Bill, Martha and their little child Hal are spending a quiet winter Sunday in their cosy house when they get an unexpected visit from Mike Nickerson and Tony Rodriguez. Mike and Tony are ... See full summary »
A young field administrator for the TVA comes to rural Tennessee to oversee the building of a dam on the Tennessee River. He encounters opposition from the local people, in particular a farmer who objects to his employment (with pay) of local black laborers. Much of the plot revolves around the eviction of an elderly woman from her home on an island in the River, and the young man's love affair with that woman's widowed granddaughter.Written by
Sam Neff <firstname.lastname@example.org>
At the time of the film, Clift was an alcoholic. Kazan extracted a promise from him that he would not drink during the shoot. With the help of his sympathetic co-stars, Lee Remick and Jo Van Fleet, he kept his word. See more »
At the very end of the movie, as Chuck and his new family are departing the movie story's location and are flying over and looking down on the now newly flooded island that had been his new wife's old home. This flooded island would actually have to be on the reservoir side of the damn when they closed the dam's flood gates that would cause the reservoir's waters to rise. However, in the very next shot their plane is shown approaching the damn from over the un-flooded river side. The reservoir where the flooded old home island they were just looking down on would in reality have to be on the other side of the damn they are now shown to be flying toward and over. See more »
There is little to add to the eloquent appreciations of Wild River by other users. Still, I want to pay my tribute. My father took me to see the film when I was a little girl and it made such an impression on me I have been searching for it for years. Odd, since I remembered nothing of the plot, retaining only fleeting images of autumn colours, Lee Remick's autumnal hair, the old ferry, an indelible impression of Montgomery Clift's face, the old woman surrounded by still 'figures in a landscape'. And the creation of a unique atmosphere so tangible, so lyrical, so elegiac it stayed with me for 40+ years. I've been wanting to know why it clung to me so. And wondering why it seemed to have disappeared without trace. This Christmas, in the fullness of time, my niece presented me with the DVD and I have at last seen it again. Why did it affect me so profoundly? That one's easy. Why had the film disappeared. That one's complex, as you know. What I hadn't expected was that stunning performance from the incomparable Jo Van Fleet. No Oscar? Were they mad? It is intensely interesting and sobering to reflect how politics can hold art hostage.
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