. Councilor Van Seydling found the ... See full summary »
Georg af Klercker
Ornette: Made In America captures Ornette's evolution over three decades. Returning home to Fort Worth, Texas in 1983 as a famed performer and composer, documentary footage, dramatic scenes... See full summary »
Fort Worth Symphony Orchestra
Eight drug addicts are waiting for their connection in a New York apartment belonging to Leach. Jim Dunn, a budding filmmaker, has agreed to pay for the fix if the addicts will allow him to film the connection scene. After the men get their shots, they talk Dunn into trying heroin in order to understand the subject "first hand." He becomes ill and while sleeping, Leach takes an overdose that puts him into a coma. Dunn recovers, with the aid of the connection, and writes off the film as a failure.Written by
The film is credited with helping to launch the Cannes Film Festival's parallel section known as International Critics' Week. In 1961 the French Syndicate of Cinema Critics successfully lobbied to have the film shown at Cannes. The festival, recognizing the importance of the film, gave the critics a week to showcase films beginning the following year in 1962. See more »
Man, I believe anything that's illegal is illegal because it makes more money for more people that way.
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I don't know why anyone would call this realistic. It looks and feels like a play...the "acting", the overblown dialogue (almost Odets-like), etc. And unless you were a junkie in 1961, how would you know if it's realistic? And Sister Salvation? How could that possibly be real?! Noone is that clueless.
It's obviously dated for many reasons....the "lingo", the lack of serious profanity, the odd discussion of homosexuality.
Still, the film hooks you in...and I'm not exactly sure why. I guess it never really slows down. The camera tricks are cool, the band is great, some good dialogue. And the acting and characters are interesting, if not realistic.
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