Political drama about a honest but naive gubernatorial candidate who is manipulated by his corrupt campaign manager and is forced to temporarily cede power to his wife, a woman of integrity despite her shameful past.
Bo Gillis is running for Governor. Steve writes the speeches, Sylvester runs the campaign and Bo plays the guitar. Everything is going according to the plan until a hooker named Ada is setup with Bo one night. Even with her past, Bo decides to marry her, much to the astonishment of everyone. After the election, she has a created bio and is very adept at handling people. Bo Gillis, as Governor, finds that he has little influence as Sylvester runs the whole operation. Bo's function is only to sign what is given to him. But while Bo is weak and fails to push his reforms, Ada is strong and adept at doing what is best for Bo and her.Written by
Tony Fontana <firstname.lastname@example.org>
May the Lord Bless You Real Good
Written by Warren Roberts and Wally Fowler See more »
Lavish MGM production, set circa 1936 but with clothes and makeup (especially Susan Hayward's) strictly 1961, this cumbersome drama wants to be a mix of political intrigue, marital soap opera, and star power, but it comes up a bit short. In a nameless Southern state (which the screenwriters awkwardly disguise by having characters say "the state" over and over and over), hooker Hayward fascinates and marries gubernatorial candidate Dean Martin, a passive good- guy sort who does the bidding of Wilfrid Hyde-White, the greedy, unethical local boss who siphons state projects to his buddies, shades of 45. She shoves her way into the lieutenant governor's position, then, when Martin's car is blown up (we never find out by whom), becomes acting governor and shakes off the passivity Martin has been practicing. There are minor subplots involving Martin's college buddy Martin Balsam and Ralph Meeker, who's good as a lackey of Hyde-White's who keeps trying to cozy up to the title character, but the emphasis is on Susan's hair, her clothes, and her tough-gal demeanor: When a character says, "Give my regards to the governor," she snarls back, "You're talking to the governor." Dean looks disinterested and hasn't much to play, and Hyde-White employs an odd accent that isn't quite Brit and isn't quite Dixie. We're supposed to cheer as he's brought down and the governor's marriage recovers, but it's a pretty simplistic view of politics, and a key plot point--the opposition has a taped confession of Hayward's prostitute past--is resolved in an unpersuasively offhand way. Enjoyable, and very nicely shot, but you'll forget it the minute it's over.
5 of 8 people found this review helpful.
Was this review helpful to you?
| Report this