6.4/10
103
2 user 1 critic

Anima nera (1962)

Not Rated | | Drama | 31 August 1962 (Italy)
A man with a past gets married and it seems that he will be able to start a new life, but an unexpected inheritance gets in the way and deteriorates the relationship with his wife.

Director:

Roberto Rossellini

Writers:

Giuseppe Patroni Griffi (play), Roberto Rossellini (screenplay) | 1 more credit »
Reviews
1 win. See more awards »

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Cast

Complete credited cast:
Vittorio Gassman ... Adriano Zucchelli
Nadja Tiller ... Mimosa
Annette Stroyberg ... Marcella
Yvonne Sanson ... Olga Manfredi
Tony Brown Tony Brown ... Guidino, Marcella's brother
Rina Braido Rina Braido ... Lucia
Giuliano Cocuzzoli Giuliano Cocuzzoli ... Sergio
Daniela Igliozzi Daniela Igliozzi ... Giovanna
Chery Million Chery Million ... Ballerina del night club
Armando Suscipi Armando Suscipi ... Il cavaliere
Eleonora Rossi Drago ... Alessandra
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Storyline

A man with a past gets married and it seems that he will be able to start a new life, but an unexpected inheritance gets in the way and deteriorates the relationship with his wife.

Plot Summary | Add Synopsis

Plot Keywords:

lesbian | based on play | See All (2) »

Genres:

Drama

Certificate:

Not Rated | See all certifications »
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Details

Country:

Italy | France

Language:

Italian

Release Date:

31 August 1962 (Italy) See more »

Also Known As:

Alma Negra See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Connections

Referenced in Rossellini visto da Rossellini (1993) See more »

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User Reviews

Bye Neorealism!Hi New Wave!
6 December 2006 | by dbdumonteilSee all my reviews

This movie is icily impersonal.All that made Rossellini one of the greatest directors ever seems to have vanished here.Rossellini's passion was history and the way he used the different backgrounds (WW2 in Italy,Germany after the fall,Europa in the early fifties ("Europa 51" was a revealing title) ,carbonari,etc) was subtle,engrossing and absorbing.He would continue in that vein with his admirable film about Louis XIV.

The early sixties context is rather vague .Rossellini's directing shows the influence of the FRench nouvelle vague ,not for better (if at least he had borrowed from Antonioni): filming on location in the streets of Roma,a very vague screenplay ,a character -well played by Vittorio Gassmann- with frames of mind.We will never really know whether he is a real b... as Eleonora Rossi Drago's baroness claims or simply a child of the war.He is 36 after all,and like his old friend Mimosa ,he probably got a raw deal,which his young wife cannot understand.The movie really takes off when Rossi-Drago appears.The first thirty minutes are almost worthless.

If you want to start a Rossellini collection,this is not the one to choose first.


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