7.7/10
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428 user 181 critic

Breakfast at Tiffany's (1961)

Not Rated | | Comedy, Drama, Romance | 6 October 1961 (USA)
Trailer
2:34 | Trailer
A young New York socialite becomes interested in a young man who has moved into her apartment building, but her past threatens to get in the way.

Director:

Blake Edwards

Writers:

Truman Capote (based on the novel by), George Axelrod (screenplay)
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Popularity
1,314 ( 248)
Won 2 Oscars. Another 10 wins & 13 nominations. See more awards »

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Cast

Complete credited cast:
Audrey Hepburn ... Holly Golightly
George Peppard ... Paul Varjak
Patricia Neal ... 2E Failenson
Buddy Ebsen ... Doc Golightly
Martin Balsam ... O.J. Berman
José Luis de Vilallonga ... José da Silva Pereira (as Vilallonga)
John McGiver ... Tiffany's Salesman
Dorothy Whitney Dorothy Whitney ... Mag Wildwood
Stanley Adams ... Rusty Trawler
Elvia Allman ... Librarian
Alan Reed ... Sally Tomato
Beverly Powers Beverly Powers ... Nightclub Stripper (as Miss Beverly Hills)
Claude Stroud ... Sid Arbuck
Orangey ... Cat (as Cat)
Mickey Rooney ... Mr. Yunioshi
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Storyline

Paul Varjak - a young wannabe writer and the kept young man of an older woman - Emily Eustace Failenson ays(aka '2E') - and meets Holly Golightly; a flighty Manhattan party girl, who's his neighbour in the brownstone she's set him up in. As Paul find out more about Holly, he begins to feel something for her, and she- always on the make - tries to be the insouciant waif. Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

Audrey Hepburn as Holly Golightly. . .the most hilarious heroine who ever rumpled the pages of a best-seller. . .is serving wild oats and wonderful fun! See more »

Genres:

Comedy | Drama | Romance

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook

Country:

USA

Language:

English | Portuguese | French | Japanese

Release Date:

6 October 1961 (USA) See more »

Also Known As:

Breakfast at Tiffany's See more »

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Box Office

Budget:

$2,500,000 (estimated)

Cumulative Worldwide Gross:

$357,750
See more on IMDbPro »

Company Credits

Production Co:

Jurow-Shepherd See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Included among the American Film Institute's 2000 list of the 500 movies nominated for the Top 100 Funniest American Movies. See more »

Goofs

Throughout the movie the name "José" is always said with the Hispanic pronunciation of the letter "J" (ho say), but the character is said to be Brazilian. Although Brazil has a Spanish-speaking minority, especially in the borderlands with Argentina and other nations, the nation's primary language is Portuguese, where J is pronounced similar to the French fashion as in Jean or Jacques. See more »

Quotes

[first lines]
Sid Arbuck: [seeing Holly enter her building] Hey!
[he chases her inside]
Sid Arbuck: Hey, baby, what's going on here?
Holly Golightly: Oh, hi!
See more »

Alternate Versions

The 45th Anniversary DVD release of the film includes revealing footage of the nightclub stripper that was previously left out of the earlier DVD and video releases. See more »

Connections

Referenced in Raised by Wolves: The Dorch (2015) See more »

Soundtracks

Moon River
(1961)
By Johnny Mercer and Henry Mancini
Played during the opening credits and often in the score
Performed by Audrey Hepburn (uncredited)
Whistled by George Peppard (uncredited)
See more »

Frequently Asked Questions

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User Reviews

Good. Very good.
1 May 2001 | by patrick3201See all my reviews

A lot has been said about this film, so I won't repeat too much of it. I just thought the following points stood out for me as wonderful:

-The telephone Holly keeps in a suitcase so she won't hear it. Holly. Ahhhh... Holly. Like some kind of female opposite of James Bond (stick with me here), men all want her, women all want to be her. We need to see *more* eccentric women in leading roles, as opposed to the dull boring stodge of overpaid 'sex symbols' like Julia Roberts or Nicole Kidman who can be pretty or serious but never interesting.

-George Peppard in his finest role, and brilliant it is too. It's a real shock to my generation that has been more accustomed to seeing him tragically underused on trash like the A-Team. It made me want to see more of his early films, and wonder what happened in the intervening years (alcohol, apparently :-( ). An icon of male sensitivity, and there are few enough of them around too.

-That chap who sells them the telephone dialler in Tiffany's. A tiny role that achieves its aims perfectly and makes life seem better, which is what you want really.

Many have said Tiffany's is too saccharine and cheerful, but I think it actually hits the perfect balance of cynicism and sentiment. There are moments of intense depression (which people often forget) as well as hopeful optimism, and these two working together are what make the film so uplifting and memorable.


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