Summer. Muggy weather. Examinations. Miguel, a studious young man of normal habits, has brilliantly finished his degree in Law and is congratulated. His colleagues have had different luck. ... See full summary »
Ursus returns from war to find his fiancée, Attea, has been kidnapped by a mysterious sect which sacrifices virgins to its patron goddess. Ursus faces much treachery and is forced to ... See full summary »
The story revolves around Anne who is held hostage by an escaped maniac from an insane asylum. The fugitive forces her to tell stories to prevent her from getting help. Anne then spins a ... See full summary »
In a convent of cloistered nuns at the end of 19th century, the community celebrates the onomastics of its mother superior. They also receive a visit from the doctor, don José, an atheist ... See full summary »
Count Dracula, a gray-haired vampire who regains his youth by dining on the blood of maidens, is pursued in London and Transylvania by Professor Van Helsing, Jonathan Harker and Quincey Morris after he victimizes them and their loved ones.
Eugenie, a beautiful but shy young girl, lives with her stepfather, a famous writer specializing in stories of erotica. One day she happens to read one of his "erotic" books and its power ... See full summary »
First movie of cult 60's screen starlet Soledad Miranda
This musical comedy was cult starlet Soledad Miranda's first movie. The film is suprisingly similar to Moulin Rouge in its look, characters, and plot. We are in Madrid in 1914, where the most popular cabaret is the one ruled by the beautiful and shameless Mimí (Queta Claver), who has many suitors vying for her affection. When Mimí hears that there's a police agent (Herato, played by Jaime Avellán) determined to stamp out corruption, she plans on seducing him, disguising herself by acting and dressing like a proper lady. What follows is their romance. Soledad Miranda plays the lead dancer in the opening number and in all the other musical numbers in the movie. She has quite a bit of screen time for her first movie, mostly dancing, her talent in which surely led her to get this role. Quite interestingly, Soledad later appeared with fellow actors Antonio Garisa in Cuatro bodas y pico, Diana Lorys in Les cauchemars naissent la nuit and Sex Charade, and worked with director Elorrieta in Canción de cuna
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