Six impossibly intelligent children from all over the world with dangerous psychic powers hide in a church in England after the military tries to experiment on them. Besieged, they warn the military to back off before carnage ensues.
Architect Walter Craig (Mervyn Johns) senses impending doom as his half-remembered recurring dream turns into reality. The guests at the country house encourage him to stay as they take turns telling supernatural tales.
In the small English village of Midwich everybody and everything falls into a deep, mysterious sleep for several hours in the middle of the day. Some months later every woman capable of child-bearing is pregnant and the children that are born out of these pregnancies seem to grow very fast and they all have the same blond hair and strange, penetrating eyes that make people do things they don't want to do.Written by
Leon Wolters <wolters@strw.LeidenUniv.nl>
Italian censorship visa # 33420 delivered on 23-11-1960. See more »
A soldier walks into the zone of unconsciousness wearing a gas mask and a tether rope, immediately passes out is dragged back out by his mates. But the supposedly unconscious soldier is clearly holding his head up off the ground as he is dragged along headfirst on his back. See more »
Prof. Gordon Zellaby:
Good morning. Uh, would you get me Major Bernard at his Whitehall number? Thank you.
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In order to get an 'A' certificate in the UK no optical effects shots were used in the UK print and original footage or alternative shots used instead. Both the UK and the 'standard' version of the film run to the same length. At the end of the film no glowing eyes are seen rising from the flames in the UK version which also has a "Made at M.G.M British Studios, Borehamwood, England" credit. Because this change was requested at the scripting stage there is no reason to believe that the two version of the film were not edited in tandem. It is incorrectly stated that the British print has the burning man sequence cut. This was a cut requested by the Production Code office in the US and is the same for both versions of the film, where the victim is never engulfed by the flames in close-up, which contradicts the long-shot seen in the sequence. See more »
A small countryside village in England experiences a time period of several hours where all living things lie lifeless and helpless. Anything living that connects within this sphere of lifelessness gets the like treatment. Everyone soon awakens from whatever happened, and soon the women of child-bearing years all get pregnant and are all due on the same day. Village of the Damned is one of those discerning, intelligent science fiction films of yesteryear that tends to leave much to your imagination in terms of gore and violence as well as make you think and ponder important questions about the limits with which humanity should go to procure knowledge. The children are decidedly very creepy as their eyes glow when they are angered. Martin Stephens as George Sanders' boy is particularly good as he looks and speaks with such class and distinction yet has the conscience of a cold-blooded, calculated killer. Sanders is also very good in his role as a man torn between bridging the field of knowledge with the unknown and protecting mankind from foreign/alien harm. His wife, played with credibility, is Hammer beauty Barbara Shelley. A great British science fiction film and certainly one of the more thought-provoking ones around.
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