Steed has been having bad dreams involving Christmas trees and a man dressed as Santa Claus. At a party given by publisher and Dickens fan Brandon Storey, two telepathic spies attempt to read Steed's...
The Avengers investigate a series of murders of Corporate men, who have all been bidding on a new circuit element. Each one of them seems to have been killed by a powerful Karate blow, so Mrs. Peel ...
On their way to a closing down party at an air base the Avengers' car crashes when they swerve to avoid hitting a dog. The air base proves to be deserted and Steed is knocked out. When he recovers he...
Secret agent Steed, working for an unnamed branch of British intelligence, is teamed up with two partners to fight evil plots for world domination, dealing with suspended animation, biological warfare, robotics, and other threats.
The two top Agents of the United Network Command for Law and Enforcement (U.N.C.L.E.) fight the enemies of peace, particularly the forces of T.H.R.U.S.H.
Stars:
Robert Vaughn,
David McCallum,
Leo G. Carroll
Two worlds collide when the titled Englishman, Lord Brett Sinclair, and the Bronx-raised, self-made American Danny Wilde, reluctantly join forces to right wrongs, and to protect the innocent.
Stars:
Tony Curtis,
Roger Moore,
Laurence Naismith
After resigning, a secret agent is abducted and taken to what looks like an idyllic village, but is really a bizarre prison. His warders demand information. He gives them nothing, but only tries to escape.
Stars:
Patrick McGoohan,
Angelo Muscat,
Peter Swanwick
John Steed (Patrick Macnee) works for British Intelligence and works with various partners, notably: Dr. David Keel (Ian Hendry) (season one), Cathy Gale (Honor Blackman) (seasons two and three), Emma Peel (Dame Diana Rigg) (seasons four, five, and six), and Tara King (Linda Thorson) (season seven). The problems he finds are always a bit odd, just on the edge of science fiction (cyborg killers, a city built under a disused coal mine, a gang put together for adrenaline junkies, and a killer who used a concentrated cold virus to kill his victims by having them sneeze to death). Steed is always the ultimate in culture and grace as he saves the world each week.Written by
John Vogel <jlvogel@comcast.net>
Steed's full name is sometimes said to be John Wickham Gascoyne Beresford Steed. In fact, this was never once given on-screen, and was only used in the 1971 stage version of the show, co-written by Brian Clemens and Terence Feely, and directed by Leslie Phillips. Simon Oates played Steed in this decidedly comic interpretation of the parent series, with Sue Lloyd appearing as his sidekick Hannah Wild. The play was staged at Birmingham Theatre (Thursday, July 15 through Saturday, July 24, 1971) and London's Prince of Wales Theatre (until Monday, August 2, 1971). See more »
Goofs
Steed was an officer during World War Two, but episodes involving his past disagree as to whether he served in the Royal Army or the Royal Air Force. See more »
The closing credits for the first half of the final season (featuring Tara King) were a parody of the gunbarrel opening sequence in the James Bond films. See more »
Alternate Versions
Starting in the summer of 2004, the BBC America Channel aired prints of fifth and sixth season episodes with the humorous tag sequences at the end of episodes deleted. During the autumn of 2004, the prints were further altered, with the original closing credits sequence with shadowy images of Steed and Mrs. Peel against a blue background replaced by credits rapidly rolled past a plain black background. In early 2005, the same channel aired seventh season prints with the same changes. See more »
Definitely 60's and it is obvious. Yet this is still one of the most fun shows ever made. John Steed is the epitome of British class, right down to the Bentley in British Racing Green (notwithstanding the Tara King years).
Then there is Emma Peel, mmmmm Emma Peel. Aside from Diana Rigg's obvious physical charms her real appeal is the strength of her character. Totally confident, cool, classy, and capable (driving a Lotus Elan was also a big plus) Diana Rigg created a female character (which was resisted by the producers tooth and nail I understand) that surprised me even though I first saw the show over 20 years after it went off the air. Emma Peel was devoid of the traditional female stereotypes that permeate the airwaves always in need of rescue and if not are total cartoons. She could kick ass and frequently saved Steed's butt in the process. Mass media still has a major allergy to original, tough female characters which is a testament to the originality of the character.
Something was lost after Tara King took over. It was a return to the stereotypes and the show lost something for me, that and I didn't like Steed's new car, just didn't have the same class as his former Bentley.
Still I highly recommend watching it, fun plots, wry humor, over the top villains, great characters, and an impossible lack of blood. How can you not have fun watching this?
33 of 39 people found this review helpful.
Was this review helpful to you?
| Report this
Definitely 60's and it is obvious. Yet this is still one of the most fun shows ever made. John Steed is the epitome of British class, right down to the Bentley in British Racing Green (notwithstanding the Tara King years).
Then there is Emma Peel, mmmmm Emma Peel. Aside from Diana Rigg's obvious physical charms her real appeal is the strength of her character. Totally confident, cool, classy, and capable (driving a Lotus Elan was also a big plus) Diana Rigg created a female character (which was resisted by the producers tooth and nail I understand) that surprised me even though I first saw the show over 20 years after it went off the air. Emma Peel was devoid of the traditional female stereotypes that permeate the airwaves always in need of rescue and if not are total cartoons. She could kick ass and frequently saved Steed's butt in the process. Mass media still has a major allergy to original, tough female characters which is a testament to the originality of the character.
Something was lost after Tara King took over. It was a return to the stereotypes and the show lost something for me, that and I didn't like Steed's new car, just didn't have the same class as his former Bentley.
Still I highly recommend watching it, fun plots, wry humor, over the top villains, great characters, and an impossible lack of blood. How can you not have fun watching this?