The Avengers investigate a series of murders of Corporate men, who have all been bidding on a new circuit element. Each one of them seems to have been killed by a powerful Karate blow, so Mrs. Peel ...
Mrs. Peel is bequeathed an old house by an uncle Jack, whom she never knew existed. In the event, he did not exist. The house is a former lunatic asylum and it is all a ruse by a vengeful ex-employee...
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John Steed and his new accomplices Purdey and Gambit find themselves facing new and deadly dangers in the bizarre world of espionage. Mixing fantasy with a darker edge, the trio face ... See full summary »
After resigning, a secret agent is abducted and taken to what looks like an idyllic village, but is really a bizarre prison. His warders demand information. He gives them nothing, but only tries to escape.
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Television series about a wealthy mystery man who runs a detective agency via a speakerphone and his personal assistant, John Bosley. His detectives are three beautiful women, who end up in... See full summary »
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John Steed works for British Intelligence and works with various partners, notably: Ian Hendry (series one), Cathy Gale (series two and three), Emma Peel (series four and five), and Tara King (series six). The problems he finds are always a bit odd, just on the edge of science fiction (Cyborg killers, a city built under a disused coal mine, a gang put together for adrenaline junkies, and a killer who uses a concentrated cold virus to kill his victims by having them sneeze to death). Steed is always the ultimate in culture and grace as he saves the world each week.Written by
John Vogel <firstname.lastname@example.org>
John Steed (Patrock McNee) had six partners in this show's eight-year run: Dr. David Keel (Ian Hendry), Dr. Martin King (Jon Rollason), Venus Smith (Julie Stevens), Mrs. Cathy Gale (Honor Blackman), Mrs. Emma Peel (Diana Rigg), and Tara King (Linda Thorson). See more »
Some episodes of the first color season begin with a title card "The Avengers in Color." See more »
In the United States during the 1970's, some fourth season syndication prints lacked the chessboard sequence before the title and some fifth and sixth season episodes lacked the champagne bottle sequence before the title. See more »
Definitely 60's and it is obvious. Yet this is still one of the most fun shows ever made. John Steed is the epitome of British class, right down to the Bentley in British Racing Green (notwithstanding the Tara King years).
Then there is Emma Peel, mmmmm Emma Peel. Aside from Diana Rigg's obvious physical charms her real appeal is the strength of her character. Totally confident, cool, classy, and capable (driving a Lotus Elan was also a big plus) Diana Rigg created a female character (which was resisted by the producers tooth and nail I understand) that surprised me even though I first saw the show over 20 years after it went off the air. Emma Peel was devoid of the traditional female stereotypes that permeate the airwaves always in need of rescue and if not are total cartoons. She could kick ass and frequently saved Steed's butt in the process. Mass media still has a major allergy to original, tough female characters which is a testament to the originality of the character.
Something was lost after Tara King took over. It was a return to the stereotypes and the show lost something for me, that and I didn't like Steed's new car, just didn't have the same class as his former Bentley.
Still I highly recommend watching it, fun plots, wry humor, over the top villains, great characters, and an impossible lack of blood. How can you not have fun watching this?
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