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Breakfast at Tiffany's (1961)

Not Rated | | Comedy, Drama, Romance | 6 October 1961 (USA)
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2:34 | Trailer
A young New York socialite becomes interested in a young man who has moved into her apartment building, but her past threatens to get in the way.

Director:

Blake Edwards

Writers:

Truman Capote (based on the novel by), George Axelrod (screenplay)
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Popularity
1,128 ( 71)
Won 2 Oscars. Another 10 wins & 13 nominations. See more awards »

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Cast

Complete credited cast:
Audrey Hepburn ... Holly Golightly
George Peppard ... Paul Varjak
Patricia Neal ... 2E Failenson
Buddy Ebsen ... Doc Golightly
Martin Balsam ... O.J. Berman
José Luis de Vilallonga ... José da Silva Pereira (as Vilallonga)
John McGiver ... Tiffany's Salesman
Dorothy Whitney Dorothy Whitney ... Mag Wildwood
Stanley Adams ... Rusty Trawler
Elvia Allman ... Librarian
Alan Reed ... Sally Tomato
Beverly Powers Beverly Powers ... Nightclub Stripper (as Miss Beverly Hills)
Claude Stroud ... Sid Arbuck
Orangey ... Cat (as Cat)
Mickey Rooney ... Mr. Yunioshi
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Storyline

Paul Varjak - a young wannabe writer and the kept young man of an older woman - Emily Eustace Failenson ays(aka '2E') - and meets Holly Golightly; a flighty Manhattan party girl, who's his neighbour in the brownstone she's set him up in. As Paul find out more about Holly, he begins to feel something for her, and she- always on the make - tries to be the insouciant waif. Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

Audrey Hepburn plays Holly Golightly, the craziest heroine who ever crept between the pages of a best-selling novel! See more »

Genres:

Comedy | Drama | Romance

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook

Country:

USA

Language:

English | Portuguese | French | Japanese

Release Date:

6 October 1961 (USA) See more »

Also Known As:

Breakfast at Tiffany's See more »

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Box Office

Budget:

$2,500,000 (estimated)

Cumulative Worldwide Gross:

$357,750
See more on IMDbPro »

Company Credits

Production Co:

Jurow-Shepherd See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Included among the American Film Institute's Top 100 Greatest Songs for "Moon River," in fourth position right after "Somewhere Over the Rainbow", "As Time Goes By" and "Singin' in the Rain". See more »

Goofs

Cat is played by at least two cats, a yellow mackerel tabby and a yellow classic tabby, that change back and forth throughout the movie. (The Trivia section says there were at least nine cats.) See more »

Quotes

[first lines]
Sid Arbuck: [seeing Holly enter her building] Hey!
[he chases her inside]
Sid Arbuck: Hey, baby, what's going on here?
Holly Golightly: Oh, hi!
See more »

Alternate Versions

The 45th Anniversary DVD release of the film includes revealing footage of the nightclub stripper that was previously left out of the earlier DVD and video releases. See more »

Connections

Referenced in All in the Family: Archie and the Kiss (1973) See more »

Soundtracks

Moon River Cha Cha
(1961) (uncredited)
Words by Johnny Mercer
Music by Henry Mancini
See more »

Frequently Asked Questions

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User Reviews

 
Great Art or Guilty Pleasure?
6 February 2006 | by smc71See all my reviews

I am never sure which Breakfast at Tiffany's is. I can certainly think of movies which more accurately portray the human condition, but of few that are more fun.

Neither Holly nor Paul seem to represent real people. Their attraction, which is the focal point of the movie, is a character unto itself. Paul sees Holly as scared, vulnerable, and in need of rescue and enjoys his role as potential knight in shining armor to her damsel in distress. She is drawn to him because he sees beyond her facade of fabulousness to the scared little girl she is inside and which she tries (not that hard really at all) to hide. Adding to her attraction to him is the fact that he stands up to her when she treats him shoddily. This probably does not happen to her too often, and it intrigues her.

These are mostly the tricks a romance novelist uses to keep readers baited and rooting for a fictional, possibly doomed romance to work and do not reflect the real nature of love. There is, however, enough chemistry, genuine affection, and respect between the two characters to keep the story from seeming utterly implausible.

Of course, a movie doesn't have to be realistic to realistically portray what is right and what is wrong with the world we live in. Breakfast at Tiffany's doesn't do a whole lot of that either, though. After watching I can never pinpoint one solid message from it.

What it does have a lot of, as many others have pointed out, is stylish, witty, good fun. This is almost always the movie I choose on the rare occasions when my husband is working late, my son is asleep, I have energy to spare and good bottle of wine just begging to be uncorked. Believable or not, it is well-told and compelling, and remains one of the better movies a gal can lose herself in.


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