Filmmaker Shirley Clarke ("The Connection") directs this powerful, stark semi-documentary look at the horrors of Harlem ghetto slum life filled with drugs, violence, human misery, and a ... See full summary »
Diagnosed with an autoimmune disease, journalist Shannon Harvey went in search of the missing link in healthcare. Featuring interviews with leading scientists The Connection proves we have more to say about our health than we thought.
"Tells the story of a group of Chilean children who discover a larger reality and a different world through the cinema. Each Saturday, Alicia Vega transforms the chapel of Lo Hermida into a... See full summary »
Ornette: Made In America captures Ornette's evolution over three decades. Returning home to Fort Worth, Texas in 1983 as a famed performer and composer, documentary footage, dramatic scenes... See full summary »
Fort Worth Symphony Orchestra
Judy O'Brien is an aspiring ballerina in a dance troupe. Also in the company is Bubbles, a brash mantrap who leaves the struggling troupe for a career in burlesque. When the company ... See full summary »
Roy Del Ruth
Essential, integral experimental work from the late 1950s is an incredible dance of montage and super-imposition starring none other than New York City's various bridges, transforming them ... See full summary »
Three actresses prepare to go on the road in a theater production of Lysistrata, Aristophanes' classic comic play about women and war. As they re-assess and deal with the problems in their ... See full summary »
Eight drug addicts are waiting for their connection in a New York apartment belonging to Leach. Jim Dunn, a budding filmmaker, has agreed to pay for the fix if the addicts will allow him to film the connection scene. After the men get their shots, they talk Dunn into trying heroin in order to understand the subject "first hand." He becomes ill and while sleeping, Leach takes an overdose that puts him into a coma. Dunn recovers, with the aid of the connection, and writes off the film as a failure.Written by
I first saw this movie in 1963 by hassling the cashier into selling me a ticket though I was under 18. I can't remember what I expected, but it was so interesting to me that I came back with a couple of underage friends--and got in again. This is a very sophisticated film not only for its time, but for now. There is no surprise ending or plot twist, but the use of the film-within-a-film allows the characters to relate to the outside world even though all the action takes place within one studio apartment. And what they have to say makes as much sense now as it did then. This is a film that could be re-shot with a minor change of clothing style and would look and sound cutting edge.
While "Traffic", in its glossy, artfully edited, mainstream way, explores the glossy, mainstream life of at least some drug traffickers, "The Connection", in its gritty, black-and-white, hand-held way, explores the gritty, hand-held life of at least some of the customers.
I would recommend this film for anyone who is interested in serious exploration of the drug culture. For people who think "Trainspotting" too mainstream--or at least too narrow in approach. "The Connection", too, is narrow, but it helps round out the picture begun by "Traffic" and"Trainspotting".
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