A bank cashier, who's allergic to banknotes, quits his job after an armed robbery. He decides to start a new life, as a thief. He starts by targeting a popular former client, a butcher. But being a neurotic Marxist has its drawbacks.
Primary school teacher Mr. Mombelli, nevertheless satisfied with his life, is driven by his wife to resign and starting a new activity. He invest all his goodwill setting up a footwear ... See full summary »
Vito De Taranto
A conscientious factory worker gets his finger cut off by a machine. Although the physical handicap is not serious, the accident causes him to become more involved in political and revolutionary groups.
Gian Maria Volontè,
Vincenzo 'hunchback' plans a robbery on a armored police van with his gang. Once the job is done, his gang try to kill him and absconds with the loot. Vincenzo hides in the sewers before ... See full summary »
Told from the Japanese perspective, this war drama captures the events of World War II's Battle of Okinawa - a massive amphibious assault by U.S. troops that left more than 150,000 Japanese civilians dead.
The antiquarian Alfredo Martelli is brought to a police precinct without any explanation and interviewed by Inspector Palumbo. During the questioning, Martelli learns that his older wealthy mistress Adalgisa De Matteis was stabbed to death and he is the prime suspect. While in jail, Martelli recalls moments of his life with Adalgisa and his love affair with the young Nicoletta Nogaro.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
"L'Assassino" was Elio Petri's remarkably assured debut. It's a Kafkaesque story of a man, (Marcello Mastrioanni), under investigation for the murder of his former mistress, (Micheline Presle), The film flits back and forth between the investigation and events in Mastrioanni's past life. It's clear from the outset that what interests Petri isn't so much the prospect of making a thriller but dissecting the protagonist's way of life. This is the Italy of La Dolce Vita or at least the sweet life that was emerging for people like Mastrioanni if they could only keep themselves free of accusations of murder. This is one of his greatest performances but the film itself disappeared soon after its release and is now something of a cult film. Carlo Di Palma was responsible for the superb black and white cinematography.
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